(may have some duplicate listings with PDF list) 

05-19.scl
5 out of 19-tET
|
|
05-22.scl
Pentatonic "generator" of 09-22.scl
|
|
05-24.scl
5 out of 24-tET, symmetrical
|
|
06-41.scl
Hexatonic scale in 41-tET
|
|
07-19.scl
7 out of 19-tET, major
|
|
07-37.scl
Miller's Porcupine-7
|
|
08-11.scl
8 out of 11-tET
|
|
08-13.scl
8 out of 13-tET
|
|
08-19.scl
8 out of 19-tET
|
|
08-19a.scl
Kleismic, generator is 6/5, in 19-tET
|
|
08-37.scl
Miller's Porcupine-8
|
|
09-15.scl
Charyan scale of Andal, 1/1=a. Boudewijn Rempt, 1999.
|
|
09-19.scl
9 out of 19-tET
|
|
09-22.scl
Three interval "Tryhill" scale in 22-tET, TL 05-12-2000
|
|
09-23.scl
9 out of 23-tET, Dan Stearns
|
|
09-29.scl
Cycle of g=124.138 in 29-tET
|
|
10-13.scl
Carl Lumma, 10 out of 13-tET MOS, TL 21-12-1999
|
|
10-19.scl
10 out of 19-tET. For 9 out of 19 discard degree 3
|
|
10-29.scl
10 out of 29-tET, chain of 124.138 cents intervals, Keenan                      
|
|
10-48.scl
Chain of 10 g=125 generators, in 48-tET
|
|
10-72.scl
Chain of 10 Miracle generators g=116.667, in 72-tET
|
|
11-19-gould.scl
11 out of 19-tET, Mark Gould, 2002
|
|
11-19-krantz.scl
11 out of 19-tET, Richard Krantz
|
|
11-19-mandel.scl
11 out of 19-tET, Joel Mandelbaum
|
|
11-19-mclaren.scl
11 out of 19-tET, Brian McLaren. Asc: 311313313 Desc: 313131313
|
|
11-23.scl
11 out of 23-tET, Dan Stearns                                                   
|
|
11-31.scl
Jon Wild, 11 out of 31-tET, chain of "7/6"s. TL 9-9-99                          
|
|
12-19.scl
12 out of 19-tET scale from Mandelbaum's dissertation
|
|
12-22.scl
Hexachordal 12-tone scale in 22-tET                                             
|
|
12-22a.scl
12 out of 22-tET, Pythagorean. Paul Erlich, TL 4-4-2000
|
|
12-31.scl
12 out of 31-tET, meantone Eb-G#
|
|
12-43.scl
12 out of 43-tET (1/5-comma meantone)
|
|
12-46.scl
12 out of 46-tET, diaschismic
|
|
12-50.scl
12 out of 50-tET, meantone Eb-G#
|
|
12-55.scl
12 out of 55-tET (1/6-comma meantone)
|
|
12-70.scl
Mix of 7-tET and 5-tET shifted 120 cents
|
|
12-91.scl
12 out of 91-tET (1/7-comma meantone)
|
|
13-19.scl
13 out of 19-tET
|
|
13-31.scl
13 out of 31-tET
|
|
14-19.scl
14 out of 19-tET
|
|
14-26.scl
Two interlaced diatonic in 26-tET, tetrachordal. Paul Erlich (1996)             
|
|
14-26a.scl
Two interlaced diatonic in 26-tET, maximally even. Paul Erlich (1996)           
|
|
15-27-gram.scl
15 out of 27-ET, Gram tuning
|
|
15-27.scl
15 out of 27-tET
|
|
15-37.scl
Miller's Porcupine-15
|
|
16-139.scl
g=9 steps of 139-tET. Gene Ward Smith "Quartaminorthirds" 7-limit temperament
|
|
17-31.scl
17 out of 31, with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
|
|
17-53.scl
17 out of 53-tET, Arabic Pythagorean scale                                      
|
|
19-31.scl
19 out of 31-tET, meantone Gb-B#
|
|
19-31a.scl
Septimal interpretation of 19 out of 31-tET, OdC
|
|
19-31ji.scl
A septimal interpretation of 19 out of 31 tones, after Wilson, XH7+8            
|
|
19-36.scl
19 out of 36-tET, Tomasz Liese, Tuning List, 1997
|
|
19-50.scl
19 out of 50-tET, meantone Gb-B#
|
|
19-53.scl
19 out of 53-tET by Larry H. Hanson, 1978                                       
|
|
19-55.scl
19 out of 55-tET, meantone Gb-B#
|
|
19-any.scl
2 out of 1/7 1/5 1/3 1 3 5 7 CPS                                                
|
|
20-31.scl
20 out of 31-tET
|
|
20-55.scl
20 out of 55-tET, J. Chesnut: Mozart's teaching of intonation, JAMS 30/2 (1977)
|
|
21-any.scl
1.3.5.7.9.11.13 2)7 21-any, 1.3 tonic                                           
|
|
22-41.scl
22 out of 41 by Stephen Soderberg, TL 17-11-98                                  
|
|
22-46.scl
22 shrutis out of 46-tET by Graham Breed
|
|
22-53.scl
22 shrutis out of 53-tET                                                        
|
|
24-36.scl
12 and 18-tET mixed
|
|
24-41.scl
24 out of 41-tET neutral third generator, 22 neutral triads, Op de Coul, 2001
|
|
24-60.scl
12 and 15-tET mixed
|
|
24-94.scl
24 tone schismic temperament in 94-et, Gene Ward Smith, 2002
|
|
28-any.scl
6)8 28-any from 1.3.5.7.9.11.13.15, only 26 tones                               
|
|
30-29-min3.scl
30/29 x 29/28 x 28/27 plus 6/5                                                  
|
|
56-any.scl
3)8 56-any from 1.3.5.7.9.11.13.15, 1.3.5 tonic, only 48 notes                  
|
|
70-any.scl
1.3.5.7.11.13.17.19 4)8 70-any, tonic 1.3.5.7                                   
|
|
abell1.scl
Ross Abell's French Baroque Meantone 1, a'=520                                  
|
|
abell2.scl
Ross Abell's French Baroque Meantone 2, a'=520                                  
|
|
abell3.scl
Ross Abell's French Baroque Meantone 3, a' = 520                                
|
|
abell4.scl
Ross Abell's French Baroque Meantone 4, a'=520                                  
|
|
abell5.scl
Ross Abell's French Baroque Meantone 5, a'=520                                  
|
|
abell6.scl
Ross Abell's French Baroque Meantone 6, a'=520                                  
|
|
abell7.scl
Ross Abell's French Baroque Meantone 7, a'=520                                  
|
|
abell8.scl
Ross Abell's French Baroque Meantone 8, a'=520                                  
|
|
abell9.scl
Ross Abell's French Baroque Meantone 9, a'=520                                  
|
|
ad-dik.scl
Amin Ad-Dik, d'Erlanger, vol 5, p.42                                            
|
|
adjeng.scl
Soeroepan adjeng
|
|
aeolic.scl
Ancient Greek Aeolic, also tritriadic scale of the 54:64:81 triad               
|
|
agricola.scl
Agricola's Monochord, Rudimenta musices (1539)                                  
|
|
al-din.scl
Safi al-Din's complete lute tuning on 5 strings 4/3 apart                       
|
|
al-din_19.scl
Arabic scale by Safi al-Din                                                     
|
|
al-farabi.scl
Al-Farabi Syn Chrom                                                             
|
|
al-farabi_19.scl
Arabic scale by Al Farabi                                                       
|
|
al-farabi_blue.scl
Another tuning from Al Farabi, c700 AD                                          
|
|
al-farabi_chrom.scl
Al Farabi's Chromatic c700 AD                                                   
|
|
al-farabi_chrom2.scl
Al-Farabi's Chromatic permuted                                                  
|
|
al-farabi_diat.scl
Al-Farabi's Diatonic
|
|
al-farabi_diat2.scl
Old Phrygian, permuted form of Al-Farabi's reduplicated 10/9 diatonic genus, same as ptolemy_diat.scl
|
|
al-farabi_div.scl
Al Farabi's 10 intervals for the division of the tetrachord                     
|
|
al-farabi_div2.scl
Al-Farabi's tetrachord division, incl. extra 2187/2048 & 19683/16384            
|
|
al-farabi_divo.scl
Al Farabi's theoretical octave division with identical tetrachords, 10th c.     
|
|
al-farabi_dor.scl
Dorian mode of Al-Farabi's 10/9 Diatonic                                        
|
|
al-farabi_dor2.scl
Dorian mode of Al-Farabi's Diatonic                                             
|
|
al-farabi_g1.scl
Al-Farabi's Greek genus conjunctum medium, Land
|
|
al-farabi_g10.scl
Al-Farabi's Greek genus chromaticum forte                                       
|
|
al-farabi_g11.scl
Al-Farabi's Greek genus chromaticum mollissimum                                 
|
|
al-farabi_g12.scl
Al-Farabi's Greek genus mollissimum ordinantium                                 
|
|
al-farabi_g3.scl
Al-Farabi's Greek genus conjunctum primum                                       
|
|
al-farabi_g4.scl
Al-Farabi's Greek genus forte duplicatum primum                                 
|
|
al-farabi_g5.scl
Al-Farabi's Greek genus conjunctum tertium, or forte aequatum                   
|
|
al-farabi_g6.scl
Al-Farabi's Greek genus forte disjunctum primum                                 
|
|
al-farabi_g7.scl
Al-Farabi's Greek genus non continuum acre                                      
|
|
al-farabi_g8.scl
Al-Farabi's Greek genus non continuum mediocre                                  
|
|
al-farabi_g9.scl
Al-Farabi's Greek genus non continuum laxum                                     
|
|
al-hwarizmi.scl
Al-Hwarizmi's tetrachord division                                               
|
|
al-kindi.scl
Al-Kindi's tetrachord division                                                  
|
|
al-kindi2.scl
Arabic mode by al-Kindi
|
|
al-mausili.scl
Arabic mode by Ishaq al-Mausili,  ? - 850 AD
|
|
albion.scl
Terry Riley's Harp of New Albion scale, inverse Malcolm's Monochord, 1/1 on C#
|
|
alembert.scl
Jean-Le Rond d'Alembert modified meantone (1752)
|
|
alembert2.scl
d'Alembert (?)                                                                  
|
|
alves.scl
Bill Alves, tuning for "Instantaneous Motion", 1/1 vol. 6/3                     
|
|
angklung.scl
Scale of an anklung set from Tasikmalaya. 1/1=174 Hz
|
|
appunn.scl
Probable tuning of A. Appunn's 36-tone harmonium w. 3 manuals 80/81 apart,1887
|
|
arabic.scl
Arabic 17-tone Pythagorean mode, Safi al-Din                                    
|
|
arabic_s.scl
Schimatically altered Arabic 17-tone Pythagorean mode
|
|
arch_chrom.scl
Archytas' Chromatic                                                             
|
|
arch_chromc2.scl
Product set of 2 of Archytas' Chromatic                                         
|
|
arch_dor.scl
Dorian mode of Archytas' Chromatic with added 16/9                              
|
|
arch_enh.scl
Archytas' Enharmonic                                                            
|
|
arch_enh2.scl
Archytas' Enharmonic with added 16/9                                            
|
|
arch_enh3.scl
Complex 9 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enhp.scl
Permutation of Archytas's Enharmonic with the  36/35 first                      
|
|
arch_enht.scl
Complex 6 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enht2.scl
Complex 5 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enht3.scl
Complex 1 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enht4.scl
Complex 8 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enht5.scl
Complex 10 of p. 113 based on Archytas's Enharmonic                             
|
|
arch_enht6.scl
Complex 2 of p. 113 based on Archytas's Enharmonic                              
|
|
arch_enht7.scl
Complex 11 of p. 113 based on Archytas's Enharmonic                             
|
|
arch_mult.scl
Multiple Archytas                                                               
|
|
arch_ptol.scl
Archytas/Ptolemy Hybrid 1                                                       
|
|
arch_ptol2.scl
Archytas/Ptolemy Hybrid 2                                                       
|
|
arch_sept.scl
Archytas Septimal                                                               
|
|
ariel1.scl
Ariel 1                                                                         
|
|
ariel2.scl
Ariel 2                                                                         
|
|
ariel3.scl
Ariel's 12-tone JI scale                                                        
|
|
ariel_19.scl
Ariel 19-tone scale                                                             
|
|
ariel_31.scl
Ariel's 31-tone system                                                          
|
|
arist_archenh.scl
PsAristo Arch. Enharmonic, 4 + 3 + 23 parts, similar to Archytas' enharmonic
|
|
arist_chrom.scl
Dorian, Neo-Chromatic,6+18+6 parts = Athanasopoulos' Byzant.liturg. 2nd chromatic
|
|
arist_chrom2.scl
Dorian Mode, a 1:2 Chromatic, 8 + 18 + 4 parts
|
|
arist_chrom3.scl
PsAristo 3 Chromatic, 7 + 7 + 16 parts                                          
|
|
arist_chrom4.scl
PsAristo Chromatic, 5.5 + 5.5 + 19 parts                                        
|
|
arist_chromenh.scl
Aristoxenos' Chromatic/Enharmonic, 3 + 9 + 18 parts
|
|
arist_chrominv.scl
Aristoxenos' Inverted Chromatic, Dorian mode, 18 + 6 + 6 parts                  
|
|
arist_chromrej.scl
Aristoxenos Rejected Chromatic, 6 + 3 + 21 parts                                
|
|
arist_chromunm.scl
Unmelodic Chromatic, genus of Aristoxenos, Dorian Mode, 4.5 + 3.5 + 22 parts    
|
|
arist_diat.scl
Phrygian octave species on E, 12 + 6 + 12 parts
|
|
arist_diat2.scl
PsAristo 2 Diatonic, 7 + 11 + 12 parts
|
|
arist_diat3.scl
PsAristo Diat 3, 9.5 + 9.5 + 11 parts
|
|
arist_diat4.scl
PsAristo Diatonic, 8 + 8 + 14 parts
|
|
arist_diatdor.scl
PsAristo Redup. Diatonic, 14 + 2 + 14 parts
|
|
arist_diatinv.scl
Lydian octave species on E, major mode, 12 + 12 + 6 parts
|
|
arist_diatred.scl
Aristo Redup. Diatonic, Dorian Mode, 14 + 14 + 2 parts
|
|
arist_diatred2.scl
PsAristo 2 Redup. Diatonic 2, 4 + 13 + 13 parts
|
|
arist_diatred3.scl
PsAristo 3 Redup. Diatonic, 8 + 11 + 11 parts
|
|
arist_enh.scl
Aristoxenos' Enharmonion, Dorian mode
|
|
arist_enh2.scl
PsAristo 2 Enharmonic, 3.5 + 3.5 + 23 parts
|
|
arist_enh3.scl
PsAristo Enharmonic, 2.5 + 2.5 + 25 parts
|
|
arist_hemchrom.scl
Aristoxenos's Chromatic Hemiolion, Dorian Mode
|
|
arist_hemchrom2.scl
PsAristo C/H Chromatic, 4.5 + 7.5 + 18 parts
|
|
arist_hemchrom3.scl
Dorian mode of Aristoxenos' Hemiolic Chromatic according to Ptolemy's interpret 
|
|
arist_hypenh2.scl
PsAristo 2nd Hyperenharmonic, 37.5 + 37.5 + 425 cents                           
|
|
arist_hypenh3.scl
PsAristo 3 Hyperenharmonic, 1.5 + 1.5 + 27 parts                                
|
|
arist_hypenh4.scl
PsAristo 4 Hyperenharmonic, 2 + 2 + 26 parts                                    
|
|
arist_hypenh5.scl
PsAristo Hyperenharmonic, 23 + 23 + 454 cents                                   
|
|
arist_intdiat.scl
Dorian mode of Aristoxenos's Intense Diatonic according to Ptolemy              
|
|
arist_penh2.scl
Permuted Aristoxenos's Enharmonion, 3 + 24 + 3 parts                            
|
|
arist_penh3.scl
Permuted Aristoxenos's Enharmonion, 24 + 3 + 3 parts                            
|
|
arist_pschrom2.scl
PsAristo 2 Chromatic, 6.5 + 6.5 + 17 parts                                      
|
|
arist_softchrom.scl
Aristoxenos's Chromatic Malakon, Dorian Mode
|
|
arist_softchrom2.scl
Aristoxenos' Soft Chromatic, 6 + 16.5 + 9.5 parts                               
|
|
arist_softchrom3.scl
Aristoxenos's Chromatic Malakon, 9.5 + 16.5 + 6 parts                           
|
|
arist_softchrom4.scl
PsAristo S. Chromatic, 6 + 7.5 + 16.5 parts                                     
|
|
arist_softchrom5.scl
Dorian mode of Aristoxenos' Soft Chromatic according to Ptolemy's interpretati  
|
|
arist_softdiat.scl
Aristoxenos's Diatonon Malakon, Dorian Mode
|
|
arist_softdiat2.scl
Dorian Mode, 6 + 15 + 9 parts                                                   
|
|
arist_softdiat3.scl
Dorian Mode, 9 + 15 + 6 parts                                                   
|
|
arist_softdiat4.scl
Dorian Mode, 9 + 6 + 15 parts                                                   
|
|
arist_softdiat5.scl
Dorian Mode, 15 + 6 + 9 parts                                                   
|
|
arist_softdiat6.scl
Dorian Mode, 15 + 9 + 6 parts                                                   
|
|
arist_softdiat7.scl
Dorian mode of Aristoxenos's Soft Diatonic according to Ptolemy                 
|
|
arist_synchrom.scl
Aristoxenos's Chromatic Syntonon, Dorian Mode
|
|
arist_syndiat.scl
Aristoxenos's Diatonon Syntonon, Dorian Mode                                    
|
|
arist_unchrom.scl
Aristoxenos's Unnamed Chromatic, Dorian Mode, 4 + 8 + 18 parts
|
|
arist_unchrom2.scl
Dorian Mode, a 1:2 Chromatic, 8 + 4 + 18 parts
|
|
arist_unchrom3.scl
Dorian Mode, a 1:2 Chromatic, 18 + 4 + 8 parts
|
|
arist_unchrom4.scl
Dorian Mode, a 1:2 Chromatic, 18 + 8 + 4 parts
|
|
arith13.scl
The first 13 terms of the arithmetic series, octave reduced                     
|
|
arith22.scl
The first 22 terms of the arithmetic series, octave reduced                     
|
|
aron-neidhardt.scl
Aron-Neidhardt equal beating well temperament
|
|
artusi.scl
Lute tuning of Giovanni Maria Artusi (1603). 1/4-comma w. acc. 1/2-way naturals 
|
|
art_nam.scl
Artificial Nam System                                                           
|
|
athan_chrom.scl
Athanasopoulos's Byzantine Liturgical mode Chromatic                            
|
|
auftetf.scl
5/4 C.I. again                                                                  
|
|
augmented.scl
Augmented temperament, g=91.2, oct=1/3, 5-limit
|
|
augteta.scl
Linear Division of the 11/8, duplicated on the 16/11                            
|
|
augteta2.scl
Linear Division of the 7/5, duplicated on the 10/7                              
|
|
augtetb.scl
Harmonic mean division of 11/8                                                  
|
|
augtetc.scl
11/10 C.I.                                                                      
|
|
augtetd.scl
11/9 C.I.                                                                       
|
|
augtete.scl
5/4 C.I.                                                                        
|
|
augtetg.scl
9/8 C.I.                                                                        
|
|
augteth.scl
9/8 C.I. A gapped version of this scale is called AugTetI                       
|
|
augtetj.scl
9/8 C.I. comprised of 11:10:9:8 subharmonic series on 1 and 8:9:10:11 on 16/11  
|
|
augtetk.scl
9/8 C.I. This is the converse form of AugTetJ                                   
|
|
augtetl.scl
9/8 C.I. This is the harmonic form of AugTetI                                   
|
|
avg_bac.scl
Average Bac System                                                              
|
|
avicenna.scl
Soft diatonic of Avicenna (Ibn Sina)
|
|
avicenna_19.scl
Arabic scale by Ibn Sina                                                        
|
|
avicenna_chrom.scl
Dorian mode a chromatic genus of Avicenna                                       
|
|
avicenna_chrom2.scl
Dorian Mode, a 1:2 Chromatic, 4 + 18 + 8 parts                                  
|
|
avicenna_chrom3.scl
Avicenna's Chromatic permuted                                                   
|
|
avicenna_diat.scl
Dorian mode a soft diatonic genus of Avicenna                                   
|
|
avicenna_diff.scl
Difference tones of Avicenna's Soft diatonic reduced by 2/1                     
|
|
avicenna_enh.scl
Dorian mode of Avicenna's (Ibn Sina) Enharmonic genus                           
|
|
awad.scl
d'Erlanger vol.5, p.37, after Mans.ur 'Awad                                     
|
|
awraamoff.scl
Awraamoff Septimal Just                                                         
|
|
ayers.scl
Lydia Ayers, algorithmic composition.                                           
|
|
ayers_19.scl
Scale for NINETEEN, for 19 for the 90's CD. Repeats at 37/19 (or 2/1)           
|
|
ayers_ap.scl
Lydia Ayers' Appetizer, ICMC 96, Balinese Slendro from Singaraja,               
|
|
ayers_me.scl
Scale for Merapi (1996), Lydia Ayers. Slendro 0 2 4 5 7 9, Pelog 0 1 3 6 8 9    
|
|
b10_13.scl
10-tET approximation with minimal order 13 beats                                
|
|
b12_17.scl
12-tET approximation with minimal order 17 beats                                
|
|
b14_19.scl
14-tET approximation with minimal order 19 beats                                
|
|
b15_21.scl
15-tET approximation with minimal order 21 beats                                
|
|
b8_11.scl
8-tET approximation with minimal order 11 beats                                 
|
|
badings1.scl
Henk Badings, harmonic scale, Lydomixolydisch
|
|
badings2.scl
Henk Badings, subharmonic scale, Dorophrygisch
|
|
bagpipe2.scl
Highland Bagpipe, from Acustica4: 231 (1954) J.M.A Lenihan and S. McNeill
|
|
bagpipe3.scl
Highland Bagpipe, Allan Chatto, 1991. From Australian Pipe Band College
|
|
bagpipe4.scl
Highland Bagpipe, Ewan Macpherson in 'NZ Pipeband', Winter 1998
|
|
balafon.scl
Observed balafon tuning from Patna
|
|
balafon2.scl
Observed balafon tuning from West-Africa
|
|
balafon3.scl
Pitt-River's balafon tuning from West-Africa
|
|
balafon4.scl
Mandinka balafon scale from Gambia
|
|
bamboo.scl
Pythagorean scale with fifth average from Chinese bamboo tubes
|
|
bapere.scl
African, Bapere Horns Aerophone, made of reed, one note each
|
|
barbour_chrom1.scl
Barbour's #1 Chromatic                                                          
|
|
barbour_chrom2.scl
Barbour's #2 Chromatic                                                          
|
|
barbour_chrom3.scl
Barbour's #3 Chromatic                                                          
|
|
barbour_chrom3p.scl
permuted Barbour's #3 Chromatic                                                 
|
|
barbour_chrom3p2.scl
permuted Barbour's #3 Chromatic                                                 
|
|
barbour_chrom4.scl
Barbour's #4 Chromatic                                                          
|
|
barbour_chrom4p.scl
permuted Barbour's #4 Chromatic                                                 
|
|
barbour_chrom4p2.scl
permuted Barbour's #4 Chromatic                                                 
|
|
barca.scl
Barca                                                                           
|
|
barca_a.scl
Barca A                                                                         
|
|
barkechli.scl
Mehdi Barkechli, 27-tone pyth. Arabic scale                                     
|
|
barnes.scl
John Barnes' temperament (1979) made after analysis of Wohltemperierte Klavier
|
|
beardsley_8.scl
David Beardsley's scale used in "Sonic Bloom", 1999                             
|
|
becket.scl
Quasi-equal temperament by the Becket and Co. plan (1840)                       
|
|
belet.scl
Belet, Brian 1992  Proceedings of the ICMC pp.158-161.                          
|
|
bellingwolde.scl
Modified 1/6-P. comma meantone of Freytag Organ in Bellingwolde. Ortgies,2002
|
|
bemetzrieder2.scl
Anton Bemetzrieder temperament 2 (1808), is Vallotti in F#.                     
|
|
bendeler.scl
J. Ph. Bendeler well temperament
|
|
bermudo.scl
Irregular temperament of Fr.J. Bermudo (1555)
|
|
bethisy.scl
Bethisy temperament ordinaire, see Pierre-Yves Asselin: Musique et temperament
|
|
bey-r.scl
Idris Ragib Bey, vol.5 d'Erlanger, p 40. Idris Rag'ib Bey                       
|
|
bey_24.scl
Yekta Bey, 24-tone pyth. Arabic scale                                           
|
|
biggulp.scl
Big Gulp                                                                        
|
|
blackjack.scl
21 note MOS of "MIRACLE" temperament, Erlich & Keenan, miracle1.scl,TL 2-5-2001
|
|
blackjack_r.scl
Rational "Wilson/Grady"-style version, Paul Erlich, TL 28-11-2001
|
|
blackwood_6.scl
Easley Blackwood, whole tone scale, arrangement of 4:5:7:9:11:13, 1/1=G, p.114
|
|
blackwood_9.scl
Blackwood, scale with pure triads on I II III IV VI and dom.7th on V. page 83
|
|
blasquinten.scl
Blasquintenzirkel. 23 fifths in 2 oct. C. Sachs, Vergleichende Musikwiss. p. 28
|
|
boeth_chrom.scl
Boethius's Chromatic. The CI is 19/16                                           
|
|
boeth_enh.scl
Boethius's Enharmonic, with a CI of 81/64 and added 16/9                        
|
|
bohlen-eg.scl
Bohlen-Pierce with two tones altered by minor BP diesis, slightly more equal
|
|
bohlen-p.scl
See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86 (1978)         
|
|
bohlen-p_9.scl
Bohlen-Pierce subscale by J.R. Pierce with 3:5:7 triads                         
|
|
bohlen-p_9a.scl
Pierce's 9 of 3\13, see Mathews et al., J. Acoust. Soc. Am. 84, 1214-1222
|
|
bohlen-p_ebt.scl
Bohlen-Pierce scale with equal beating 7/3 tenth                                
|
|
bohlen-p_ebt2.scl
Bohlen-Pierce scale with equal beating 7/5 tritone
|
|
bohlen-p_et.scl
13-tone equal division of 3/1. Bohlen-Pierce equal approximation                
|
|
bohlen5.scl
5-limit version of Bohlen-Pierce                                                
|
|
bohlen_11.scl
11-tone scale by Bohlen, generated from the 1/1 3/2 5/2 triad                   
|
|
bohlen_12.scl
12-tone scale by Bohlen generated from the 4:7:10 triad, Acustica 39/2, 1978
|
|
bohlen_8.scl
See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86 (1978)         
|
|
bohlen_delta.scl
Bohlen's delta scale, a mode B-P, see Acustica 39: 76-86 (1978)                 
|
|
bohlen_d_ji.scl
Bohlen's delta scale, just version. "Dur" form, "moll" is inversion.            
|
|
bohlen_enh.scl
Bohlen-Pierce scale, all enharmonic tones                                       
|
|
bohlen_eq.scl
Most equal selection from all enharmonic Bohlen-Pierce tones                    
|
|
bohlen_gamma.scl
Bohlen's gamma scale, a mode of the Bohlen-Pierce scale                         
|
|
bohlen_g_ji.scl
Bohlen's gamma scale, just version                                              
|
|
bohlen_harm.scl
Bohlen's harmonic scale, inverse of lambda                                      
|
|
bohlen_h_ji.scl
Bohlen's harmonic scale, just version                                           
|
|
bohlen_lambda.scl
Bohlen's lambda scale, a mode of the Bohlen-Pierce scale                        
|
|
bohlen_lambda_pyth.scl
Dave Benson's BP-Pythagorean scale, lambda mode of bohlen_pyth.scl
|
|
bohlen_l_ji.scl
Bohlen's lambda scale, just version                                             
|
|
bohlen_mean.scl
1/3 minor BP diesis (245/243) tempered 7/3 meantone scale
|
|
bohlen_pyth.scl
Cycle of 13 7/3 BP tenths
|
|
bohlen_t.scl
Bohlen, scale based on the twelfth                                              
|
|
bohlen_t_ji.scl
Bohlen, scale based on twelfth, just version                                    
|
|
bolivia.scl
Observed scale from pan-pipe from La Paz. 1/1=171 Hz.
|
|
boomsliter.scl
Boomsliter & Creel basic set of their referential tuning.                       
|
|
boulliau.scl
Monsieur Boulliau's irregular temp. (1373), reported by Mersenne in 1636.       
|
|
bps_temp17.scl
Bohlen-Pierce-Stearn temperament. Highest 7-limit error 8.4 cents, 2001
|
|
breed-blues1.scl
Graham Breed's blues scale in 22-tET                                            
|
|
breed-blues2.scl
Graham Breed's blues scale in 29-tET                                            
|
|
breed-dias13.scl
13-limit Diaschismic temperament, g=103.897, oct=1/2, 13-limit
|
|
breed-ht.scl
Hemithird temperament, g=193.202, 5-limit
|
|
breed-kleismic.scl
Kleismic temperament, g=317.080, 5-limit
|
|
breed-magic.scl
Graham Breed's Magic temperament, g=380.384, 9-limit, close to 41-tET
|
|
breed-mult29.scl
Multiple-29 temperament, g=15.563, oct=1/29, 15-limit
|
|
breed.scl
Graham Breed's fourth based 12-tone keyboard scale. Tuning List 23-10-97        
|
|
breed4-3.scl
Graham Breed's neutral third chain subset of 7+3 scale in 24-tET                
|
|
breed7-3.scl
Graham Breed's 7 + 3 scale in 24-tET                                            
|
|
breedt1.scl
Graham Breed's 1/4 P temperament, TL 10-06-99                                   
|
|
breedt2.scl
Graham Breed's 1/5 P temperament, TL 10-06-99                                   
|
|
breedt3.scl
Graham Breed's other 1/4 P temperament, TL 10-06-99                             
|
|
brown.scl
Tuning of Colin Brown's Voice Harmonium, Glasgow. Helmholtz/Ellis p. 470-473    
|
|
bulgaria.scl
Bulgarian bagpipe tuning
|
|
burma.scl
Observed patala tuning from Burma
|
|
burma2.scl
Observed balafon tuning from Burma
|
|
burma3.scl
Burmese scale, von Hornbostel
|
|
burt-forks.scl
Warren Burt 19-tone Forks. Interval 5(3): pp. 13+23 Winter 1986-87              
|
|
burt1.scl
W. Burt's 13diatsub #1                                                          
|
|
burt10.scl
W. Burt's 19enhsub #10                                                          
|
|
burt11.scl
W. Burt's 19enhharm #11                                                         
|
|
burt12.scl
W. Burt's 19diatharm #12                                                        
|
|
burt13.scl
W. Burt's 23diatsub #13                                                         
|
|
burt14.scl
W. Burt's 23enhsub #14                                                          
|
|
burt15.scl
W. Burt's 23enhharm #15                                                         
|
|
burt16.scl
W. Burt's 23diatharm #16                                                        
|
|
burt17.scl
W. Burt's "2 out of 3,5,11,17,31 dekany" CPS with 1/1=3/1. 1/1 vol. 10(1) '98   
|
|
burt18.scl
W. Burt's "2 out of 1,3,5,7,11 dekany" CPS with 1/1=1/1. 1/1 vol. 10(1) '98     
|
|
burt19.scl
W. Burt's "2 out of 2,3,4,5,7 dekany" CPS with 1/1=1/1. 1/1 vol. 10(1) '98      
|
|
burt2.scl
W. Burt's 13enhsub #2                                                           
|
|
burt20.scl
Warren Burt tuning for "Commas" (1993) 1/1=263. XH 16
|
|
burt3.scl
W. Burt's 13enhharm #3                                                          
|
|
burt4.scl
W. Burt's 13diatharm #4, see his post 3/30/94 in Tuning Digest #57              
|
|
burt5.scl
W. Burt's 17diatsub #5                                                          
|
|
burt6.scl
W. Burt's 17enhsub #6                                                           
|
|
burt7.scl
W. Burt's 17enhharm #7                                                          
|
|
burt8.scl
W. Burt's 17diatharm #8                                                         
|
|
burt9.scl
W. Burt's 19diatsub #9                                                          
|
|
bushmen.scl
Observed scale of South-African bushmen, almost (4 notes) equal pentatonic
|
|
cairo.scl
P.42, of d'Erlanger, vol.5. Congress of Arabic Music, Cairo, 1932               
|
|
canright.scl
David Canright's piano tuning for "Fibonacci Suite" (2001)
|
|
carlos_alpha.scl
Wendy Carlos' Alpha scale with perfect fifth divided in nine
|
|
carlos_alpha2.scl
Wendy Carlos' Alpha prime scale with perfect fifth divided by eightteen
|
|
carlos_beta.scl
Wendy Carlos' Beta scale with perfect fifth divided by eleven
|
|
carlos_beta2.scl
Wendy Carlos' Beta prime scale with perfect fifth divided by twentytwo
|
|
carlos_gamma.scl
Wendy Carlos' Gamma scale with third divided by eleven or fifth by twenty       
|
|
carlos_harm.scl
Carlos Harmonic & Ben Johnston's scale of 'Blues' from Suite f.micr.piano (1977) & David Beardsley's scale of 'Science Friction'
|
|
carlos_super.scl
Carlos Super Just                                                               
|
|
carlson.scl
Brian Carlson's guitar scale (or 7 is 21/16 instead) fretted by Mark Rankin     
|
|
cassandra1.scl
Cassandra temperament (Erv Wilson), 13-limit, g=497.866
|
|
cassandra2.scl
Cassandra temperament, schismic variant, 13-limit, g=497.395
|
|
catler.scl
Catler 24-tone JI from "Over and Under the 13 Limit", 1/1 3(3)                  
|
|
ceb88f.scl
88 cents steps with equal beating fifths                                        
|
|
ceb88s.scl
88 cents steps with equal beating sevenths                                      
|
|
ceb88t.scl
88 cents steps with equal beating 7/6 thirds                                    
|
|
cet105.scl
Equal temperament with very good 6/5 and 13/8
|
|
cet105a.scl
18th root of 3                                                                  
|
|
cet111.scl
25th root of 5, Karlheinz Stockhausen in "Studie II" (1954)
|
|
cet111a.scl
17th root of 3. McLaren 'Microtonal Music', volume 1, track 8
|
|
cet112.scl
53rd root of 31. McLaren 'Microtonal Music', volume 4, track 16
|
|
cet114.scl
21st root of 4
|
|
cet117.scl
72nd root of 128, step = generator of Miracle
|
|
cet118.scl
16th root of 3. McLaren 'Microtonal Music', volume 1, track 7
|
|
cet126.scl
15th root of 3. McLaren 'Microtonal Music', volume 1, track 6
|
|
cet126a.scl
19th root of 4
|
|
cet133.scl
13th root of e
|
|
cet140.scl
24th root of 7
|
|
cet141.scl
17th root of 4
|
|
cet146.scl
13th root of 3, Bohlen-Pierce approximation                                     
|
|
cet148.scl
21th root of 6, Moreno's C-21
|
|
cet152.scl
13th root of pi
|
|
cet158.scl
12th root of 3, Moreno's A-12, see dissertation "Embedding Equal Pitch Spaces.
|
|
cet159.scl
4e-th root of e. e-th root of e is highest x-th root of x                       
|
|
cet160.scl
15th root of 4, Rudolf Escher in "The Long Christmas Dinner" (1960)
|
|
cet160a.scl
37th root of 31. McLaren 'Microtonal Music', volume 2, track 7
|
|
cet163.scl
9th root of 7/3. Jeff Scott in "Quiet Moonlight" (2001)
|
|
cet163a.scl
5th root of 8/5
|
|
cet166.scl
3rd root of 4/3                                                                 
|
|
cet173.scl
11th root of 3, Moreno's A-11
|
|
cet175.scl
28th root of 7. McLaren 'Microtonal Music', volume 6, track 3
|
|
cet175a.scl
4th root of 3/2
|
|
cet178.scl
27th root of 16
|
|
cet181.scl
6.625 tET. The 16/3 is the so-called Kidjel Ratio promoted by Kidjel in 60's
|
|
cet182.scl
17th root of 6, Moreno's C-17
|
|
cet195.scl
7th root of 11/5
|
|
cet21k.scl
scale of syntonic comma's, almost 56-tET                                        
|
|
cet222.scl
14th root of 6, Moreno's C-14
|
|
cet233.scl
21st root of 17. McLaren 'Microtonal Music', volume 2, track 15
|
|
cet24.scl
least squares fit primes 2-13                                                   
|
|
cet258.scl
12th root of 6, Moreno's C-12
|
|
cet29.scl
95th root of 5
|
|
cet39.scl
49th root of 3
|
|
cet39a.scl
31-tET with least squares octave; equal weight to 5/4, 3/2, 7/4 and 2/1
|
|
cet39b.scl
31-tET with l.s. 8/7, 5/4, 4/3, 3/2, 8/5, 7/4, 2/1; equal weights
|
|
cet39c.scl
10th root of 5/4                                                                
|
|
cet39d.scl
31-tET with l.s. 5/4, 3/2, 7/4                                                  
|
|
cet39e.scl
15th root of 7/5, X.J. Scott
|
|
cet44.scl
least maximum error of 10.0911 cents to a set of 11-limit consonances           
|
|
cet45.scl
11th root of 4/3                                                                
|
|
cet45a.scl
13th root of 7/5, X.J. Scott
|
|
cet49.scl
least squares fit primes 3-13                                                   
|
|
cet49a.scl
least squares fit primes 5-13                                                   
|
|
cet49b.scl
least squares fit primes 3-11                                                   
|
|
cet51.scl
47nd root of 4                                                                  
|
|
cet53.scl
5th root of 7/6, X.J. Scott
|
|
cet54.scl
62nd root of 7
|
|
cet54a.scl
101st root of 24
|
|
cet54b.scl
35th root of 3 or shrunk 22-tET
|
|
cet55.scl
51th root of 5
|
|
cet55a.scl
9th root of 4/3                                                                 
|
|
cet63.scl
30th root of 3 or stretched 19-tET
|
|
cet63a.scl
44th root of 5
|
|
cet67.scl
14th root of 12/7, X.J. Scott
|
|
cet78.scl
9th root of 3/2                                                                 
|
|
cet79.scl
24th root of 3, James Hefferman (1906).                                         
|
|
cet80.scl
35th root of 5                                                                  
|
|
cet84.scl
33rd root of 5
|
|
cet87.scl
Least-squares stretched ET to telephone dial tones. 1/1=697 Hz                  
|
|
cet88.scl
88 cents steps by Gary Morrison                                                 
|
|
cet88b.scl
87.9745 cents steps. Least squares of 7/6, 11/9, 10/7, 3/2, 7/4.                
|
|
cet88bis.scl
Bistep approximation of 2212121 mode in 7/4 to 11/9 9/7 10/7 3/2                
|
|
cet88bm.scl
87.75412 cents steps. Minimal highest deviation for 7/6, 11/9, 10/7, 3/2, 7/4.  
|
|
cet88c.scl
38th root of 7. McLaren 'Microtonal Music', volume 3, track 7
|
|
cet88_appr.scl
88 cents scale approximated                                                     
|
|
cet89.scl
31st root of 5. McLaren 'Microtonal Music', volume 2, track 22
|
|
cet90.scl
Scale with limma steps                                                          
|
|
cet93.scl
Tuning used in John Chowning's STRIA, 9th root of Phi                           
|
|
cet98.scl
8th root of 11/7, X.J. Scott
|
|
cet99.scl
Scale with 18/17 steps                                                          
|
|
chahargah.scl
Chahargah in C                                                                  
|
|
chahargah2.scl
Dastgah Chahargah in C, Mohammad Reza Gharib                                    
|
|
chalmers.scl
Chalmers' 19-tone with more hexanies than Perrett's Tierce-Tone                 
|
|
chalmers_17.scl
7-limit figurative scale, Chalmers '96 Adnexed S&H decads                       
|
|
chalmers_19.scl
7-limit figurative scale. Reversed S&H decads                                   
|
|
chalmers_csurd.scl
Combined Surd Scale, combination of Surd and Inverted Surd, JHC, 26-6-97        
|
|
chalmers_isurd.scl
Inverted Surd Scale, of the form 4/(SQRT(N)+1, JHC, 26-6-97                     
|
|
chalmers_ji1.scl
Based loosely on Wronski's and similar JI scales, May 2, 1997.                  
|
|
chalmers_ji2.scl
Based loosely on Wronski's and similar JI scales, May 2, 1997.                  
|
|
chalmers_ji3.scl
15 16 17 18 19 20 21 on 1/1, 15-20 on 3/2, May 2, 1997. See other scales        
|
|
chalmers_ji4.scl
15 16 17 18 19 20 on 1/1, same on 4/3, + 16/15 on 16/9                          
|
|
chalmers_surd.scl
Surd Scale, Surds of the form (SQRT(N)+1)/2, JHC, 26-6-97                       
|
|
chalmers_surd2.scl
Surd Scale, Surds of the form (SQRT(N)+1)/4                                     
|
|
chalung.scl
Tuning of chalung from Tasikmalaya. "slendroid". 1/1=185 Hz                     
|
|
chaumont.scl
Lambert Chaumont organ temperament (1695), 1st interpretation
|
|
chaumont2.scl
Lambert Chaumont organ temperament (1695), 2nd interpretation
|
|
chimes.scl
Heavenly Chimes                                                                 
|
|
chimes_peck.scl
Kris Peck, 9-tone windchime tuning. TL 7-3-2001
|
|
chin_12.scl
Chinese scale, 4th cent.                                                        
|
|
chin_5.scl
Chinese pentatonic from Zhou period                                             
|
|
chin_60.scl
Chinese scale of fifths (the 60 lu")                                            
|
|
chin_7.scl
Chinese heptatonic scale and tritriadic of 64:81:96 triad                       
|
|
chin_bianzhong.scl
Pitches of Bianzhong bells (Xinyang). 1/1=b, Liang Mingyue, 1975.               
|
|
chin_bianzhong2a.scl
A-tones (GU) of 13 Xinyang bells (Ma Cheng-Yuan) 1/1=d#=619 Hz                  
|
|
chin_bianzhong2b.scl
B-tones (SUI) of 13 Xinyang bells (Ma Cheng-Yuan) 1/1=b+=506.6 Hz               
|
|
chin_bianzhong3.scl
A and B-tones of 13 Xinyang bells (Ma Cheng-Yuan) abs. pitches wrt middle-C     
|
|
chin_bronze.scl
Scale found on ancient Chinese bronze instrument 3rd c.BC & "Scholar's Lute"    
|
|
chin_chime.scl
Pitches of 12 stone chimes, F. Kuttner, 1951, ROMA Toronto. %1=b4               
|
|
chin_ching.scl
Scale of Ching Fang, c.45 BC. Pyth.steps 0 1 2 3 4 5 47 48 49 50 51 52 53       
|
|
chin_di.scl
Chinese di scale                                                                
|
|
chin_huang.scl
Huang Zhong qin tuning
|
|
chin_liu-an.scl
Scale of Liu An, in: "Huai Nan Tzu", c.122 BC, 1st known corr. to Pyth. scale   
|
|
chin_lu.scl
Chinese Lu" scale by Huai Nan zi, Han era. Père Amiot 1780, Kurt Reinhard       
|
|
chin_lu2.scl
Chinese Lu" (Lushi chunqiu, by Lu Buwei). Mingyue: Music of the billion, p.67   
|
|
chin_lu3.scl
Chinese Lu" scale by Ho Ch'êng-T'ien, reported in Sung Shu (500 AD)             
|
|
chin_lu3a.scl
Chinese Lu" scale by Ho Ch'êng-T'ien, calc. basis is "big number" 177147        
|
|
chin_lu4.scl
Chinese Lu" "749-Temperament"                                                   
|
|
chin_lu5.scl
Chinese Lu" scale by Ch'ien Lo-Chih, c.450 AD Pyth.steps 0 154 255 103 204 etc  
|
|
chin_lusheng.scl
Observed tuning of a small Lusheng, 1/1=d, OdC '97                              
|
|
chin_pan.scl
Pan Huai-su pure system, in: Sin-Yan Shen, 1991
|
|
chin_pipa.scl
Observed tuning from Chinese balloon guitar (p'i-p'a), Ellis                    
|
|
chin_sheng.scl
Observed tuning from Chinese sheng or mouth organ                               
|
|
chin_sientsu.scl
Observed tuning from Chinese tamboura (sien-tsu), Ellis
|
|
chin_sona.scl
Observed tuning from Chinese oboe (so-na), Ellis
|
|
chin_titsu.scl
Observed tuning from Chinese flute (ti-tsu), Ellis
|
|
chin_wang-po.scl
Scale of Wang Po, 958 AD. H. Pischner: Musik in China, Berlin, 1955, p.20       
|
|
chin_yangqin.scl
Observed tuning from Chinese dulcimer (yang-chin), Ellis
|
|
chin_yunlo.scl
Observed tuning from Chinese gong-chime (yu"n-lo), Ellis
|
|
choquel.scl
Choquel/Barbour/Marpurg?                                                        
|
|
chordal.scl
Chordal Notes S&H                                                               
|
|
chrom15.scl
Tonos-15 Chromatic                                                              
|
|
chrom15_inv.scl
Inverted Chromatic Tonos-15 Harmonia                                            
|
|
chrom15_inv2.scl
A harmonic form of the Chromatic Tonos-15 inverted                              
|
|
chrom17.scl
Tonos-17 Chromatic                                                              
|
|
chrom17_con.scl
Conjunct Tonos-17 Chromatic                                                     
|
|
chrom19.scl
Tonos-19 Chromatic                                                              
|
|
chrom19_con.scl
Conjunct Tonos-19 Chromatic                                                     
|
|
chrom21.scl
Tonos-21 Chromatic                                                              
|
|
chrom21_inv.scl
Inverted Chromatic Tonos-21 Harmonia                                            
|
|
chrom21_inv2.scl
Inverted harmonic form of the Chromatic Tonos-21                                
|
|
chrom23.scl
Tonos-23 Chromatic                                                              
|
|
chrom23_con.scl
Conjunct Tonos-23 Chromatic                                                     
|
|
chrom25.scl
Tonos-25 Chromatic                                                              
|
|
chrom25_con.scl
Conjunct Tonos-25 Chromatic                                                     
|
|
chrom27.scl
Tonos-27 Chromatic                                                              
|
|
chrom27_inv.scl
Inverted Chromatic Tonos-27 Harmonia                                            
|
|
chrom27_inv2.scl
Inverted harmonic form of the Chromatic Tonos-27                                
|
|
chrom29.scl
Tonos-29 Chromatic                                                              
|
|
chrom29_con.scl
Conjunct Tonos-29 Chromatic                                                     
|
|
chrom31.scl
Tonos-31 Chromatic. Tone 24 alternates with 23 as MESE or A                     
|
|
chrom31_con.scl
Conjunct Tonos-31 Chromatic                                                     
|
|
chrom33.scl
Tonos-33 Chromatic. A variant is 66 63 60 48                                    
|
|
chrom33_con.scl
Conjunct Tonos-33 Chromatic                                                     
|
|
chrom_new.scl
New Chromatic genus 4.5 + 9 + 16.5                                              
|
|
chrom_new2.scl
New Chromatic genus 14/3 + 28/3 + 16 parts                                      
|
|
chrom_soft.scl
100/81 Chromatic. This genus is a good approximation to the soft chromatic      
|
|
chrom_soft2.scl
1:2  Soft Chromatic                                                             
|
|
chrom_soft3.scl
Soft chromatic genus is from K. Schlesinger's modified Mixolydian Harmonia      
|
|
cifariello.scl
F. Cifariello Ciardi, ICMC 86 Proc. 15-tone 5-limit tuning                      
|
|
ckring1.scl
Double-tie circular mirroring with common pivot of 4:5:6:7 = square 1 3 5 7     
|
|
ckring2.scl
Double-tie circular mirroring with common pivot of 3:5:7:9                      
|
|
clampitt-phi.scl
David Clampitt, phi+1 mod 3phi+2, from "Pairwise Well-Formed Scales", 1997
|
|
cluster.scl
13-tone 5-limit Tritriadic Cluster                                              
|
|
cluster6a.scl
Six-Tone Triadic Cluster 4:5:6                                                  
|
|
cluster6b.scl
Six-Tone Triadic Cluster 4:6:5                                                  
|
|
cluster6c.scl
Six-Tone Triadic Cluster 3:4:5                                                  
|
|
cluster6d.scl
Six-Tone Triadic Cluster 3:5:4                                                  
|
|
cluster6e.scl
Six-Tone Triadic Cluster 5:6:8                                                  
|
|
cluster6f.scl
Six-Tone Triadic Cluster 5:8:6                                                  
|
|
cluster6g.scl
Six-Tone Triadic Cluster 4:5:7                                                  
|
|
cluster6h.scl
Six-Tone Triadic Cluster 4:7:5                                                  
|
|
cluster6i.scl
Six-Tone Triadic Cluster 5:6:7                                                  
|
|
cluster6j.scl
Six-Tone Triadic Cluster 5:7:6                                                  
|
|
cluster8a.scl
Eight-Tone Triadic Cluster 4:5:6                                                
|
|
cluster8b.scl
Eight-Tone Triadic Cluster 4:6:5                                                
|
|
cluster8c.scl
Eight-Tone Triadic Cluster 3:4:5                                                
|
|
cluster8d.scl
Eight-Tone Triadic Cluster 3:5:4                                                
|
|
cluster8e.scl
Eight-Tone Triadic Cluster 5:6:8                                                
|
|
cluster8f.scl
Eight-Tone Triadic Cluster 5:8:6                                                
|
|
cluster8g.scl
Eight-Tone Triadic Cluster 4:5:7                                                
|
|
cluster8h.scl
Eight-Tone Triadic Cluster 4:7:5                                                
|
|
cluster8i.scl
Eight-Tone Triadic Cluster 5:6:7                                                
|
|
cluster8j.scl
Eight-Tone Triadic Cluster 5:7:6                                                
|
|
cohenf_11.scl
Flynn Cohen, 7-limit scale of "Rameau's nephew", 1996                           
|
|
coleman.scl
Jim Coleman's ModX piano temperament. TL 16 Mar 1999                            
|
|
collengettes.scl
R.P. Collengettes, from p.23 of d'Erlanger, vol 5. 24 tone Arabic system        
|
|
colonna1.scl
Colonna 1                                                                       
|
|
colonna2.scl
Colonna 2                                                                       
|
|
concertina.scl
English Concertina, see Helmholtz, p 470. from Ellis                            
|
|
cons11.scl
Set of intervals with num + den <= 11 not exceeding 2/1                         
|
|
cons12.scl
Set of intervals with num + den <= 12 not exceeding 2/1                         
|
|
cons13.scl
Set of intervals with num + den <= 13 not exceeding 2/1                         
|
|
cons14.scl
Set of intervals with num + den <= 14 not exceeding 2/1                         
|
|
cons15.scl
Set of intervals with num + den <= 15 not exceeding 2/1                         
|
|
cons16.scl
Set of intervals with num + den <= 16 not exceeding 2/1                         
|
|
cons17.scl
Set of intervals with num + den <= 17 not exceeding 2/1                         
|
|
cons18.scl
Set of intervals with num + den <= 18 not exceeding 2/1                         
|
|
cons19.scl
Set of intervals with num + den <= 19 not exceeding 2/1                         
|
|
cons20.scl
Set of intervals with num + den <= 20 not exceeding 2/1                         
|
|
cons21.scl
Set of intervals with num + den <= 21 not exceeding 2/1                         
|
|
cons8.scl
Set of intervals with num + den <= 8 not exceeding 2/1                          
|
|
cons9.scl
Set of intervals with num + den <= 9 not exceeding 2/1                          
|
|
cons_5.scl
Set of consonant 5-limit intervals within the octave                            
|
|
cons_7.scl
Set of consonant 7-limit intervals of tetrad 4:5:6:7 and inverse                
|
|
cons_7a.scl
Set of consonant 7-limit intervals, harmonic entropy minima
|
|
cont_frac1.scl
Continued fraction scale 1, see McLaren in Xenharmonikon 15, pp.33-38           
|
|
cont_frac2.scl
Continued fraction scale 2, see McLaren in Xenharmonikon 15, pp.33-38           
|
|
cordier.scl
Serge Cordier, piano tuning, 1975 (Piano bien tempéré et justesse orchestrale)
|
|
corner11.scl
Quadratic Corner 11-limit. Chalmers '96                                         
|
|
corner13.scl
Quadratic Corner 13-limit. Chalmers '96                                         
|
|
corner17.scl
Quadratic Corner 17-limit.                                                      
|
|
corner17a.scl
Quadratic Corner 17 odd limit.                                                  
|
|
corner7.scl
Quadratic corner 7-limit. Chalmers '96                                          
|
|
corner9.scl
First 9 harmonics of 5th through 9th harmonics                                  
|
|
corners11.scl
Quadratic Corners 11-limit. Chalmers '96                                        
|
|
corners13.scl
Quadratic Corners 13-limit. Chalmers '96                                        
|
|
corners7.scl
Quadratic Corners 7-limit. Chalmers '96                                         
|
|
corrette.scl
Corrette temperament                                                            
|
|
coul1.scl
Well-temperament Op de Coul, 1998. Fifths 5/14, 4/14 and 5/14 Pyth comma flat
|
|
coul_12.scl
Scale 1 5/4 3/2 2 successively split largest intervals by smallest interval     
|
|
coul_12a.scl
Scale 1 6/5 3/2 2 successively split largest intervals by smallest interval     
|
|
coul_13.scl
Symmetrical 13-tone 5-limit just system                                         
|
|
coul_20.scl
Tuning for a 3-row symmetrical keyboard, Op de Coul, 1989                       
|
|
coul_27.scl
Symmetrical 27-tone 5-limit just system                                         
|
|
coul_31.scl
Op de Coul's 31-tone 5-limit just system                                        
|
|
cross13.scl
13-limit harmonic/subharmonic cross                                             
|
|
cross2.scl
Pusey's double 5-7 cross reduced by 3/1                                         
|
|
cross2_5.scl
double 3-5 cross reduced by 2/1                                                 
|
|
cross2_7.scl
longer 3-5-7 cross reduced by 2/1                                               
|
|
cross3.scl
Pusey's triple 5-7 cross reduced by 3/1                                         
|
|
cross_7.scl
3-5-7 cross reduced by 2/1, quasi diatonic, similar to Zalzal's, Flynn Cohen
|
|
cross_72.scl
double 3-5-7 cross reduced by 2/1                                               
|
|
cross_7a.scl
2-5-7 cross reduced by 3/1                                                      
|
|
cruciform.scl
Cruciform Lattice                                                               
|
|
danielou5_53.scl
Danielou's Harmonic Division in 5-limit, symmetrized                            
|
|
danielou_53.scl
Danielou's Harmonic Division of the Octave, see p. 153                          
|
|
dan_semantic.scl
The Semantic Scale, from Alain Danie'lou: "Se'mantique Musicale", 1967.         
|
|
darreg.scl
This set of 19 ratios in 5-limit JI is for his megalyra family                  
|
|
darreg_ennea.scl
Ivor Darreg's Mixed Enneatonic, a mixture of chromatic and enharmonic           
|
|
darreg_genus.scl
Ivor Darreg's Mixed JI Genus (Archytas Enh, Ptolemy Soft Chrom, Didymos Chrom   
|
|
darreg_genus2.scl
Darreg's Mixed JI Genus 2 (Archytas Enharmonic and Chromatic Genera)            
|
|
david11.scl
11-limit system from Gary David, 1967                                           
|
|
david7.scl
Gary David's Constant Structure, 1967. A mode of Fokker's 7-limit scale         
|
|
degung1.scl
Gamelan Degung, Kabupaten Sukabumi. 1/1=363 Hz                                  
|
|
degung2.scl
Gamelan Degung, Kabupaten Bandung. 1/1=252 Hz                                   
|
|
degung3.scl
Gamelan Degung, Kabupaten Sumedang. 1/1=388.5 Hz                                
|
|
degung4.scl
Gamelan Degung, Kasepuhan Cheribon. 1/1=250 Hz                                  
|
|
degung5.scl
Gamelan Degung, Kanoman Cheribon. 1/1=428 Hz                                    
|
|
degung6.scl
Gamelan Degung, Kacherbonan Cheribon. 1/1=426 Hz                                
|
|
dekany.scl
2)5 Dekany 1.3.5.7.11 (1.3 tonic)                                               
|
|
dekany2.scl
3)5 Dekany 1.3.5.7.9 (1.3.5.7.9 tonic)                                          
|
|
dekany3.scl
2)5 Dekany 1.3.5.7.9 and 3)5 Dekany 1 1/3 1/5 1/7 1/9                           
|
|
dekany4.scl
2)5 Dekany 1.7.13.19.29 (1.7 tonic)                                             
|
|
dekany_union.scl
Union of 2)5 and 3)5 [ 1 3 5 7 9] dekanies                                      
|
|
de_caus.scl
De Caus (a mode of Ellis's duodene) (1615)                                      
|
|
diacycle13.scl
Diacycle on 20/13, 13/10; there are also nodes at 3/2, 4/3; 13/9, 18/13         
|
|
diamond11a.scl
11-limit Diamond with added 16/15 & 15/8, Zoomoozophone tuning: 1/1 = 392 Hz
|
|
diamond11ak.scl
microtempered version of diamond11a, Dave Keenan TL 11-1-2000, 225/224&385/384
|
|
diamond11at.scl
microtempered version of diamond11a, OdC
|
|
diamond15.scl
15-limit Diamond + 2nd ratios. See Novaro, 1927, Sistema Natural...             
|
|
diamond17.scl
17-limit Diamond                                                                
|
|
diamond17a.scl
17-limit, +9 Diamond                                                            
|
|
diamond19.scl
19-limit Diamond                                                                
|
|
diamond7.scl
7-limit Diamond, also double-tie circular mirroring of 4:5:6:7
|
|
diamond9.scl
9-limit Diamond                                                                 
|
|
diamond_chess.scl
9-limit chessboard pattern diamond. OdC                                         
|
|
diamond_chess11.scl
11-limit chessboard pattern diamond. OdC                                        
|
|
diamond_mod.scl
13-tone Octave Modular Diamond, based on Archytas's Enharmonic                  
|
|
diamond_tetr.scl
Tetrachord Modular Diamond based on Archytas's Enharmonic                       
|
|
diaphonic_10.scl
10-tone Diaphonic Cycle                                                         
|
|
diaphonic_12.scl
12-tone Diaphonic Cycle, conjunctive form on 3/2 and 4/3                        
|
|
diaphonic_12a.scl
2nd 12-tone Diaphonic Cycle, conjunctive form on 10/7 and 7/5                   
|
|
diaphonic_5.scl
D5-tone Diaphonic Cycle                                                         
|
|
diaphonic_7.scl
7-tone Diaphonic Cycle, disjunctive form on 4/3 and 3/2                         
|
|
diat13.scl
This genus is from K.S's  diatonic Hypodorian harmonia                          
|
|
diat15.scl
Tonos-15 Diatonic and its own trite synemmenon Bb                               
|
|
diat15_inv.scl
Inverted Tonos-15 Harmonia, a harmonic series from 15 from 30.                  
|
|
diat17.scl
Tonos-17 Diatonic and its own trite synemmenon Bb                               
|
|
diat19.scl
Tonos-19 Diatonic and its own trite synemmenon Bb                               
|
|
diat21.scl
Tonos-21 Diatonic and its own trite synemmenon Bb                               
|
|
diat21_inv.scl
Inverted Tonos-21 Harmonia, a harmonic series from 21 from 42.                  
|
|
diat23.scl
Tonos-23 Diatonic and its own trite synemmenon Bb                               
|
|
diat25.scl
Tonos-25 Diatonic and its own trite synemmenon Bb                               
|
|
diat27.scl
Tonos-27 Diatonic and its own trite synemmenon Bb                               
|
|
diat27_inv.scl
Inverted Tonos-27 Harmonia, a harmonic series from 27 from 54                   
|
|
diat29.scl
Tonos-29 Diatonic and its own trite synemmenon Bb                               
|
|
diat31.scl
Tonos-31 Diatonic. The disjunctive and conjunctive diatonic forms are the same  
|
|
diat33.scl
Tonos-33 Diatonic. The conjunctive form  is 23 (Bb instead of B) 20 18 33/2     
|
|
diat_chrom.scl
Diatonic- Chromatic, on the border between the chromatic and diatonic genera    
|
|
diat_dies2.scl
Dorian Diatonic, 2 part Diesis                                                  
|
|
diat_dies5.scl
Dorian Diatonic, 5 part Diesis                                                  
|
|
diat_enh.scl
Diat. + Enharm. Diesis, Dorian Mode                                             
|
|
diat_enh2.scl
Diat. + Enharm. Diesis, Dorian Mode 3 + 12 + 15 parts                           
|
|
diat_enh3.scl
Diat. + Enharm. Diesis, Dorian Mode, 15 + 3 + 12 parts                          
|
|
diat_enh4.scl
Diat. + Enharm. Diesis, Dorian Mode, 15 + 12 + 3 parts                          
|
|
diat_enh5.scl
Dorian Mode, 12 + 15 + 3 parts                                                  
|
|
diat_enh6.scl
Dorian Mode, 12 + 3 + 15 parts                                                  
|
|
diat_eq.scl
Equal Diatonic, Islamic form, similar to 11/10 x 11/10 x 400/363                
|
|
diat_eq2.scl
Equal Diatonic, 11/10 x 400/363 x 11/10                                         
|
|
diat_gold.scl
Diatonic scale with ratio between whole and half tone the Golden Section
|
|
diat_hemchrom.scl
Diat. + Hem. Chrom. Diesis, Another genus of Aristoxenos, Dorian Mode           
|
|
diat_smal.scl
"Smallest number" diatonic scale                                                
|
|
diat_sofchrom.scl
Diat. + Soft Chrom. Diesis, Another genus of Aristoxenos, Dorian Mode           
|
|
diat_soft.scl
Soft Diatonic genus 5 + 10 + 15 parts                                           
|
|
diat_soft2.scl
Soft Diatonic genus with equally divided Pyknon; Dorian Mode                    
|
|
diat_soft3.scl
New Soft Diatonic genus with equally divided Pyknon; Dorian Mode; 1:1 pyknon    
|
|
diat_soft4.scl
New Soft Diatonic genus with equally divided Pyknon; Dorian Mode; 1:1 pyknon    
|
|
didy_chrom.scl
Didymus Chromatic                                                               
|
|
didy_chrom1.scl
Permuted Didymus Chromatic                                                      
|
|
didy_chrom2.scl
Didymos's Chromatic, 6/5 x 25/24 x 16/15                                        
|
|
didy_chrom3.scl
Didymos's Chromatic, 25/24 x 16/15 x 6/5                                        
|
|
didy_diat.scl
Didymus Diatonic                                                                
|
|
didy_diatinv.scl
Inverse Didymus Diatonic, variant of Ptolemy with 2 identical triads            
|
|
didy_enh.scl
Dorian mode of Didymos's Enharmonic                                             
|
|
didy_enh2.scl
Permuted Didymus Enharmonic                                                     
|
|
diesic-m.scl
Minimal Diesic temperament, g=176.021, 5-limit
|
|
diesic-t.scl
Tiny Diesic temperament, g=443.017, 5-limit
|
|
dimteta.scl
A heptatonic form on the 9/7                                                    
|
|
dimtetb.scl
A pentatonic form on the 9/7                                                    
|
|
div_fifth1.scl
Divided Fifth #1, From Schlesinger, see Chapter 8, p. 160                       
|
|
div_fifth2.scl
Divided Fifth #2, From Schlesinger, see Chapter 8, p. 160                       
|
|
div_fifth3.scl
Divided Fifth #3, From Schlesinger, see Chapter 8, p. 160                       
|
|
div_fifth4.scl
Divided Fifth #4, From Schlesinger, see Chapter 8, p. 160                       
|
|
div_fifth5.scl
Divided Fifth #5, From Schlesinger, see Chapter 8, p. 160                       
|
|
dkring1.scl
Double-tie circular mirroring of 4:5:6:7                                        
|
|
dkring2.scl
Double-tie circular mirroring of 3:5:7:9                                        
|
|
dkring3.scl
Double-tie circular mirroring of 6:7:8:9
|
|
dkring4.scl
Double-tie circular mirroring of 7:8:9:10
|
|
dodeceny.scl
Degenerate eikosany 3)6 from 1.3.5.9.15.45 tonic 1.3.15                         
|
|
dorian_chrom.scl
Dorian Chromatic Tonos                                                          
|
|
dorian_chrom2.scl
Schlesinger's Dorian Harmonia in the chromatic genus                            
|
|
dorian_chrominv.scl
A harmonic form of Schlesinger's Chromatic Dorian inverted                      
|
|
dorian_diat.scl
Dorian Diatonic Tonos                                                           
|
|
dorian_diat2.scl
Schlesinger's Dorian Harmonia, a subharmonic series through 13 from 22          
|
|
dorian_diat2inv.scl
Inverted Schlesinger's Dorian Harmonia, a harmonic series from 11 from 22
|
|
dorian_diatcon.scl
A Dorian Diatonic with its own trite synemmenon replacing paramese              
|
|
dorian_diatred11.scl
Dorian mode of a diatonic genus with reduplicated 11/10
|
|
dorian_enh.scl
Dorian Enharmonic Tonos                                                         
|
|
dorian_enh2.scl
Schlesinger's Dorian Harmonia in the enharmonic genus                           
|
|
dorian_enhinv.scl
A harmonic form of Schlesinger's Dorian enharmonic inverted                     
|
|
dorian_pent.scl
Schlesinger's Dorian Harmonia in the pentachromatic genus                       
|
|
dorian_pis.scl
Diatonic Perfect Immutable System in the Dorian Tonos, a non-rep. 16 tone gamut 
|
|
dorian_schl.scl
Schlesinger's Dorian Piano Tuning (Sub 22)                                      
|
|
dorian_tri1.scl
Schlesinger's Dorian Harmonia in the first trichromatic genus                   
|
|
dorian_tri2.scl
Schlesinger's Dorian Harmonia in the second trichromatic genus                  
|
|
dowland_12.scl
subset of Dowland's lute tuning, lowest octave                                  
|
|
dow_high.scl
Highest octave of Dowlands lute tuning, strings 5,6. 1/1=G (1610)               
|
|
dow_lmh.scl
All three octaves of Dowland's lute tuning                                      
|
|
dow_low.scl
Lowest octave of Dowlands lute tuning, strings 1,2,3. 1/1=G. (1610)             
|
|
dow_middle.scl
Middle octave of Dowlands lute tuning, strings 3,4,5. 1/1=G (1610)              
|
|
druri.scl
Scale of druri dana of Siwoli, south Nias, Jaap Kunst                           
|
|
dudon_a.scl
Dudon Tetrachord A                                                              
|
|
dudon_b.scl
Dudon Tetrachord B                                                              
|
|
dudon_diat.scl
Dudon Neutral Diatonic                                                          
|
|
duncan.scl
Dudley Duncan's Superparticular Scale                                           
|
|
duoden12.scl
Almost equal 12-tone subset of Duodenarium                                      
|
|
duodenarium.scl
Ellis's Duodenarium : genus [3^12 5^8]                                          
|
|
duodene.scl
Ellis's Duodene : genus [33355]                                                 
|
|
duodene14-18-21.scl
14-18-21 Duodene                                                                
|
|
duodene3-11_9.scl
3-11/9 Duodene                                                                    
|
|
duodene3-7.scl
3-7 Duodene                                                                     
|
|
duodene6-7-9.scl
6-7-9 Duodene                                                                   
|
|
duodene_min.scl
Minor Duodene                                                                   
|
|
duodene_r-45.scl
Ellis's Duodene rotated -45 degrees
|
|
duodene_r45.scl
Ellis's Duodene rotated 45 degrees
|
|
duodene_r90.scl
Ellis's Duodene rotated 90 degrees: genus [33555]
|
|
duodene_skew.scl
Rotated 6/5x3/2 duodene                                                         
|
|
duodene_t.scl
Duodene with equal tempered fifths                                              
|
|
efg333.scl
Genus primum [333]
|
|
efg333333333337.scl
Genus [333333333337]                                                            
|
|
efg333333355.scl
Genus [333333355]                                                               
|
|
efg33335.scl
Genus [33335]                                                                   
|
|
efg3333555.scl
Genus [3333555]                                                                 
|
|
efg33335555.scl
Genus bis-ultra-chromaticum [33335555]                                          
|
|
efg333355577.scl
Genus [333355577]                                                               
|
|
efg33337.scl
Genus [33337]                                                                   
|
|
efg3335.scl
Genus diatonicum veterum correctum [3335]                                       
|
|
efg33355.scl
Genus diatonico-chromaticum hodiernum correctum [33355]                         
|
|
efg333555.scl
Genus diatonico-hyperchromaticum [333555]                                       
|
|
efg33355555.scl
Genus [33355555]                                                                
|
|
efg333555777.scl
Genus [333555777]                                                               
|
|
efg333557.scl
Genus diatonico-enharmonicum [333557]                                           
|
|
efg33357.scl
Genus diatonico-enharmonicum [33357]                                            
|
|
efg3335711.scl
Genus [3 3 3 5 7 11], expanded hexany 1 3 5 7 9 11                              
|
|
efg333577.scl
Genus [333577]                                                                  
|
|
efg3337.scl
Genus [3337]                                                                    
|
|
efg33377.scl
Genus [33377] Bi-enharmonicum simplex                                           
|
|
efg335.scl
Genus secundum [335]
|
|
efg3355.scl
Genus chromaticum veterum correctum [3355]                                      
|
|
efg33555.scl
Genus bichromaticum [33555]                                                     
|
|
efg335555577.scl
Genus [335555577]                                                               
|
|
efg33557.scl
Genus chromatico-enharmonicum [33557]                                           
|
|
efg335577.scl
Genus chromaticum septimis triplex [335577]                      
|
|
efg3357.scl
Genus enharmonicum vocale [3357]                                                
|
|
efg33577.scl
Genus [33577]                                                                   
|
|
efg337.scl
Genus quintum [337]                                                             
|
|
efg3377.scl
Genus [3377]                                                                    
|
|
efg33777.scl
Genus [33777]                                                                   
|
|
efg33777a.scl
Genus [33777] with comma discarded which disappears in 31-tET                   
|
|
efg355.scl
Genus tertium [355]
|
|
efg3555.scl
Genus enharmonicum veterum correctum [3555]                                     
|
|
efg35557.scl
Genus [35557]                                                                   
|
|
efg3557.scl
Genus enharmonicum instrumentale [3557]                                         
|
|
efg35577.scl
Genus [35577]                                                                   
|
|
efg357.scl
Genus sextum [357] & 7-limit Octony, see ch.6 p.118
|
|
efg35711.scl
Genus [3 5 7 11]                                                                
|
|
efg3571113.scl
Genus [3 5 7 11 13]                                                             
|
|
efg3577.scl
Genus [3577]                                                                    
|
|
efg35777.scl
Genus [35777]                                                                   
|
|
efg35777a.scl
Genus [35777] with comma discarded which disappears in 31-tET                   
|
|
efg377.scl
Genus octavum [377]
|
|
efg3777.scl
Genus [3777]                                                                    
|
|
efg37777.scl
Genus [37777]                                                                   
|
|
efg37777a.scl
Genus [37777] with comma discarded that disappears in 31-tET                    
|
|
efg555.scl
Genus quartum [555]
|
|
efg55557.scl
Genus [55557]                                                                   
|
|
efg5557.scl
Genus [5557]                                                                    
|
|
efg55577.scl
Genus [55577]                                                                   
|
|
efg557.scl
Genus septimum [557]
|
|
efg5577.scl
Genus [5577]                                                                    
|
|
efg55777.scl
Genus [55777]                                                                   
|
|
efg577.scl
Genus nonum [577]                                                               
|
|
efg5777.scl
Genus [5777]                                                                    
|
|
efg57777.scl
Genus [57777]                                                                   
|
|
efg777.scl
Genus decimum [777]
|
|
efg77777.scl
Genus [77777]                                                                   
|
|
eikosany.scl
3)6 1.3.5.7.9.11 Eikosany (1.3.5 tonic)                                         
|
|
ekring1.scl
Single-tie circular mirroring of 3:4:5                                          
|
|
ekring2.scl
Single-tie circular mirroring of 6:7:8                                          
|
|
ekring3.scl
Single-tie circular mirroring of 4:5:7                                          
|
|
ekring4.scl
Single-tie circular mirroring of 4:5:6                                          
|
|
ekring5.scl
Single-tie circular mirroring of 3:5:7                                          
|
|
ekring5bp.scl
Single-tie BP circular mirroring of 3:5:7
|
|
ekring6.scl
Single-tie circular mirroring of 6:7:9                                          
|
|
ekring7.scl
Single-tie circular mirroring of 5:7:9                                          
|
|
ekring7bp.scl
Single-tie BP circular mirroring of 5:7:9
|
|
ellis.scl
Alexander John Ellis' imitation equal temperament (1875)                        
|
|
ellis_24.scl
Ellis, from p.421 of Helmholtz, 24 tones of JI for 1 manual harmonium
|
|
ellis_eb.scl
Ellis' new equal beating temperament for pianofortes (1885)
|
|
ellis_harm.scl
Ellis's Just Harmonium                                                          
|
|
ellis_mteb.scl
Ellis' equal beating meantone tuning (1885)
|
|
enh14.scl
14/11 Enharmonic                                                                
|
|
enh15.scl
Tonos-15 Enharmonic                                                             
|
|
enh15_inv.scl
Inverted Enharmonic Tonos-15 Harmonia                                           
|
|
enh15_inv2.scl
Inverted  harmonic form of the enharmonic Tonos-15                              
|
|
enh17.scl
Tonos-17 Enharmonic                                                             
|
|
enh17_con.scl
Conjunct Tonos-17 Enharmonic                                                    
|
|
enh19.scl
Tonos-19 Enharmonic                                                             
|
|
enh19_con.scl
Conjunct Tonos-19 Enharmonic                                                    
|
|
enh2.scl
1:2 Enharmonic. New genus 2 + 4 + 24 parts                                      
|
|
enh21.scl
Tonos-21 Enharmonic                                                             
|
|
enh21_inv.scl
Inverted Enharmonic Tonos-21 Harmonia                                           
|
|
enh21_inv2.scl
Inverted harmonic form of the enharmonic Tonos-21                               
|
|
enh23.scl
Tonos-23 Enharmonic                                                             
|
|
enh23_con.scl
Conjunct Tonos-23 Enharmonic                                                    
|
|
enh25.scl
Tonos-25 Enharmonic                                                             
|
|
enh25_con.scl
Conjunct Tonos-25 Enharmonic                                                    
|
|
enh27.scl
Tonos-27 Enharmonic                                                             
|
|
enh27_inv.scl
Inverted Enharmonic Tonos-27 Harmonia                                           
|
|
enh27_inv2.scl
Inverted harmonic form of the enharmonic Tonos-27                               
|
|
enh29.scl
Tonos-29 Enharmonic                                                             
|
|
enh29_con.scl
Conjunct Tonos-29 Enharmonic                                                    
|
|
enh31.scl
Tonos-31 Enharmonic. Tone 24 alternates with 23 as MESE or A                    
|
|
enh31_con.scl
Conjunct Tonos-31 Enharmonic                                                    
|
|
enh33.scl
Tonos-33 Enharmonic                                                             
|
|
enh33_con.scl
Conjunct Tonos-33 Enharmonic                                                    
|
|
enh_invcon.scl
Inverted Enharmonic Conjunct Phrygian Harmonia                                  
|
|
enh_mod.scl
Enharmonic After Wilson's Purvi Modulations, See page 111                       
|
|
enh_perm.scl
Permuted Enharmonic, After Wilson's Marwa Permutations, See page 110.           
|
|
ennea45.scl
Ennealimmal-45, in a 7-limit least-squares tuning, g=48.999, G.W. Smith
|
|
epimore_enh.scl
New Epimoric Enharmonic, Dorian mode of the 4th new Enharmonic on Hofmann's list
|
|
eratos_chrom.scl
Dorian mode of Eratosthenes's Chromatic. same as Ptol. Intense Chromatic        
|
|
eratos_diat.scl
Dorian mode of Eratosthenes's Diatonic, Pythagorean                             
|
|
eratos_enh.scl
Dorian mode of Eratosthenes's Enharmonic                                        
|
|
erlangen.scl
Anonymus: Pro clavichordiis faciendis, Erlangen 15th century                    
|
|
erlangen2.scl
Revised Erlangen                                                                
|
|
erlich1.scl
Asymmetrical Major decatonic mode of 22-tET, Paul Erlich                        
|
|
erlich10.scl
Canonical JI interpretation of the Pentachordal decatonic mode of 22-tET
|
|
erlich10s1.scl
Superparticular version of erlich10 using 50/49 decatonic comma
|
|
erlich10s2.scl
Other superparticular version of erlich10 using 50/49 decatonic comma
|
|
erlich11.scl
Canonical JI interpretation of the Symmetrical decatonic mode of 22-tET
|
|
erlich11s1.scl
Superparticular version of erlich11 using 50/49 decatonic comma
|
|
erlich11s2.scl
Other superparticular version of erlich11 using 50/49 decatonic comma
|
|
erlich12.scl
Two 9-tET scales 3/2 shifted, Paul Erlich, TL 5-12-2001
|
|
erlich13.scl
Just scale by Paul Erlich (2002)
|
|
erlich2.scl
Asymmetrical Minor decatonic mode of 22-tET, Paul Erlich                        
|
|
erlich3.scl
Symmetrical Major decatonic mode of 22-tET, Paul Erlich                         
|
|
erlich4.scl
Symmetrical Minor decatonic mode of 22-tET, Paul Erlich                         
|
|
erlich5.scl
Unequal 22-note compromise between decatonic & Indian srutis, Paul Erlich       
|
|
erlich6.scl
Scale of consonant tones against 1/1-3/2 drone. TL 23-9-1998                    
|
|
erlich7.scl
Meantone-like circle of sinuoidally varying fifths, TL 08-12-99                 
|
|
erlich8.scl
Two 12-tET scales 15 cents shifted, Paul Erlich                                 
|
|
erlich9.scl
11-limit periodicity block, u.v.: 9801/9800 243/242 126/125 100/99
|
|
erlich_bp.scl
Erlich's Triple Bohlen-Pierce scale
|
|
erlich_bpf.scl
Erlich's 39-tone Triple Bohlen-Pierce scale
|
|
erlich_bpp.scl
Periodicity block for erlich_bpf, 1625/1617 1331/1323 275/273 245/243
|
|
erlich_bpp2.scl
Improved shape for erlich_bpp
|
|
erlich_bppe.scl
LS optimal 3:5:7:11:13 tempering, virtually equal, g=780.2702 cents
|
|
erlich_bppm.scl
MM optimal 3:5:7:11:13 tempering, g=780.352 cents
|
|
erlich_paj.scl
Erlich's Pajara or Twintone, with RMS optimal generator
|
|
erlich_paj2.scl
Erlich's Pajara or Twintone with minimax optimal generator
|
|
et-mix24.scl
Mix of all equal temperaments from 1-24 (= 13-24)                               
|
|
et-mix6.scl
Mix of equal temperaments from 1-6 (= 4-6)                                      
|
|
et7a.scl
7-tone equal temperament with pure fourth and fifth                             
|
|
euler.scl
Euler's Monochord (a mode of Ellis's duodene) (1739), genus [33355]             
|
|
euler20.scl
Genus [3333555] tempered by 225/224-planar
|
|
euler24.scl
Genus [33333555] tempered by 225/224-planar
|
|
euler_diat.scl
Euler's genus diatonicum veterum correctum                                      
|
|
euler_enh.scl
Euler's Old Enharmonic, From Tentamen Novae Theoriae Musicae                    
|
|
euler_gm.scl
Euler's Genus Musicum, Octony based on Archytas's Enharmonic                    
|
|
exp2.scl
Two times expanded major triad                                                  
|
|
exp3.scl
Three times expanded major triad                                                
|
|
far12_104.scl
Farey approximation to 12-tET with den=104
|
|
far12_65.scl
Farey approximation to 12-tET with den=65
|
|
far12_80.scl
Farey approximation to 12-tET with den=80
|
|
farey3.scl
Farey fractions between 0 and 1 until 3rd level, normalised by 2/1              
|
|
farey4.scl
Farey fractions between 0 and 1 until 4th level, normalised by 2/1              
|
|
farey5.scl
Farey fractions between 0 and 1 until 5th level, normalised by 2/1              
|
|
farnsworth.scl
Farnsworth's scale                                                              
|
|
fibo_9.scl
First 9 Fibonacci terms reduced by 2/1, B. McLaren, XH 13, 1991                 
|
|
finnamore.scl
David J. Finnamore, Tuning List 9 May '97. Tetrachordal scale, 17/16x19/17x64/57
|
|
finnamore53.scl
David J. Finnamore, tuning for "Crawlspace", 53-limit, 1998.                    
|
|
finnamore_11.scl
David J. Finnamore, 11-limit scale, Tuning List 3 Sept '98
|
|
finnamore_7.scl
David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in 21/20 &15/14   
|
|
finnamore_7a.scl
David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in 15/14 &21/20   
|
|
finnamore_jc.scl
Chalmers' modification of Finnamore. Tuning List 9-5-97 19/18 x 9/8 x 64/57     
|
|
fisher.scl
Alexander Metcalf Fisher's modified meantone temperament                        
|
|
fisk-vogel.scl
Modified meantone tuning of Fisk organ in Memorial Church at Stanford           
|
|
fj-10tet.scl
Franck Jedrzejewski continued fractions approx. of 10-tet 
|
|
fj-11tet.scl
Franck Jedrzejewski continued fractions approx. of 11-tet 
|
|
fj-12tet.scl
Franck Jedrzejewski continued fractions approx. of 12-tet 
|
|
fj-13tet.scl
Franck Jedrzejewski continued fractions approx. of 13-tet 
|
|
fj-14tet.scl
Franck Jedrzejewski continued fractions approx. of 14-tet 
|
|
fj-15tet.scl
Franck Jedrzejewski continued fractions approx. of 15-tet 
|
|
fj-16tet.scl
Franck Jedrzejewski continued fractions approx. of 16-tet 
|
|
fj-17tet.scl
Franck Jedrzejewski continued fractions approx. of 17-tet 
|
|
fj-18tet.scl
Franck Jedrzejewski continued fractions approx. of 18-tet 
|
|
fj-19tet.scl
Franck Jedrzejewski continued fractions approx. of 19-tet 
|
|
fj-20tet.scl
Franck Jedrzejewski continued fractions approx. of 20-tet 
|
|
fj-21tet.scl
Franck Jedrzejewski continued fractions approx. of 21-tet 
|
|
fj-22tet.scl
Franck Jedrzejewski continued fractions approx. of 22-tet 
|
|
fj-23tet.scl
Franck Jedrzejewski continued fractions approx. of 23-tet 
|
|
fj-24tet.scl
Franck Jedrzejewski continued fractions approx. of 24-tet 
|
|
fj-26tet.scl
Franck Jedrzejewski continued fractions approx. of 26-tet 
|
|
fj-30tet.scl
Franck Jedrzejewski continued fractions approx. of 30-tet 
|
|
fj-31tet.scl
Franck Jedrzejewski continued fractions approx. of 31-tet 
|
|
fj-36tet.scl
Franck Jedrzejewski continued fractions approx. of 36-tet 
|
|
fj-41tet.scl
Franck Jedrzejewski continued fractions approx. of 41-tet 
|
|
fj-42tet.scl
Franck Jedrzejewski continued fractions approx. of 42-tet 
|
|
fj-43tet.scl
Franck Jedrzejewski continued fractions approx. of 43-tet 
|
|
fj-53tet.scl
Franck Jedrzejewski continued fractions approx. of 53-tet 
|
|
fj-54tet.scl
Franck Jedrzejewski continued fractions approx. of 54-tet 
|
|
fj-55tet.scl
Franck Jedrzejewski continued fractions approx. of 55-tet 
|
|
fj-5tet.scl
Franck Jedrzejewski continued fractions approx. of 5-tet 
|
|
fj-60tet.scl
Franck Jedrzejewski continued fractions approx. of 60-tet 
|
|
fj-66tet.scl
Franck Jedrzejewski continued fractions approx. of 66-tet 
|
|
fj-6tet.scl
Franck Jedrzejewski continued fractions approx. of 6-tet 
|
|
fj-72tet.scl
Franck Jedrzejewski continued fractions approx. of 72-tet 
|
|
fj-78tet.scl
Franck Jedrzejewski continued fractions approx. of 78-tet 
|
|
fj-7tet.scl
Franck Jedrzejewski continued fractions approx. of 7-tet 
|
|
fj-84tet.scl
Franck Jedrzejewski continued fractions approx. of 84-tet 
|
|
fj-8tet.scl
Franck Jedrzejewski continued fractions approx. of 8-tet 
|
|
fj-90tet.scl
Franck Jedrzejewski continued fractions approx. of 90-tet 
|
|
fj-96tet.scl
Franck Jedrzejewski continued fractions approx. of 96-tet 
|
|
fj-9tet.scl
Franck Jedrzejewski continued fractions approx. of 9-tet 
|
|
flavel.scl
Bill Flavel's just tuning. Tuning List 6-5-98                                   
|
|
fogliano.scl
Fogliano's Monochord with D-/D and Bb-/Bb
|
|
fogliano1.scl
Fogliano's Monochord no.1, Musica theorica (1529)                               
|
|
fogliano2.scl
Fogliano's Monochord no.2                                                       
|
|
fokker-h.scl
Fokker-H 5-limit per.bl. synt.comma&small diesis, KNAW B71, 1968                
|
|
fokker-ht.scl
Tempered version of Fokker-H per.bl. with better 6 tetrads, OdC                 
|
|
fokker-k.scl
Fokker-K 5-limit per.bl. of 225/224 & 81/80 & 10976/10935, KNAW B71, 1968       
|
|
fokker-l.scl
Fokker-L 7-limit periodicity block 10976/10935 & 225/224 & 15625/15552, 1969    
|
|
fokker-lt.scl
Tempered version of Fokker-L per.bl. with more triads                           
|
|
fokker-m.scl
Fokker-M 7-limit periodicity block 81/80 & 225/224 & 1029/1024, KNAW B72, 1969  
|
|
fokker-n.scl
Fokker-N 7-limit periodicity block 81/80 & 2100875/2097152 & 1029/1024, 1969    
|
|
fokker-n2.scl
Fokker-N different block shape
|
|
fokker-p.scl
Fokker-P 7-limit periodicity block 65625/65536 & 6144/6125 & 2401/2400, 1969    
|
|
fokker-q.scl
Fokker-Q 7-limit per.bl. 225/224 & 4000/3969 & 6144/6125, KNAW B72, 1969        
|
|
fokker-r.scl
Fokker-R 7-limit per.bl. 4375/4374 & 65625/65536 & 6144/6125, 1969              
|
|
fokker-s.scl
Fokker-S 7-limit per.bl. 4375/4374 & 323/322 & 64827/65536, 1969                
|
|
fokker_12.scl
Fokker's 7-limit 12-tone just scale                                             
|
|
fokker_12a.scl
Fokker's 7-limit periodicity block of 2048/2025 & 3969/4000 & 225/224           
|
|
fokker_12b.scl
Fokker's 7-limit semitone scale KNAW B72, 1969                                  
|
|
fokker_12c.scl
Fokker's 7-limit complementary semitone scale, KNAW B72, 1969                   
|
|
fokker_12t.scl
Tempered version of fokker_12.scl with egalised 225/224, see also lumma.scl     
|
|
fokker_12t2.scl
Another tempered version of fokker_12.scl with egalised 225/224                 
|
|
fokker_22.scl
Fokker's 22-tone periodicity block of 2048/2025 & 3125/3072. KNAW B71, 1968     
|
|
fokker_22a.scl
Fokker's 22-tone periodicity block of 2048/2025 & 2109375/2097152 = semicomma   
|
|
fokker_31.scl
Fokker's 31-tone just system                                                    
|
|
fokker_31a.scl
Fokker's 31-tone first alternate septimal tuning                                
|
|
fokker_31b.scl
Fokker's 31-tone second alternate septimal tuning                               
|
|
fokker_31c.scl
Fokker's 31-tone periodicity block of 81/80 & 2109375/2097152 = semicomma       
|
|
fokker_31d.scl
Fokker's 31-tone periodicity block of 81/80 & Wurschmidt's comma                
|
|
fokker_41.scl
Fokker's 7-limit supracomma per.bl. 10976/10935 & 225/224 & 496125/262144       
|
|
fokker_41a.scl
Fokker's 41-tone periodicity block of schisma & 34171875/33554432               
|
|
fokker_41b.scl
Fokker's 41-tone periodicity block of schisma & 3125/3072                       
|
|
fokker_53.scl
Fokker's 53-tone system, degree 37 has alternatives                             
|
|
fokker_53a.scl
Fokker's 53-tone periodicity block of schisma & kleisma                         
|
|
fokker_53b.scl
Fokker's 53-tone periodicity block of schisma & 2109375/2097152                 
|
|
fokker_av.scl
Fokker's suggestion for a shrinked octave by averaging approximations           
|
|
fokker_sr.scl
Fokker's 7-limit sruti scale, KNAW B72, 1969                                    
|
|
fokker_sr2.scl
Fokker's complementary 7-limit sruti scale, KNAW B72, 1969                      
|
|
fokker_sra.scl
Two-step approximation 9-13 to Fokker's 7-limit sruti scale                     
|
|
fokker_srb.scl
Two-step maximally even approximation 11-11 to Fokker's 7-limit sruti scale     
|
|
fokker_uv.scl
Table of Unison Vectors, Microsons and Minisons, from article KNAW, 1969
|
|
foote.scl
Ed Foote, piano temperament. TL 9 Jun 1999, almost equal to Coleman             
|
|
forster.scl
Cris Forster's Chrysalis tuning, XH 7+8                                         
|
|
fortuna.scl
11-limit scale from Clem Fortuna                                                
|
|
fortuna_a1.scl
Clem Fortuna, Arabic mode of 24-tET, try C or G major
|
|
fortuna_a2.scl
Clem Fortuna, Arabic mode of 24-tET, try C or F minor
|
|
fortuna_bag.scl
Bagpipe tuning from Fortuna, try key of G with F natural
|
|
fortuna_eth.scl
Ethiopian Tunings from Fortuna
|
|
fortuna_sheng.scl
Sheng scale on naturals starting on d, from Fortuna
|
|
galilei.scl
Vincenzo Galilei's approximation
|
|
gamelan.scl
from Clem Fortuna out of Helmholtz, Slendro on black, F A B C E F as Pelog      
|
|
gamelan_om.scl
Other Music gamelan (7 limit black keys)                                        
|
|
gamelan_udan.scl
Gamelan Udan Mas (approx) s6,p6,p7,s1,p1,s2,p2,p3,s3,p4,s5,p5                   
|
|
ganassi.scl
Sylvestro Ganassi's temperament (1543)                                          
|
|
gann_custer.scl
Kyle Gann, scale from Custer's Ghost to Sitting Bull, 1/1=G                     
|
|
gann_frac.scl
Kyle Gann, scale from Fractured Paradise, 1/1=B                                 
|
|
gann_ghost.scl
Kyle Gann, scale from Ghost Town, 1/1=E                                         
|
|
gann_super.scl
Kyle Gann, scale from Superparticular Woman (1992), 1/1=G                       
|
|
gann_things.scl
Kyle Gann, scale from How Miraculous Things Happen, 1/1=A                       
|
|
garcia.scl
Linear 29-tone scale by Jose L. Garcia, 1988  15/13-52/45 alternating         
|
|
genovese.scl
Denny Genovese's 65-note scale. 3/2=384 Hz                                      
|
|
genovese_38.scl
Denny Genovese's 38-note scale. Harm 1..16 x Subh. 1..12                        
|
|
gf1-2.scl
16-note scale with all possible quadruplets of 50 & 100 c. Galois Field GF(2)   
|
|
gf2-3.scl
16-note scale with all possible quadruplets of 60 & 90 c. Galois Field GF(2)    
|
|
gilson7.scl
Gilson septimal
|
|
gilson7a.scl
Gilson septimal 2                                                               
|
|
gilson_10.scl
Gilson's 10-tone JI                                                             
|
|
golden_10.scl
Golden version of Rapoport's Major 10 out of 13
|
|
golden_5.scl
Golden pentatonic                                                               
|
|
gradus10.scl
Intervals > 1 with Gradus = 10                                                  
|
|
gradus3.scl
Intervals > 1 with Gradus = 3                                                   
|
|
gradus4.scl
Intervals > 1 with Gradus = 4                                                   
|
|
gradus5.scl
Intervals > 1 with Gradus = 5                                                   
|
|
gradus6.scl
Intervals > 1 with Gradus = 6                                                   
|
|
gradus7.scl
Intervals > 1 with Gradus = 7                                                   
|
|
gradus8.scl
Intervals > 1 with Gradus = 8                                                   
|
|
gradus9.scl
Intervals > 1 with Gradus = 9                                                   
|
|
grady.scl
Kraig Grady, letter to Lou Harrison, published in 1/1 7 (1) 1991 p 5.           
|
|
grady7.scl
Kraig Grady's 7-limit "Centaur" scale, 1987. See Xenharmonikon 16               
|
|
grady7t.scl
Tempered version of grady7.scl with egalised 225/224                            
|
|
grammateus.scl
H. Grammateus (1518). Wolf B-F# and Bb-F 1/2 P. Also Marpurg temp.nr.6
|
|
graupner.scl
Johann Gottlieb Graupner's temperament (1819)                                   
|
|
groenewald_21.scl
Jürgen Grönewald, new meantone temperament I (2000)
|
|
groven.scl
Eivind Groven's 36-tone scale with 1/8-schisma temp. fifths and 5/4 (1948)      
|
|
groven_ji.scl
Untempered version of Groven's 36-tone scale
|
|
gumbeng.scl
Scale of gumbeng ensemble, Java. 1/1=440 Hz.                                    
|
|
gunkali.scl
Indian mode Gunkali, see Danielou: Intr. to the Stud. of Mus. Scales, p.175     
|
|
gyaling.scl
Tibetan Buddhist Gyaling tones measured from CD "The Diamond Path", Ligon 2002
|
|
h10_27.scl
10-tET harmonic approximation, fundamental=27                                   
|
|
h12_24.scl
12-tET harmonic approximation, fundamental=24                                   
|
|
h14_27.scl
14-tET harmonic approximation, fundamental=27                                   
|
|
h15_24.scl
15-tET harmonic approximation, fundamental=24                                   
|
|
hahn9.scl
Paul Hahn's just version of 9 out of 31 scale. TL 6-8-'98                       
|
|
hahn_7.scl
Paul Hahn's scale with 32 consonant 7-limit dyads. TL '99                       
|
|
hahn_g.scl
fourth of sqrt(2)-1 octave "recursive" meantone, Paul Hahn                      
|
|
halfefg357777.scl
Half genus [357777]
|
|
hamilton.scl
Elsie Hamilton's gamut, from article The Modes of Ancient Greek Music (1953)    
|
|
hamilton_jc.scl
Chalmers' permutation of Hamilton's gamut. Diatonic notes on white              
|
|
hamilton_jc2.scl
EH gamut, diatonic notes on white and drops 17 for 25. JC Dorian Harmonia on C  
|
|
hammond.scl
Hammond organ pitch wheel ratios, 1/1=320 Hz. Do "del 0" to get 12-tone scale
|
|
hammond12.scl
Hammond organ scale, 1/1=277.0732 Hz, A=440, see hammond.scl for the ratios
|
|
handblue.scl
"Handy Blues" of Pitch Palette, 7-limit                                         
|
|
handel.scl
Well temperament according to Georg Friedrich Ha"ndel's rules (c. 1780)         
|
|
hanson_19.scl
JI version of Hanson's 19 out of 53-tET scale                                   
|
|
harm-doreninv1.scl
1st Inverted Schlesinger's Enharmonic Dorian Harmonia                           
|
|
harm-dorinv1.scl
1st Inverted Schlesinger's Chromatic Dorian Harmonia                            
|
|
harm-lydchrinv1.scl
1st Inverted Schlesinger's Chromatic Lydian Harmonia                            
|
|
harm-lydeninv1.scl
1st Inverted Schlesinger's Enharmonic Lydian Harmonia                           
|
|
harm-mixochrinv1.scl
1st Inverted Schlesinger's Chromatic Mixolydian Harmonia                        
|
|
harm-mixoeninv1.scl
1st Inverted Schlesinger's Enharmonic Mixolydian Harmonia                       
|
|
harm10.scl
6/7/8/9/10 harmonics                                                            
|
|
harm11s.scl
Harm. 1/4-11/4 and subh. 4/1-4/11. Joseph Pehrson 1999                          
|
|
harm12s.scl
Harmonics 1 to 12 and subharmonics mixed
|
|
harm15-30.scl
Harmonics 15 to 30
|
|
harm15.scl
Fifth octave of the harmonic overtone series                                    
|
|
harm16-32.scl
Harmonics 16-32 & Tom Stone's Guitar Scale
|
|
harm16.scl
First 16 harmonics and subharmonics                                             
|
|
harm1c-dorian.scl
Harm1C-Dorian                                                                   
|
|
harm1c-hypod.scl
HarmC-Hypodorian                                                                
|
|
harm1c-hypol.scl
HarmC-Hypolydian                                                                
|
|
harm1c-lydian.scl
Harm1C-Lydian                                                                   
|
|
harm1c-mix.scl
Harm1C-Con Mixolydian                                                           
|
|
harm1c-mixolydian.scl
Harm1C-Mixolydian                                                               
|
|
harm24.scl
Harmonics 12 to 24                                                              
|
|
harm24_2.scl
Harmonics 12 to 24, mode 9                                                      
|
|
harm3.scl
Third octave of the harmonic overtone series                                    
|
|
harm30.scl
First 30 harmonics and subharmonics                                             
|
|
harm32-64.scl
Harmonics 32-64                                                                 
|
|
harm37odd.scl
Odd harmonics until 37                                                          
|
|
harm4.scl
Fourth octave of the harmonic overtone series                                   
|
|
harm6-12.scl
First 12 harmonics of 6th through 12th harmonics                                
|
|
harm6.scl
Harmonics 6-12                                                                  
|
|
harm60-30.scl
Harmonics 60 to 30 (Perkis)                                                     
|
|
harm7lim.scl
7-limit harmonics                                                               
|
|
harm8.scl
Harmonics 8-16
|
|
harm9.scl
6/7/8/9 harmonics, First 9 overtones of 5th through 9th harmonics               
|
|
harmc-hypop.scl
HarmC-Hypophrygian                                                              
|
|
harmd-15.scl
HarmD-15-Harmonia                                                               
|
|
harmd-conmix.scl
HarmD-ConMixolydian                                                             
|
|
harmd-hypod.scl
HarmD-Hypodorian                                                                
|
|
harmd-hypol.scl
HarmD-Hypolydian                                                                
|
|
harmd-hypop.scl
HarmD-Hypophrygian                                                              
|
|
harmd-lyd.scl
HarmD-Lydian                                                                    
|
|
harmd-mix.scl
HarmD-Mixolydian. Harmonics 7-14                                                
|
|
harmd-phr.scl
HarmD-Phryg (with 5 extra tones)                                                
|
|
harme-hypod.scl
HarmE-Hypodorian                                                                
|
|
harme-hypol.scl
HarmE-Hypolydian                                                                
|
|
harme-hypop.scl
HarmE-Hypophrygian                                                              
|
|
harmjc-15.scl
Rationalized JC Sub-15 Harmonia on C. MD=15, No planetary assignment.           
|
|
harmjc-17-2.scl
Rationalized JC Sub-17 Harmonia on C. MD=17, No planetary assignment.           
|
|
harmjc-17.scl
Rationalized JC Sub-17 Harmonia on C. MD=17, No planetary assignment.           
|
|
harmjc-19-2.scl
Rationalized JC Sub-19 Harmonia on C. MD=19, No planetary assignment.           
|
|
harmjc-19.scl
Rationalized JC Sub-19 Harmonia on C. MD=19, No planetary assignment.           
|
|
harmjc-21.scl
Rationalized JC Sub-21 Harmonia on C. MD=21, No planetary assignment.           
|
|
harmjc-23-2.scl
Rationalized JC Sub-23 Harmonia on C. MD=23, No planetary assignment.           
|
|
harmjc-23.scl
Rationalized JC Sub-23 Harmonia on C. MD=23, No planetary assignment.           
|
|
harmjc-25.scl
Rationalized JC Sub-25 Harmonia on C. MD=25, No planetary assignment.           
|
|
harmjc-27.scl
Rationalized JC Sub-27 Harmonia on C. MD=27, No planetary assignment.           
|
|
harmjc-hypod16.scl
Rationalized JC Hypodorian Harmonia on C. Saturn Scale on C, MD=16. (Steiner)   
|
|
harmjc-hypol20.scl
Rationalized JC Hypolydian Harmonia on C. Mars scale on C., MD=20               
|
|
harmjc-hypop18.scl
Rationalized JC Hypophrygian Harmonia on C. Jupiter scale on C, MD =18          
|
|
harmjc-lydian13.scl
Rationalized JC Lydian Harmonia on C. Mercury scale on C, MD = 26 or 13         
|
|
harmjc-mix14.scl
Rationalized JC Mixolydian Harmonia on C. Moon Scale on C, MD = 14              
|
|
harmjc-phryg12.scl
Rationalized JC Phrygian Harmonia on C. Venus scale on C, MD = 24 or 12         
|
|
harmonical.scl
See pp 17 and 466-468 Helmholtz. lower 4 oct. Instr. designed & tuned by Ellis  
|
|
harmonical_up.scl
Upper 2 octaves of Ellis's Harmonical                                           
|
|
harm_bastard.scl
Schlesinger's "Bastard" Hypodorian Harmonia & inverse 1)7 from 1.3.5.7.9.11.13  
|
|
harm_bastinv.scl
Inverse Schlesinger's "Bastard" Hypodorian Harmonia & 1)7 from 1.3.5.7.9.11.13  
|
|
harm_darreg.scl
Darreg Harmonics 4-15                                                           
|
|
harm_mean.scl
Harm. Mean 9-tonic 8/7 is HM of 1/1 and 4/3, etc.                               
|
|
harrisonj.scl
John Harrison's temperament (1775), almost 3/10-comma. Third = 1200/pi
|
|
harrisonm_rev.scl
Michael Harrison, piano tuning for "Revelation" (2001), 1/1=F
|
|
harrison_16.scl
Lou Harrison 16-tone superparticular "Ptolemy Duple"
|
|
harrison_5.scl
From Lou Harrison, a pelog style pentatonic                                     
|
|
harrison_5_1.scl
From Lou Harrison, a pelog style pentatonic                                     
|
|
harrison_5_3.scl
From Lou Harrison, a pelog style pentatonic                                     
|
|
harrison_5_4.scl
From Lou Harrison, a pelog style pentatonic                                     
|
|
harrison_8.scl
Lou Harrison 8-tone tuning for "Serenade for Guitar"
|
|
harrison_cinna.scl
Lou Harrison, "Incidental Music for Corneille's Cinna" (1955-56) 1/1=C
|
|
harrison_diat.scl
From Lou Harrison, a soft diatonic                                              
|
|
harrison_joy.scl
Lou Harrison's Joyous 6                                                         
|
|
harrison_mid.scl
Lou Harrison mid mode                                                           
|
|
harrison_mid2.scl
Lou Harrison mid mode 2                                                         
|
|
harrison_min.scl
From Lou Harrison, a symmetrical pentatonic with minor thirds                   
|
|
harrison_mix1.scl
A "mixed type" pentatonic, Lou Harrison                                         
|
|
harrison_mix2.scl
A "mixed type" pentatonic, Lou Harrison                                         
|
|
harrison_mix3.scl
A "mixed type" pentatonic, Lou Harrison                                         
|
|
harrison_mix4.scl
A "mixed type" pentatonic, Lou Harrison                                         
|
|
hawkes.scl
William Hawkes' modified 1/5-comma meantone (1807)
|
|
hawkes2.scl
Meantone with fifth tempered 1/6 of 53-tET step by William Hawkes (1808)
|
|
hbarnes.scl
Variation on Barnes with 1/6P -> 1/8P. OdC '99                                  
|
|
hebdome1.scl
Wilson 1.3.5.7.9.11.13.15 hebdomekontany, 1.3.5.7 tonic                         
|
|
helmholtz.scl
Helmholtz's Chromatic scale and Gipsy major from Slovakia                       
|
|
helmholtz_24.scl
Simplified Helmholtz 24                                                         
|
|
helmholtz_hd.scl
Helmholtz Harmonic Decad
|
|
helmholtz_pure.scl
Helmholtz's two-keyboard harmonium tuning untempered                            
|
|
helmholtz_temp.scl
Helmholtz's two-keyboard harmonium tuning                                       
|
|
hem_chrom.scl
Hemiolic Chromatic genus has the strong or 1:2 division of the 12/11 pyknon     
|
|
hem_chrom11.scl
11'al Hemiolic Chromatic genus with a CI of 11/9, Winnington-Ingram             
|
|
hem_chrom13.scl
13'al Hemiolic Chromatic or neutral-third genus has a CI of 16/13               
|
|
hem_chrom2.scl
1:2 Hemiolic Chromatic genus 3 + 6 + 21 parts                                   
|
|
hept_diamond.scl
Inverted-Prime Heptatonic Diamond based on Archytas's Enharmonic                
|
|
hept_diamondi.scl
Prime-Inverted Heptatonic Diamond based on Archytas' Enharmonic                 
|
|
hept_diamondp.scl
Heptatonic Diamond based on Archytas's Enharmonic, 27 tones                     
|
|
herf.scl
Sims:Reflections on This and That, 1991. Used by Herf in Ekmelischer Gesang     
|
|
heun.scl
Well temperament for organ of Jan Heun (1805), subset of 55-tET
|
|
hexagonal13.scl
Star hexagonal 13-tone scale                                                    
|
|
hexagonal37.scl
Star hexagonal 37-tone scale                                                    
|
|
hexany1.scl
Two out of 1 3 5 7 hexany                                                       
|
|
hexany10.scl
1.3.5.9 Hexany                                                                  
|
|
hexany11.scl
1.3.7.9 Hexany on 1.3                                                           
|
|
hexany12.scl
3.5.7.9 Hexany on 3.9                                                           
|
|
hexany13.scl
1.3.5.11 Hexany on 1.11                                                         
|
|
hexany14.scl
5.11.13.15 Hexany (5.15), used in The Giving, by Stephen J. Taylor              
|
|
hexany15.scl
1.3.5.15  2)4 hexany (1.15 tonic) degenerate, symmetrical pentatonic            
|
|
hexany16.scl
1.3.9.27 Hexany, a degenerate pentatonic form                                   
|
|
hexany17.scl
1.5.25.125 Hexany, a degenerate pentatonic form                                 
|
|
hexany18.scl
1.7.49.343 Hexany, a degenerate pentatonic form                                 
|
|
hexany19.scl
1.5.7.35 Hexany, a degenerate pentatonic form                                   
|
|
hexany2.scl
Hexany Cluster 2                                                                
|
|
hexany20.scl
3.5.7.105 Hexany                                                                
|
|
hexany21.scl
3.5.9.135 Hexany                                                                
|
|
hexany21a.scl
3.5.9.135 Hexany + 4/3. Is Didymos Diatonic tetrachord on 1/1 and inv. on 3/2   
|
|
hexany22.scl
1.11.121.1331 Hexany, a degenerate pentatonic form                              
|
|
hexany23.scl
1.3.11.33 Hexany, degenerate pentatonic form                                    
|
|
hexany24.scl
1.5.11.55 Hexany, a degenerate pentatonic form                                  
|
|
hexany25.scl
1.7.11.77 Hexany, a degenerate pentatonic form                                  
|
|
hexany26.scl
1.9.11.99 Hexany, a degenerate pentatonic form                                  
|
|
hexany3.scl
Hexany Cluster 3                                                                
|
|
hexany4.scl
Hexany Cluster 4                                                                
|
|
hexany49.scl
1.3.21.49  2)4 hexany (1.21 tonic)                                              
|
|
hexany5.scl
Hexany Cluster 5                                                                
|
|
hexany6.scl
Hexany Cluster 6                                                                
|
|
hexany7.scl
Hexany Cluster 7                                                                
|
|
hexany8.scl
Hexany Cluster 8                                                                
|
|
hexany9.scl
1.3.5.7 Hexany on 5.7                                                           
|
|
hexanys.scl
Hexanys 1 3 5 7 9                                                               
|
|
hexanys2.scl
Hexanys 1 3 7 11 13                                                             
|
|
hexany_cl.scl
Hexany Cluster 1
|
|
hexany_cl2.scl
Composed of 1.3.5.45, 1.3.5.75, 1.3.5.9, and 1.3.5.25 hexanies
|
|
hexany_flank.scl
Hexany Flanker, 7-limit, from Wilson                                            
|
|
hexany_tetr.scl
Complex 12 of p. 115, a hexany based on Archytas's Enharmonic                   
|
|
hexany_trans.scl
Complex 1 of p. 115, a hexany based on Archytas's Enharmonic                    
|
|
hexany_trans2.scl
Complex 2 of p. 115, a hexany based on Archytas's Enharmonic                    
|
|
hexany_trans3.scl
Complex 9 of p. 115, a hexany based on Archytas's Enharmonic                    
|
|
hexany_u2.scl
Hexany union = genus [335577] minus two corners                                 
|
|
hexany_union.scl
The union of all of the pitches of the 1.3.5.7 hexany on each tone as 1/1       
|
|
hexany_urot.scl
Aggregate rotations of 1.3.5.7 hexany, 1.3 = 1/1                                
|
|
higgs.scl
From Greg Higgs announcement of the formation of an Internet Tuning list        
|
|
hinsz_gr.scl
Reconstructed Hinsz temperament, organ Pelstergasthuiskerk Groningen. Ortgies,2002
|
|
hipkins.scl
Hipkins' Chromatic                                                              
|
|
hirajoshi.scl
Observed Japanese pentatonic koto scale                                         
|
|
hirajoshi2.scl
Another Japanese pentatonic koto scale                                          
|
|
hochgartz.scl
Michael Hochgartz, modified 1/5-comma meantone temperament
|
|
hofmann1.scl
Hofmann's Enharmonic #1, Dorian mode                                            
|
|
hofmann2.scl
Hofmann's Enharmonic #2, Dorian mode                                            
|
|
hofmann_chrom.scl
Hofmann's Chromatic                                                             
|
|
holder.scl
William Holder's equal beating meantone temperament (1694). 3/2 beats 2.8 Hz    
|
|
holder2.scl
Holder's irregular e.b. temperament with improved Eb and G#                     
|
|
ho_mai_nhi.scl
Ho Mai Nhi (Nam Hue) dan tranh scale, Vietnam                                   
|
|
hummel.scl
Johann Nepomuk Hummel's quasi-equal temperament (1829)                          
|
|
hummel2.scl
Johann Nepomuk Hummel's temperament according to the second bearing plan        
|
|
husmann.scl
Tetrachord division according to Husmann                                        
|
|
hwerck3.scl
Variation on Werckmeister III with 1/4P -> 1/6P and 0P -> 1/24P. OdC '99        
|
|
hyper_enh.scl
13/10 HyperEnharmonic. This genus is at the limit of usable tunings             
|
|
hyper_enh2.scl
Hyperenharmonic genus from Kathleen Schlesinger's enharmonic Phrygian Harmonia  
|
|
hypodorian_pis.scl
Diatonic Perfect Immutable System in the Hypodorian Tonos                       
|
|
hypod_chrom.scl
Hypodorian Chromatic Tonos                                                      
|
|
hypod_chrom2.scl
Schlesinger's Chromatic Hypodorian Harmonia                                     
|
|
hypod_chrom2inv.scl
Inverted Schlesinger's Chromatic Hypodorian Harmonia
|
|
hypod_chromenh.scl
Schlesinger's Hypodorian Harmonia in a mixed chromatic-enharmonic genus         
|
|
hypod_chrominv.scl
A harmonic form of Schlesinger's Chromatic Hypodorian Inverted                  
|
|
hypod_diat.scl
Hypodorian Diatonic Tonos                                                       
|
|
hypod_diat2.scl
Schlesinger's Hypodorian Harmonia, a subharmonic series through 13 from 16      
|
|
hypod_diatcon.scl
A Hypodorian Diatonic with its own trite synemmenon replacing paramese          
|
|
hypod_diatinv.scl
Inverted Schlesinger's Hypodorian Harmonia, a harmonic series from 8 from 16    
|
|
hypod_enh.scl
Hypodorian Enharmonic Tonos                                                     
|
|
hypod_enhinv.scl
Inverted Schlesinger's Enharmonic Hypodorian Harmonia                           
|
|
hypod_enhinv2.scl
A harmonic form of Schlesinger's Hypodorian enharmonic inverted                 
|
|
hypolydian_pis.scl
The Diatonic Perfect Immutable System in the Hypolydian Tonos                   
|
|
hypol_chrom.scl
Schlesinger's Hypolydian Harmonia in the chromatic genus                        
|
|
hypol_chrominv.scl
Inverted Schlesinger's Chromatic Hypolydian Harmonia                            
|
|
hypol_chrominv2.scl
harmonic form of Schlesinger's Chromatic Hypolydian inverted                    
|
|
hypol_chrominv3.scl
A harmonic form of Schlesinger's Chromatic Hypolydian inverted                  
|
|
hypol_diat.scl
Schlesinger's Hypolydian Harmonia, a subharmonic series through 13 from 20      
|
|
hypol_diatcon.scl
A Hypolydian Diatonic with its own trite synemmenon replacing paramese          
|
|
hypol_diatinv.scl
Inverted Schlesinger's Hypolydian Harmonia, a harmonic series from 10 from 20   
|
|
hypol_enh.scl
Schlesinger's Hypolydian Harmonia in the enharmonic genus                       
|
|
hypol_enhinv.scl
Inverted Schlesinger's Enharmonic Hypolydian Harmonia                           
|
|
hypol_enhinv2.scl
A harmonic form of Schlesinger's Hypolydian enharmonic inverted                 
|
|
hypol_enhinv3.scl
A harmonic form of Schlesinger's Hypolydian enharmonic inverted                 
|
|
hypol_pent.scl
Schlesinger's Hypolydian Harmonia in the pentachromatic genus                   
|
|
hypol_tri.scl
Schlesinger's Hypolydian Harmonia in the first trichromatic genus               
|
|
hypol_tri2.scl
Schlesinger's Hypolydian Harmonia in the second trichromatic genus              
|
|
hypophryg_pis.scl
The Diatonic Perfect Immutable System in the Hypophrygian Tonos                 
|
|
hypop_chrom.scl
Hypophrygian Chromatic Tonos                                                    
|
|
hypop_chromenh.scl
Schlesinger's Hypophrygian Harmonia in a mixed chromatic-enharmonic genus       
|
|
hypop_chrominv.scl
Inverted Schlesinger's Chromatic Hypophrygian Harmonia                          
|
|
hypop_chrominv2.scl
A harmonic form of Schlesinger's Chromatic Hypophrygian inverted                
|
|
hypop_diat.scl
Hypophrygian Diatonic Tonos                                                     
|
|
hypop_diat2.scl
Schlesinger's Hypophrygian Harmonia                                             
|
|
hypop_diat2inv.scl
Inverted Schlesinger's Hypophrygian Harmonia, a harmonic series from 9 from 18
|
|
hypop_diatcon.scl
A Hypophrygian Diatonic with its own trite synemmenon replacing paramese        
|
|
hypop_enh.scl
Hypophrygian Enharmonic Tonos                                                   
|
|
hypop_enhinv.scl
Inverted Schlesinger's Enharmonic Hypophrygian Harmonia                         
|
|
hypop_enhinv2.scl
A harmonic form of Schlesinger's Hypophrygian enharmonic inverted               
|
|
hypo_chrom.scl
Hypolydian Chromatic Tonos                                                      
|
|
hypo_diat.scl
Hypolydian Diatonic Tonos                                                       
|
|
hypo_enh.scl
Hypolydian Enharmonic Tonos                                                     
|
|
iivv17.scl
17-limit IIVV                                                                   
|
|
indian-ayyar.scl
Carnatic sruti system, C.Subrahmanya Ayyar, 1976. alt:21/20 25/16 63/40 40/21   
|
|
indian-dk.scl
Raga Darbari Kanada                                                             
|
|
indian-ellis.scl
Ellis's Indian Chromatic, theoretical #74 of App.XX, p.517 of Helmholtz         
|
|
indian-hahn.scl
Indian shrutis Paul Hahn proposal                                               
|
|
indian-hrdaya1.scl
From Hrdayakautaka of Hrdaya Narayana (17th c) Bhatkande's interpretation       
|
|
indian-hrdaya2.scl
From Hrdayakautaka of Hrdaya Narayana (17th c) Levy's interpretation            
|
|
indian-invrot.scl
Inverted and rotated North Indian gamut
|
|
indian-magrama.scl
Indian mode Ma-grama (Sa Ri Ga Ma Pa Dha Ni Sa)                                 
|
|
indian-newbengali.scl
Modern Bengali scale,S.M. Tagore: The mus. scales of the Hindus,Calcutta 1884   
|
|
indian-old2ellis.scl
Ellis Old Indian Chrom2, Helmholtz, p. 517. This is a 4 cent appr. to #73       
|
|
indian-oldellis.scl
Ellis Old Indian Chromatic, Helmholtz, p. 517. This is a 0.5 cent appr. to #73  
|
|
indian-raja.scl
A folk scale from Rajasthan, India                                              
|
|
indian-sagrama.scl
Indian mode Sa-grama (Sa Ri Ga Ma Pa Dha Ni Sa), inverse of Didymus' diatonic   
|
|
indian-srutiharm.scl
B. Chaitanya Deva's sruti harmonium. The Music of India, 1981, p. 109           
|
|
indian-srutivina.scl
Raja S.M. Tagore's sruti vina, measured by Ellis and Hipkins, 1886. 1/1=241.2   
|
|
indian-srutivina2.scl
S. Ramanathan's sruti vina, 1973. In B.C. Deva, The Music of India, p. 110      
|
|
indian-vina.scl
Observed South Indian tuning of a vina, Ellis                                   
|
|
indian-vina2.scl
Observed tuning of old vina in Tanjore Palace, Ellis and Hipkins. 1/1=210.7 Hz  
|
|
indian-vina3.scl
Tuning of K.S. Subramanian's vina (1983)                                        
|
|
indian-vinarat.scl
S.M. Tagore's sruti vina, rationalised OdC. 1/1=241.2 Hz                        
|
|
indian.scl
Indian shruti scale                                                             
|
|
indian2.scl
Indian shruti scale with tritone 64/45 schisma lower (Mr.Devarajan, Madurai)    
|
|
indian3.scl
Indian shruti scale with 32/31 and 31/16 and tritone schisma lower              
|
|
indian4.scl
Indian shruti scale according to Firoze Framjee: Text book of Indian music      
|
|
indian_12.scl
North Indian Gamut, modern Hindustani gamut out of 22 or more shrutis           
|
|
indian_12c.scl
Carnatic gamut. Kuppuswami: Carnatic music and the Tamils, p. v                 
|
|
indian_a.scl
One observed indian mode                                                        
|
|
indian_b.scl
Observed Indian mode                                                            
|
|
indian_c.scl
Observed Indian mode                                                            
|
|
indian_cmp.scl
Shruti scale with a more compact lattice, OdC                                   
|
|
indian_d.scl
Indian D (Ellis, correct)                                                       
|
|
indian_e.scl
Observed Indian mode                                                            
|
|
indian_rat.scl
Indian Raga, From Fortuna, after Helmholtz, ratios by JC                        
|
|
indian_rot.scl
Rotated North Indian Gamut                                                      
|
|
ionic.scl
Ancient greek Ionic                                                             
|
|
iran_diat.scl
Iranian Diatonic from Dariush Anooshfar, Safi-a-ddin Armavi's scale from 125 ET 
|
|
iraq.scl
Iraq 8-tone scale, Ellis                                                        
|
|
isfahan_5.scl
Isfahan (IG #2, DF #8), from Rouanet                                            
|
|
islamic.scl
Islamic Genus (DF#7), from Rouanet                                              
|
|
iter1.scl
McLaren style, IE= 2.414214, PD=5, SD=0
|
|
iter10.scl
Iterated 5/2 Scale,  IE=5/2, PD=4, SD=3                                         
|
|
iter11.scl
Binary 5/3 Scale #2
|
|
iter12.scl
Binary 5/3 Scale #4
|
|
iter13.scl
Binary 5/3 Scale #6
|
|
iter14.scl
Binary Divided 3/1 Scale #2
|
|
iter15.scl
Binary Division Scale
|
|
iter16.scl
Binary Division Scale 4+2
|
|
iter17.scl
Binary E Scale #2
|
|
iter18.scl
Binary E Scale #4
|
|
iter19.scl
Binary Kidjel Ratio Scale#2
|
|
iter2.scl
Iterated 1 + SQR(2) Scale, IE=2.414214, PD=5, SD=1                              
|
|
iter20.scl
Binary PHI Scale #2
|
|
iter21.scl
Binary PHI Scale 5+2 #2
|
|
iter22.scl
Binary PI Scale #2
|
|
iter23.scl
Binary SQR(3) Scale #2
|
|
iter24.scl
Binary SQR(5) Scale #2
|
|
iter25.scl
Binary SQR(7) Scale #2
|
|
iter26.scl
E Scale                                                                         
|
|
iter27.scl
Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=3                                
|
|
iter28.scl
McLaren 3-Division Scale                                                        
|
|
iter29.scl
Iterated Binary Division of the Octave, IE=2, PD=6, SD=0                        
|
|
iter3.scl
Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=3, SD=2                 
|
|
iter30.scl
Iterated E-scale, IE= 2.71828, PD=5, SD=0                                       
|
|
iter31.scl
Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=0                                
|
|
iter32.scl
Iterated PHI scale, IE= 1.61803339, PD=8, SD=0                                  
|
|
iter33.scl
Iterated PI Scale, IE= 3.14159, PD=4, SD=0                                      
|
|
iter34.scl
Iterated SQR3 Scale, IE= 1.73205, PD=8, SD=0                                    
|
|
iter35.scl
Iterated SQR 5 Scale, IE= 2.23607, PD=6, SD=0                                   
|
|
iter36.scl
Iterated SQR 7 Scale, IE= 2.64575, PD=5, SD=0                                   
|
|
iter4.scl
Iterated 5/2 Scale,  IE=5/2, PD=4, SD=3                                         
|
|
iter5.scl
Iterated 5/3 Scale, analog of Hexachord, IE=5/3, PD=3, SD=2                     
|
|
iter6.scl
Iterated Binary 1+SQR(2) Scale, IE= 2.414214, G=2, PD=4, SD=2                   
|
|
iter7.scl
Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=3, SD=2                 
|
|
iter8.scl
Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=2, SD=2                 
|
|
iter9.scl
Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=2, SD=12                
|
|
iter_fifth.scl
Iterated 3/2 Scale, IE=3/2, PD=3, SD=2                                          
|
|
ives.scl
Charles Ives' stretched major scale, "Scrapbook" pp. 108-110                    
|
|
ives2a.scl
Speculation by Joe Monzo for Ives' other stretched scale
|
|
ives2b.scl
Alt. speculation by Joe Monzo for Ives' other stretched scale
|
|
janke1.scl
Rainer Janke, Temperatur I                                                      
|
|
janke2.scl
Rainer Janke, Temperatur II                                                     
|
|
janke3.scl
Rainer Janke, Temperatur III                                                    
|
|
janke4.scl
Rainer Janke, Temperatur IV                                                     
|
|
janke5.scl
Rainer Janke, Temperatur V                                                      
|
|
janke6.scl
Rainer Janke, Temperatur VI                                                     
|
|
janke7.scl
Rainer Janke, Temperatur VII                                                    
|
|
jemblung1.scl
Scale of bamboo gamelan jemblung from Kalijering, slendro-like. 1/1=590 Hz.     
|
|
jemblung2.scl
Bamboo gamelan jemblung at Royal Batavia Society. 1/1=504 Hz.                   
|
|
ji_11.scl
3 and 7 prime rational interpretation of 11-tET. OdC 2000                       
|
|
ji_12.scl
Basic JI with 7-limit tritone                                                   
|
|
ji_12a.scl
7-limit 12-tone scale
|
|
ji_12b.scl
alternate 7-limit 12-tone scale
|
|
ji_12c.scl
Kurzweil "Just with natural b7th", is Sauveur Just with 7/4
|
|
ji_13.scl
5-limit 12-tone symmetrical scale with two tritones                             
|
|
ji_13b.scl
5 and 11 prime rational interpretation of 13-tET. OdC 2000                      
|
|
ji_17.scl
3 and 7 prime rational interpretation of 17-tET. OdC                            
|
|
ji_17a.scl
3, 5 and 11 prime rational interpretation of 17-tET, OdC                        
|
|
ji_17b.scl
3 and 11 prime rational interpretation of 17-tET, OdC                           
|
|
ji_17c.scl
Alt. 3, 5 and 11 prime rational interpretation of 17-tET, OdC                   
|
|
ji_17d.scl
3, 7 and 11 prime rational interpretation of 17-tET, OdC                        
|
|
ji_17_12.scl
12-tone Pythagorean subset of ji_17.scl                                         
|
|
ji_19.scl
5-limit 19-tone scale                                                           
|
|
ji_19a.scl
7-limit 19-tone scale                                                           
|
|
ji_19b.scl
7-limit symmetrical 19-tone scale. OdC 2000
|
|
ji_20.scl
3 and 7 prime rational interpretation of 20-tET. OdC                            
|
|
ji_21.scl
7-limit 21-tone just scale, Op de Coul, 2001
|
|
ji_22.scl
5-limit 22-tone scale (Zarlino?)
|
|
ji_22a.scl
11-limit rational interpretation of 22-tET, Bill Alves, tuning list 9-1-98      
|
|
ji_22b.scl
3,5,11-prime rational interpretation of 22-tET                                  
|
|
ji_22c.scl
31-limit rational interpretation of 22-tET, Marion McCoskey                     
|
|
ji_22d.scl
7-limit rational interpretation of 22-tET, OdC                                  
|
|
ji_24.scl
3, 5 and 11 prime rational interpretation of 24-tET
|
|
ji_26.scl
7-limit rational interpretation of 26-tET, OdC                                  
|
|
ji_27.scl
7-limit rational interpretation of 27-tET, OdC                                  
|
|
ji_29.scl
3,5,11-prime rational interpretation of 29-tET, OdC                             
|
|
ji_30.scl
11-limit rational interpretation of 30-tET
|
|
ji_31.scl
A just 11-limit 31-tone scale, optimized for Mann complexity
|
|
ji_31a.scl
A just 7-limit 31-tone scale
|
|
ji_31b.scl
A just 5-limit 31-tone scale
|
|
ji_31c.scl
A just 11-limit 31-tone scale
|
|
ji_7.scl
7-limit rational interpretation of 7-tET. OdC                                   
|
|
ji_7a.scl
Superparticular approximation to 7-tET. Op de Coul, 1998
|
|
ji_ri24a.scl
M. Schulter, just/rational intonation system - with circulating 24-note set
|
|
johnston.scl
Ben Johnston's combined otonal-utonal scale                                     
|
|
johnston_21.scl
Johnston 21-note just enharmonic scale                                          
|
|
johnston_22.scl
Johnston 22-note scale from end of string quartet nr. 4                         
|
|
johnston_25.scl
Johnston 25-note just enharmonic scale                                          
|
|
johnston_6-qt.scl
11-limit complete system from Ben Johnston's _6th Quartet_
|
|
johnston_6-qt_row.scl
11-limit 'prime row' from Ben Johnston's "6th Quartet"
|
|
johnston_81.scl
Johnston 81-note 5-limit scale of Sonata for Microtonal Piano
|
|
jorgensen.scl
Jorgensen's 5&7 temperament                                                     
|
|
jousse.scl
Temperament of Jean Jousse (1832)                                               
|
|
jousse2.scl
Jean Jousse's quasi-equal temperament                                           
|
|
kanzelmeyer_11.scl
Bruce Kanzelmeyer, 11 harmonics from 16 to 32. Base 388.3614815 Hz              
|
|
kanzelmeyer_18.scl
Bruce Kanzelmeyer, 18 harmonics from 32 to 64. Base 388.3614815 Hz              
|
|
kayolonian.scl
19-tone 5-limit scale of the Kayenian Imperium on Kayolonia (reeks van Sjauriek)
|
|
kayoloniana.scl
Amendment by Rasch of Kayolonian scale's note 9                                 
|
|
kayolonian_12.scl
See Barnard: De Keiaanse Muziek, p. 11. (uitgebreide reeks)                     
|
|
kayolonian_40.scl
See Barnard: De Keiaanse Muziek                                                 
|
|
kayolonian_f.scl
Kayolonian scale F and periodicity block (128/125, 16875/16384)
|
|
kayolonian_p.scl
Kayolonian scale P                                                              
|
|
kayolonian_s.scl
Kayolonian scale S                                                              
|
|
kayolonian_t.scl
Kayolonian scale T                                                              
|
|
kayolonian_z.scl
Kayolonian scale Z                                                              
|
|
keenan.scl
Dave Keenan 31-ET mode has 3 4:5:6:7 tetrads + 3 inv. is Fokker's 12-tone mode  
|
|
keenan2.scl
Dave Keenan strange 9-limit temperament TL 19-11-98                             
|
|
keenan3.scl
Chain of 1/6 kleisma tempered 6/5s, 10 tetrads, Dave Keenan, 30-Jun-99, TD235
|
|
keenan3eb.scl
Chain of 11 equal beating minor thirds, 6/5=3/2 same                            
|
|
keenan3eb2.scl
Chain of 11 equal beating minor thirds, 6/5=3/2 opposite                        
|
|
keenan3j.scl
Chain of 11 nearly just 19-tET minor thirds, Dave Keenan, 1-Jul-99              
|
|
keenan5.scl
11-limit, 31 tones, 9 hexads within 2.7c of just, Dave Keenan 27-Dec-99
|
|
keenan6.scl
11-limit, 31 tones, 14 hexads within 3.2c of just, Dave Keenan 11-Jan-2000
|
|
keenan7.scl
Dave Keenan, 22 out of 72-tET periodicity block. TL 29-04-2001
|
|
keenanmt.scl
Dave Keenan 1/4-comma tempered version of keenan.scl with 6 7-limit tetrads     
|
|
kelletat.scl
Herbert Kelletat's Bach-tuning (1967)                                           
|
|
kellner.scl
Herbert Anton Kellner's Bach tuning. 5 1/5 Pyth. comma and 7 pure fifths
|
|
kellners.scl
Kellner's temperament with 1/5 synt. comma instead of 1/5 Pyth. comma           
|
|
kepler1.scl
Kepler's Monochord no.1, Harmonices Mundi (1619)                                
|
|
kepler2.scl
Kepler's Monochord no.2                                                         
|
|
kepler3.scl
Kepler's choice system, Harmonices Mundi, Liber III (1619)
|
|
kilroy.scl
Kilroy                                                                          
|
|
kimball.scl
Buzz Kimball 18-note just scale                                                 
|
|
kimball_53.scl
Buzz Kimball 53-note just scale                                                 
|
|
kirn-stan.scl
Kirnberger temperament improved by Charles Earl Stanhope (1806)                 
|
|
kirnberger.scl
Kirnberger's well-temperament, also called Kirnberger III
|
|
kirnberger1.scl
Kirnberger's temperament 1 (1766)                                               
|
|
kirnberger2.scl
Kirnberger 2: 1/2 synt. comma. "Die Kunst des reinen Satzes" (1774)
|
|
kirnberger3.scl
Kirnberger 3: 1/4 synt. comma (1744)
|
|
kirnberger3v.scl
Variant well-temperament like Kirnberger 3, Kenneth Scholz, MTO 4.4, 1998       
|
|
klais.scl
Johannes Klais, Bach temperament
|
|
klonaris.scl
Johnny Klonaris, 19-limit harmonic scale                                        
|
|
knot.scl
Smallest knot in 3-D, American Scientist, Nov-Dec '97 p506-510, trefoil knot    
|
|
koepf_36.scl
Siegfried Koepf, 36-tone subset of 48-tone scale (1991)
|
|
koepf_48.scl
Siegfried Koepf, 48-tone scale (1991)
|
|
kolinsky.scl
Kolinsky's 7th root of 3/2, also invented by Augusto Novaro                     
|
|
kora1.scl
Kora tuning Tomoraba (Silaba)
|
|
kora2.scl
Kora tuning Tomora Mesengo (Tomora)
|
|
kora3.scl
Kora tuning Hardino
|
|
kora4.scl
Kora tuning Sauta
|
|
korea_5.scl
According to Lou Harrison, called "the Delightful" in Korea                     
|
|
kornerup.scl
Kornerup's temperament with fifth of (15 - sqrt 5) / 22 octaves                 
|
|
kornerup_11.scl
Kornerup's doric minor                                                          
|
|
kraeh_22.scl
Kraehenbuehl & Schmidt 7-limit 22-tone tuning                                   
|
|
kraeh_22a.scl
Kraehenbuehl & Schmidt 7-limit 22-tone tuning with "inflections" for some tones 
|
|
kraeh_22b.scl
Best 22-tET approximation of KRAEH_22A.SCL                                      
|
|
kring1.scl
Double-tie circular mirroring of 4:5:6 and Partch's 5-limit tonality Diamond    
|
|
kring1p3.scl
Third carthesian power of double-tie mirroring of 4:5:6 with kleismas removed   
|
|
kring2.scl
Double-tie circular mirroring of 6:7:8                                          
|
|
kring2p3.scl
Third power of 6:7:8 mirroring with 1029/1024 intervals removed                 
|
|
kring3.scl
Double-tie circular mirroring of 3:5:7                                          
|
|
kring3bp.scl
Double-tie BP circular mirroring of 3:5:7
|
|
kring4.scl
Double-tie circular mirroring of 4:5:7                                          
|
|
kring4p3.scl
Third power of 4:5:7 mirroring with 3136/3125 intervals removed                 
|
|
kring5.scl
Double-tie circular mirroring of 5:7:9                                          
|
|
kring5p3.scl
Third power of 5:7:9 mirroring with 250047/250000 intervals removed             
|
|
kring6.scl
Double-tie circular mirroring of 6:7:9                                          
|
|
kring6p3.scl
Third power of 6:7:9 mirroring with 118098/117649 intervals removed             
|
|
krousseau.scl
Kami Rousseau's tri-blues scale                                                 
|
|
krousseau2.scl
19-tET version of Kami Rousseau's tri-blues scale                               
|
|
kukuya.scl
African Kukuya Horns (aerophone, ivory, one note only)                          
|
|
kurzw_arab.scl
Kurzweil "Empirical Arabic"
|
|
kurzw_harmp.scl
Kurzweil "Empirical Bali/Java Harmonic Pelog"
|
|
kurzw_melp.scl
Kurzweil "Empirical Bali/Java Melodic Pelog"
|
|
kurzw_slen.scl
Kurzweil "Empirical Bali/Java Slendro, Siam 7"
|
|
kurzw_tibet.scl
Kurzweil "Empirical Tibetian Ceremonial"
|
|
lambdoma5_12.scl
5x12 Lambdoma                                                                   
|
|
lambdoma_prim.scl
Prime Lambdoma                                                                  
|
|
lambert.scl
Lambert's temperament (1774) 1/7 Pyth. comma, 5 pure                            
|
|
lara.scl
Sundanese 'multi-laras' gamelan Ki Barong tuning, Weintraub, TL 15-2-99 1/1=497 
|
|
lebanon.scl
Lebanese scale? Dastgah Shur
|
|
leedy.scl
Douglas Leedy, scale for "Pastorale" (1987), 1/1=f, 10/9 only in vocal parts
|
|
leeuw1.scl
Ton de Leeuw: non-oct. mode from "Car nos vignes sont en fleurs",part 5. 1/1=A
|
|
leftpistol.scl
Left Pistol                                                                     
|
|
legros1.scl
Example of temperament with 3 just major thirds                                 
|
|
legros2.scl
Example of temperament with 2 just major thirds                                 
|
|
leven.scl
Leven's monochord ?                                                             
|
|
ligon.scl
Jacky Ligon, strictly proper all prime scale, TL 08-09-2000
|
|
ligon2.scl
Jacky Ligon, 19-limit symmetrical non-octave scale, 2001
|
|
ligon3.scl
Jacky Ligon, 23-limit non-octave scale (2001)
|
|
ligon4.scl
Jacky Ligon, 2/1 Phi Scale, TL 12-04-2001
|
|
ligon5.scl
Jacky Ligon, scale for "Two Golden Flutes" (2001)
|
|
ligon6.scl
Jacky Ligon, "Primal Golden Tuning" (2001)
|
|
ligon7.scl
Jacky Ligon, 7 tone, 27/22=generator, MMM 22-01-2002
|
|
lindley_wt.scl
Mark Lindley +J. de Boer +W. Drake, tuning for organ, Grosvenor Chapel, London
|
|
ling-lun.scl
Scale of Ling Lun from C                                                        
|
|
liu_major.scl
Linus Liu's Major Scale, see his 1978 book, "Intonation Theory"                 
|
|
liu_mel.scl
Linus Liu's Melodic Minor, use 5 and 7 descending and 6 and 8 ascending         
|
|
liu_minor.scl
Linus Liu's Harmonic Minor                                                      
|
|
liu_pent.scl
Linus Liu's "pentatonic scale"                                                  
|
|
lorina.scl
Lorina                                                                          
|
|
lt46a.scl
13-limit temperament, minimax g=495.66296 cents
|
|
lucy_19.scl
Lucy's 19-tone scale                                                            
|
|
lucy_31.scl
LucyTuning from A                                                               
|
|
lucy_7.scl
Diatonic Lucy's scale                                                           
|
|
lumma.scl
Carl Lumma, 7-limit, 6 tetrads + 4 triads within 2c of Just, TL 19-2-99
|
|
lumma5r.scl
Carl Lumma's scale, 5-limit just version, TL 19-2-99                            
|
|
lumma7.scl
Carl Lumma's 7-limit 12-tone scale, TL 21-11-98                                 
|
|
lumma72.scl
Carl Lumma's scale, 72-tET version
|
|
lumma_10.scl
Carl Lumma's 10-tone 125 cent Pyth. scale, TL 29-12-1999                        
|
|
lumma_dec1.scl
Carl Lumma, two 5-tone 7/4-chains, 5/4 apart in 31-tET, TL 9-2-2000
|
|
lumma_dec2.scl
Carl Lumma, two 5-tone 3/2-chains, 7/4 apart in 31-tET, TL 9-2-2000
|
|
lumma_g.scl
Carl Lumma's Glumma scale, 7-limit, 2002
|
|
lumma_k.scl
Dave Keenan's adaptation of lumma.scl to include 6:8:11, TL 17-04-99
|
|
lumma_magic.scl
Magic chord test, Carl Lumma, TL 24-06-99
|
|
lydian_chrom.scl
Lydian Chromatic Tonos                                                          
|
|
lydian_chrom2.scl
Schlesinger's Lydian Harmonia in the chromatic genus                            
|
|
lydian_chrominv.scl
A harmonic form of Schlesinger's Chromatic Lydian inverted                      
|
|
lydian_diat.scl
Lydian Diatonic Tonos                                                           
|
|
lydian_diat2.scl
Schlesinger's Lydian Harmonia, a subharmonic series through 13 from 26          
|
|
lydian_diat2inv.scl
Inverted Schlesinger's Lydian Harmonia, a harmonic series from 13 from 26
|
|
lydian_diatcon.scl
A Lydian Diatonic with its own trite synemmenon replacing paramese              
|
|
lydian_enh.scl
Lydian Enharmonic Tonos                                                         
|
|
lydian_enh2.scl
Schlesinger's Lydian Harmonia in the enharmonic genus                           
|
|
lydian_enhinv.scl
A harmonic form of Schlesinger's Enharmonic Lydian inverted                     
|
|
lydian_pent.scl
Schlesinger's Lydian Harmonia in the pentachromatic genus                       
|
|
lydian_pis.scl
The Diatonic Perfect Immutable System in the Lydian Tonos                       
|
|
lydian_tri.scl
Schlesinger's Lydian Harmonia in the first trichromatic genus                   
|
|
lydian_tri2.scl
Schlesinger's Lydian Harmonia in the second trichromatic genus                  
|
|
majmin.scl
Malcolm & Marpurg 4 (Yamaha major & minor) mixed. Mersenne/Ban without D#
|
|
major_clus.scl
Chalmers' Major Mode Cluster                                                    
|
|
major_wing.scl
Chalmers' Major Wing with 7 major and 6 minor triads                            
|
|
malcolm.scl
Malcolm's Monochord (1721), and C major in Yamaha synths, Wilkinson: Tuning In  
|
|
malcolm2.scl
Malcolm 2                                                                       
|
|
malcolme.scl
Most equal interval permutation of Malcolm's Monochord                          
|
|
malcolme2.scl
Inverse most equal interval permutation of Malcolm's Monochord                  
|
|
malcolms.scl
Symmetrical version of Malcolm's Monochord and Albion scale                     
|
|
malcolm_ap.scl
Best approximations in mix of all ETs from 12-23 to Malcolm's Monochord         
|
|
malcolm_me.scl
Malcolm's Mid-East                                                              
|
|
malerbi1.scl
Luigi Malerbi's well-temperament nr.1 (1794) (nr.2 = Young)
|
|
mambuti.scl
African Mambuti Flutes (aerophone; vertical wooden; one note each)              
|
|
mandelbaum5.scl
Mandelbaum's 5-limit 19-tone scale                                              
|
|
mandelbaum7.scl
Mandelbaum's 7-limit 19-tone scale                                              
|
|
marimba1.scl
Marimba of the Bakwese, SW Belgian Congo (Zaire). 1/1=140.5 Hz                  
|
|
marimba2.scl
Marimba of the Bakubu, S. Belgian Congo (Zaire). 1/1=141.5 Hz                   
|
|
marimba3.scl
Marimba from the Yakoma tribe, Zaire. 1/1=185.5 Hz                              
|
|
marion.scl
scale with two different ET step sizes                                          
|
|
marion1.scl
Marion's 7-limit Scale # 1                                                      
|
|
marion10.scl
Marion's 7-limit Scale # 10                                                     
|
|
marion15.scl
Marion's 7-limit Scale # 15                                                     
|
|
marion19.scl
Marion's 7-limit Scale # 19                                                     
|
|
marion26.scl
Marion's 7-limit Scale # 26                                                     
|
|
marissing.scl
Peter van Marissing, just scale, Mens en Melodie, 1979
|
|
marpurg-1.scl
Other temperament by Marpurg, 3 fifths 1/3 Pyth. comma flat                     
|
|
marpurg-t1.scl
Marpurg's temperament nr.1, Kirnbergersche Temperatur (1766)
|
|
marpurg-t11.scl
Marpurg's temperament nr.11, 6 tempered fifths
|
|
marpurg-t12.scl
Marpurg's temperament nr.12, 4 tempered fifths
|
|
marpurg-t2.scl
Marpurg's temperament nr.2, 2 tempered fifths, Neue Methode (1790)
|
|
marpurg-t3.scl
Marpurg's temperament nr.3, 2 tempered fifths
|
|
marpurg-t4.scl
Marpurg's temperament nr.4, 2 tempered fifths
|
|
marpurg-t5.scl
Marpurg's temperament nr.5, 2 tempered fifths
|
|
marpurg-t7.scl
Marpurg's temperament nr.7, 3 tempered fifths
|
|
marpurg-t8.scl
Marpurg's temperament nr.8, 4 tempered fifths
|
|
marpurg-t9.scl
Marpurg's temperament nr.9, 4 tempered fifths
|
|
marpurg.scl
Marpurg, Versuch ueber die musikalische Temperatur (1776), p. 153               
|
|
marpurg1.scl
Marpurg's Monochord no.1 (1776)                                                 
|
|
marpurg3.scl
Marpurg 3                                                                      
|
|
marpurg4.scl
Marpurg 4, also Yamaha Pure Minor                                               
|
|
marsh.scl
John Marsh's meantone temperament (1809)
|
|
marsh2.scl
John Marsh's quasi-equal temperament (1840)                                     
|
|
matrix.scl
matrix                                                                          
|
|
mbira_banda.scl
Mubayiwa Bandambira's tuning of keys R2-R9 from Berliner: The soul of mbira.
|
|
mbira_banda2.scl
Mubayiwa Bandambira's Mbira DzaVadzimu tuning B1=114 Hz                         
|
|
mbira_gondo.scl
John Gondo's Mbira DzaVadzimu tuning B1=122 Hz
|
|
mbira_kunaka.scl
John Kunaka's mbira tuning of keys R2-R9
|
|
mbira_kunaka2.scl
John Kunaka's Mbira DzaVadzimu tuning B1=113 Hz
|
|
mbira_mude.scl
Hakurotwi Mude's Mbira DzaVadzimu tuning B1=132 Hz                              
|
|
mbira_mujuru.scl
Ephat Mujuru's Mbira DzaVadzimu tuning, B1=106 Hz                               
|
|
mbira_zimb.scl
Shona mbira scale                                                               
|
|
mboko_bow.scl
African Mboko Mouth Bow (chordophone, single string, plucked)                   
|
|
mboko_zither.scl
African Mboko Zither (chordophone; idiochordic palm fibre, plucked)             
|
|
mcclain.scl
McClain's 12-tone scale, see page 119 of The Myth of Invariance                 
|
|
mcclain_18.scl
McClain's 18-tone scale, see page 143 of The Myth of Invariance                 
|
|
mcclain_8.scl
McClain's 8-tone scale, see page 51 of The Myth of Invariance                   
|
|
mclaren_bar.scl
Metal bar scale. see McLaren, Xenharmonicon 15, pp.31-33
|
|
mclaren_cps.scl
2)12 [1,2,3,4,5,6,8,9,10,12,14,15] a degenerate CPS                             
|
|
mclaren_harm.scl
from "Wilson part 9", claimed to be Schlesingers Dorian Enharmonic, prov. unkn  
|
|
mclaren_rath1.scl
McLaren Rat H1                                                                  
|
|
mclaren_rath2.scl
McLaren Rat H2                                                                  
|
|
mean10.scl
3/10-comma meantone scale
|
|
mean11.scl
3/11-comma meantone scale. A.J. Ellis no. 10
|
|
mean11ls_19.scl
Least squares appr. to 3/2, 5/4, 7/6, 15/14 and 11/8, Petr Parízek
|
|
mean13.scl
3/13-comma meantone scale
|
|
mean14.scl
3/14-comma meantone scale (Giordano Riccati, 1762)
|
|
mean14a.scl
fifth of sqrt(5/2)-1 octave "recursive" meantone, Paul Hahn                     
|
|
mean14_15.scl
15 of 3/14-comma meantone scale
|
|
mean14_19.scl
19 of 3/14-comma meantone scale
|
|
mean14_7.scl
Least squares appr. of 5L+2S to Ptolemy's Intense Diatonic scale
|
|
mean16.scl
3/16-comma meantone scale
|
|
mean17.scl
4/17-comma meantone scale, least squares error of 5/4 and 3/2
|
|
mean17_17.scl
4/17-comma meantone scale with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
|
|
mean17_19.scl
4/17-comma meantone scale, least squares error of 5/4 and 3/2
|
|
mean18.scl
5/18-comma meantone scale (Smith). Low beating minor triad. A.J. Ellis no. 9
|
|
mean19.scl
5/19-comma meantone scale, fifths beats three times third. A.J. Ellis no. 11
|
|
mean23.scl
5/23-comma meantone scale, A.J. Ellis no. 4
|
|
mean25.scl
7/25-comma meantone scale, least square weights 3/2:0 5/4:1 6/5:1               
|
|
mean26.scl
7/26-comma meantone scale (Woolhouse 1835). Almost equal to meaneb742.scl       
|
|
mean26_21.scl
21 of 7/26-comma meantone scale (Woolhouse 1835)                                
|
|
mean27.scl
7/27-comma meantone scale, least square weights 3/2:2 5/4:1 6/5:1               
|
|
mean29.scl
7/29-comma meantone scale, least square weights 3/2:4 5/4:1 6/5:1               
|
|
mean2sev.scl
2/7-comma meantone scale. Zarlino's temperament (1558). See also meaneb371      
|
|
mean2seveb.scl
"2/7-comma" meantone with equal beating fifths. A.J. Ellis no. 8
|
|
mean2sev_15.scl
15 of 2/7-comma meantone scale                                                  
|
|
mean2sev_19.scl
19 of 2/7-comma meantone scale                                                  
|
|
mean2sev_31.scl
31 of 2/7-comma meantone scale                                                  
|
|
mean9.scl
2/9-comma meantone scale, Lemme Rossi, Sistema musico (1666)                    
|
|
mean94.scl
4/9-comma meantone scale                                                        
|
|
mean9_15.scl
15 of 2/9-comma meantone scale                                                  
|
|
mean9_19.scl
19 of 2/9-comma meantone scale                                                  
|
|
mean9_31.scl
31 of 2/9-comma meantone scale                                                  
|
|
meaneb1071.scl
Equal beating 7/4 = 3/2 same.                                                   
|
|
meaneb1071a.scl
Equal beating 7/4 = 3/2 opposite.                                               
|
|
meaneb341.scl
Equal beating 6/5 = 5/4 same. Almost 4/15 Pyth. comma                           
|
|
meaneb371.scl
Equal beating 6/5 = 3/2 same. Practically 2/7-comma (Zarlino)                   
|
|
meaneb371a.scl
Equal beating 6/5 = 3/2 opposite. Almost 2/5-comma                              
|
|
meaneb381.scl
Equal beating 6/5 = 8/5 same. Almost 1/7-comma                                  
|
|
meaneb451.scl
Equal beating 5/4 = 4/3 same, 5/24 comma meantone. A.J. Ellis no. 6
|
|
meaneb471.scl
Equal beating 5/4 = 3/2 same. Almost 5/17-comma                                 
|
|
meaneb471a.scl
Equal beating 5/4 = 3/2 opposite. Almost 1/5 Pyth. Gottfried Keller (1707)      
|
|
meaneb472.scl
Beating of 5/4 = twice 3/2 same. Almost 5/14-comma                              
|
|
meaneb472a.scl
Beating of 5/4 = twice 3/2 opposite. Almost 3/17-comma                          
|
|
meaneb472_19.scl
Beating of 5/4 = twice 3/2 same, 19 tones                                       
|
|
meaneb591.scl
Equal beating 4/3 = 5/3 same.                                                   
|
|
meaneb732.scl
Beating of 3/2 = twice 6/5 same. Almost 4/13-comma                              
|
|
meaneb732a.scl
Beating of 3/2 = twice 6/5 opposite. Almost 1/3 Pyth. comma                     
|
|
meaneb732_19.scl
Beating of 3/2 = twice 6/5 same, 19 tones                                       
|
|
meaneb742.scl
Beating of 3/2 = twice 5/4 same.                                                
|
|
meaneb742a.scl
Beating of 3/2 = twice 5/4 opposite. Almost 3/13-comma, 3/14 Pyth. comma        
|
|
meaneb781.scl
Equal beating 3/2 = 8/5 same.                                                   
|
|
meaneb891.scl
Equal beating 8/5 = 5/3 same. Almost 5/18-comma                                 
|
|
meaneight.scl
1/8 Pyth. comma meantone scale                                                  
|
|
meanfifth.scl
1/5-comma meantone scale (Verheijen)                                            
|
|
meanfifth2.scl
1/5-comma meantone by John Holden (1770)
|
|
meanfiftheb.scl
"1/5-comma" meantone with equal beating fifths                                  
|
|
meanfifth_19.scl
19 of 1/5-comma mean-tone scale                                                 
|
|
meanfifth_43.scl
Complete 1/5-comma mean-tone scale                                              
|
|
meangold.scl
Meantone scale with Blackwood's R = phi, and diat./chrom. ST = phi, ~4/15-comma
|
|
meanhalf.scl
1/2-comma meantone scale
|
|
meanhar2.scl
1/9-Harrison's comma mean-tone scale                                            
|
|
meanhar3.scl
1/11-Harrison's comma mean-tone scale                                           
|
|
meanharris.scl
1/10-Harrison's comma mean-tone scale                                           
|
|
meanhsev.scl
Mean-tone scale with harmonic seventh                                           
|
|
meanlst357_19.scl
19 of mean-tone scale, least square error in 3/2, 5/4 and 7/4                   
|
|
meanmalc.scl
Meantone approximation to Malcolm's Monochord, 3/16 Pyth. comma                 
|
|
meannkleis.scl
1/5 kleisma tempered meantone scale
|
|
meanpi.scl
Pi-based meantone with Harrison's major third by Erv Wilson                     
|
|
meanpi2.scl
Pi-based meantone by Erv Wilson analogous to 22-tET                             
|
|
meanpkleis.scl
1/5 kleisma positive temperament
|
|
meanquar.scl
1/4-comma meantone scale. Pietro Aaron's temp. (1523). 6/5 beats twice 3/2      
|
|
meanquareb.scl
"1/4-comma" meantone with equal beating fifths                                  
|
|
meanquarm23.scl
1/4-comma meantone approximation with minimal order 23 beatings                 
|
|
meanquarr.scl
Rational approximation to 1/4-comma meantone, Kenneth Scholz, MTO 4.4, 1998     
|
|
meanquar_14.scl
1/4-comma mean-tone scale with split D#/Eb and G#/Ab, Otto Gibelius (1666)      
|
|
meanquar_15.scl
1/4-comma mean-tone scale with split C#/Db, D#/Eb and G#/Ab                     
|
|
meanquar_16.scl
1/4-comma mean-tone scale with split C#/Db, D#/Eb, G#/Ab and A#/Bb              
|
|
meanquar_17.scl
1/4-comma mean-tone scale with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb       
|
|
meanquar_19.scl
19 of 1/4-comma mean-tone scale
|
|
meanquar_27.scl
27 of 1/4-comma mean-tone scale                                                 
|
|
meanquar_31.scl
31 of 1/4-comma mean-tone scale                                                 
|
|
meansabat.scl
1/9-schisma mean-tone scale Sa'bat-Garibaldi's                                  
|
|
meansabat_53.scl
53-tone 1/9-schisma mean-tone scale                                             
|
|
meanschis.scl
1/8-schisma mean-tone scale Helmholtz                                           
|
|
meanschis7.scl
1/7-schisma mean-tone scale                                                     
|
|
meansept.scl
Mean-tone scale with septimal diminished fifth                                  
|
|
meansept2.scl
Mean-tone scale with septimal neutral second                                    
|
|
meansept3.scl
Mean-tone scale with septimal minor third                                       
|
|
meansept4.scl
Mean-tone scale with septimal narrow fourth                                     
|
|
meansept5.scl
Mean-tone scale with septimal diminished fifth                                  
|
|
meansept6.scl
Mean-tone scale with septimal neutral second                                    
|
|
meansev.scl
1/7-comma meantone scale, Jean-Baptiste Romieu (1755)
|
|
meansev2.scl
Meantone scale with 1/7-comma stretched octave ( Pyth. project 2 to 2+$k\7 )
|
|
meanseveb.scl
"1/7-comma" meantone with equal beating fifths                                  
|
|
meansev_19.scl
19 of 1/7-comma meantone scale                                                  
|
|
meansixth.scl
1/6-comma meantone scale (tritonic temperament of Salinas)
|
|
meansixtheb.scl
"1/6-comma" meantone with equal beating fifths                                  
|
|
meansixthm.scl
modified 1/6-comma meantone scale, wolf spread over 2 fifths
|
|
meansixthm2.scl
modified 1/6-comma meantone scale, wolf spread over 4 fifths
|
|
meansixthso.scl
1/6-comma meantone scale with 1/6-comma stretched oct, Dave Keenan TL 13-12-99  
|
|
meansixth_19.scl
19 of 1/6-comma meantone scale                                                  
|
|
meanten.scl
1/10-comma meantone scale                                                       
|
|
meanthird.scl
1/3-comma meantone scale (Salinas)                                              
|
|
meanthirdeb.scl
"1/3-comma" meantone with equal beating fifths                                  
|
|
meanthird_19.scl
Complete 1/3-comma meantone scale
|
|
meanvar1.scl
Variable meantone 1: C-G-D-A-E 1/4, others 1/6                                  
|
|
meanvar2.scl
Variable meantone 2: C..E 1/4, 1/5-1/6-1/7-1/8 outward both directions          
|
|
meanvar3.scl
Variable meantone 3: C..E 1/4, 1/6 next, then Pyth.                             
|
|
meanvar4.scl
Variable meantone 4: naturals 1/4-comma, accidentals Pyth.                      
|
|
mediant16.scl
Mediant doubling of octave done four times                                      
|
|
mercadier.scl
Mercadier's well-temperament, 1/12 and 1/6 Pyth. comma                          
|
|
mercator.scl
19 out of 53-tET, see Mandelbaum p. 331                                         
|
|
merrick.scl
A. Merrick's melodically tuned equal temperament (1811)                         
|
|
mersen-ban.scl
For keyboard designs of Mersenne (1636) & Ban (1639), 10 black and extra D     
|
|
mersenmt1.scl
Mersenne's Improved Meantone 1                                                  
|
|
mersenmt2.scl
Mersenne's Improved Meantone 2                                                  
|
|
mersenne.scl
31-note choice system of Mersenne, Harmonie universelle (1636)
|
|
mersen_l1.scl
Mersenne lute 1                                                                 
|
|
mersen_l2.scl
Mersenne lute 2                                                                 
|
|
mersen_s1.scl
Mersenne spinet 1                                                               
|
|
mersen_s2.scl
Mersenne spinet 2                                                               
|
|
metamean.scl
Erv Wilson's Meta-Meantone tuning                                               
|
|
meyer.scl
Max Meyer, see Doty, David, 1/1 August 1992 (7:4) p.1 and 10-14                 
|
|
meyer_29.scl
Max Meyer, see Doty, David, 1/1 August 1992 (7:4) p.1 and 10-14                 
|
|
mid_enh1.scl
Mid-Mode1 Enharmonic, permutation of Archytas's with the  5/4 lying medially    
|
|
mid_enh2.scl
Permutation of Archytas' Enharmonic with the 5/4 medially and 28/27 first     
|
|
miller.scl
Herman Miller, 19-tone scale of "Nikta". Tuning List 22-1-99                    
|
|
miller_12.scl
Herman Miller, scale with appr. to three 7/4 and one 11/8. Tuning List 19-11-99 
|
|
miller_12a.scl
Herman Miller, "Starling" scale, alternative version TL 25-11-99                
|
|
miller_12r.scl
Herman Miller, "Starling" scale rational version                                
|
|
miller_dim.scl
Diminished temperament, g=92.421, oct=1/4, 7-limit
|
|
minor_5.scl
A minor pentatonic                                                              
|
|
minor_clus.scl
Chalmers' Minor Mode Cluster, Genus [333335]                                    
|
|
minor_wing.scl
Chalmers' Minor Wing with 7 minor and 6 major triads                            
|
|
miracle1.scl
21 out of 72-tET Pyth. scale "Miracle/Blackjack", Keenan & Erlich, TL 2-5-2001
|
|
miracle1a.scl
Version of Blackjack with just 11/8 intervals
|
|
miracle2.scl
31 out of 72-tET Pythagorean scale "Miracle/Canasta", tempered Fokker-M, 36 7-limit tetrads
|
|
miracle2a.scl
Version of Canasta with just 11/8 intervals
|
|
miracle3.scl
41 out of 72-tET Pythagorean scale "Miracle/Studloco", Erlich/Keenan 2001
|
|
miracle3a.scl
Version of Studloco with just 11/8 intervals
|
|
miracle3ls.scl
Miracle-41 in a 7-limit least-squares tuning, Gene Ward Smith, 2001
|
|
miracle3p.scl
Least squares Pythagorean approximation to partch_43
|
|
miracle3s.scl
Version with Secor's generator of 116.69 cents. XH 3, 1975
|
|
miracle_12.scl
A 12-tone subset of Blackjack with six 4-7-9-11 tetrads
|
|
miracle_12a.scl
A 12-tone chain of Miracle generators and subset of Blackjack
|
|
miracle_24hi.scl
24 note mapping for Erlich/Keenan Miracle scale
|
|
miracle_24lo.scl
24 note mapping for Erlich/Keenan Miracle scale
|
|
miring1.scl
Gamelan Miring from Serdang wetan, Tangerang. 1/1=309.5 Hz                      
|
|
miring2.scl
Gamelan Miring (Melog gender) from Serdang wetan                                
|
|
misca.scl
21/20 x 20/19 x 19/18=7/6 7/6 x 8/7=4/3                                         
|
|
miscb.scl
33/32 x 32/31x 31/27=11/9 11/9 x 12/11=4/3                                      
|
|
miscc.scl
96/91 x 91/86 x 86/54=32/27. 32/27 x 9/8=4/3.                                   
|
|
miscd.scl
27/26 x 26/25 x 25/24=9/8. 9/8 x 32/27=4/3.                                     
|
|
misce.scl
15/14 x 14/13 x 13/12=5/4. 5/4 x 16/15= 4/3.                                    
|
|
miscf.scl
SupraEnh1                                                                       
|
|
miscg.scl
SupraEnh 2                                                                      
|
|
misch.scl
SupraEnh 3                                                                      
|
|
mixed9_3.scl
A mixture of the hemiolic chromatic and diatonic genera, 75 + 75 + 150 + 200 c  
|
|
mixed9_4.scl
Mixed enneatonic 4, each "tetrachord" contains 67 + 67 + 133 + 233 cents.
|
|
mixed9_5.scl
A mixture of the intense chromatic genus and the permuted intense diatonic      
|
|
mixed9_6.scl
Mixed 9-tonic 6, Mixture of Chromatic and Diatonic                              
|
|
mixed9_7.scl
Mixed 9-tonic 7, Mixture of Chromatic and Diatonic                              
|
|
mixed9_8.scl
Mixed 9-tonic 8, Mixture of Chromatic and Diatonic                              
|
|
mixol_chrom.scl
Mixolydian chromatic tonos                                                      
|
|
mixol_chrom2.scl
Schlesinger's Mixolydian Harmonia in the chromatic genus                        
|
|
mixol_chrominv.scl
A harmonic form of Schlesinger's Chromatic Mixolydian inverted                  
|
|
mixol_diat.scl
Mixolydian diatonic tonos                                                       
|
|
mixol_diat2.scl
Schlesinger's Mixolydian Harmonia, a subharmonic series though 13 from 28       
|
|
mixol_diatcon.scl
A Mixolydian Diatonic with its own trite synemmenon replacing paramese          
|
|
mixol_diatinv.scl
A Mixolydian Diatonic with its own trite synemmenon replacing paramese          
|
|
mixol_diatinv2.scl
Inverted Schlesinger's Mixolydian Harmonia, a harmonic series from 14 from 28   
|
|
mixol_enh.scl
Mixolydian Enharmonic Tonos                                                     
|
|
mixol_enh2.scl
Schlesinger's Mixolydian Harmonia in the enharmonic genus                       
|
|
mixol_enhinv.scl
A harmonic form of Schlesinger's Mixolydian inverted                            
|
|
mixol_penta.scl
Schlesinger's Mixolydian Harmonia in the pentachromatic genus                   
|
|
mixol_pis.scl
The Diatonic Perfect Immutable System in the Mixolydian Tonos                   
|
|
mixol_tri1.scl
Schlesinger's Mixolydian Harmonia in the first trichromatic genus               
|
|
mixol_tri2.scl
Schlesinger's Mixolydian Harmonia in the second trichromatic genus              
|
|
mmmgeo1.scl
Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings
|
|
mmmgeo2.scl
Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings
|
|
mmmgeo3a.scl
Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
|
|
mmmgeo4a.scl
Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
|
|
mmmgeo4b.scl
Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
|
|
mohajira.scl
Mohajira (Dudon) Two 3 + 4 + 3 Mohajira tetrachords, neutral diatonic
|
|
moha_baya.scl
Mohajira + Bayati (Dudon) 3 + 4 + 3 Mohajira and 3 + 3 + 4 Bayati tetrachords
|
|
mokhalif.scl
Iranian mode Mokhalif from C
|
|
montvallon.scl
Montvallon's Monochord, Nouveau sisteme de musique (1742)                       
|
|
monzo-names.scl
Suggested terminology for 5-limit intervals from 0 to 100 cents (read file)
|
|
monzo-sym-11.scl
Monzo symmetrical system: 11-limit                                              
|
|
monzo-sym-5.scl
Monzo symmetrical system: 5-limit                                               
|
|
monzo-sym-7.scl
Monzo symmetrical system: 7-limit                                               
|
|
morgan.scl
Augustus de Morgan's temperament (1843)                                         
|
|
mos11-34.scl
Wilson 11 of 34-tET, G=9, Chain of minor & major thirds with Kleismatic fusion
|
|
mos12-17.scl
MOS 12 of 17, generator 7
|
|
mos12-22.scl
MOS 12 of 22, contains nearly just, recognizable diatonic, and pentatonic scales
|
|
mos13-22.scl
MOS 13 of 22, contains 5 and 9 tone MOS as well. G=5 or 17
|
|
mos15-22.scl
MOS 15 in 22, contains 7 and 8 tone MOS as well. G= 3 or 19
|
|
moscow.scl
Charles E. Moscow's equal beating piano tuning (1895)                           
|
|
musaqa.scl
Egyptian scale by Miha'il Musaqa
|
|
musaqa_24.scl
from d'Erlanger vol.5, p.34, after Mih.a'il Mu^saqah, 1899, a Lebanese scholar
|
|
mystic-r.scl
Skriabin's mystic chord, op. 60 rationalised                                    
|
|
mystic.scl
Skriabin's mystic chord, op. 60                                                 
|
|
nachbaur_6.scl
Fred Nachbaur's harmonic hexatonic, as used in "Void of Sensation"
|
|
nassarre.scl
Nassarre's Equal Semitones                                                      
|
|
negri_19.scl
Negri temperament, 13-limit, g=124.831
|
|
negri_29.scl
Negri temperament, 13-limit, g=124.831
|
|
neid-mar-morg.scl
Neidhardt-Marpurg-de Morgan temperament (1858)                                  
|
|
neidhardt1.scl
Neidhardt I temperament (1724)                                                  
|
|
neidhardt2.scl
Neidhardt II temperament (1724)                                                 
|
|
neidhardt3.scl
Neidhardt III temperament (1724)                                                
|
|
neidhardt4.scl
Neidhardt IV temperament (1724), equal temperament                              
|
|
neidhardtn.scl
Johann Georg Neidhardt's temperament (1732), alt. 1/6 & 0 P, also Marpurg nr.10
|
|
neogeb24.scl
Neo-Gothic e-based lineotuning (T/S or Blackwood's R=e, ~2.71828), 24 notes
|
|
neogji12.scl
M. Schulter, neo-Gothic 12-note JI (prim. 2/3/7/11) 1/1=F with Eb key as D+1
|
|
neogp16a.scl
M. Schulter, scale from mainly prime-to-prime ratios and octave complements (Gb-D#)
|
|
neutr_diat.scl
Neutral Diatonic, 9 + 9 + 12 parts, geometric mean of major and minor           
|
|
neutr_pent1.scl
Quasi-Neutral Pentatonic 1, 15/13 x 52/45 in each trichord, after Dudon         
|
|
neutr_pent2.scl
Quasi-Neutral Pentatonic 2, 15/13 x 52/45 in each trichord, after Dudon         
|
|
new_enh.scl
New Enharmonic                                                                  
|
|
new_enh2.scl
New Enharmonic permuted
|
|
norden.scl
Reconstructed Schnitger temperament, organ in Norden. Ortgies, 2002
|
|
novaro.scl
9-limit diamond with 21/20, 16/15, 15/8 and 40/21 added for evenness            
|
|
novaro15.scl
1-15 diamond, see Novaro, 1927, Sistema Natural base del Natural-Aproximado, p  
|
|
novaro_eb.scl
Novaro (?) equal beating 4/3 with strectched octave, almost pure 3/2            
|
|
oconnell.scl
Walter O'Connell, Pythagorean scale of 25 octaves reduced by Phi. XH 15 (1993)
|
|
oconnell_11.scl
Walter O'Connell, 11-note mode of 25-tone scale
|
|
oconnell_14.scl
Walter O'Connell, 14-note mode of 25-tone scale
|
|
oconnell_7.scl
Walter O'Connell, 7-note mode of 25-tone scale
|
|
oconnell_9.scl
Walter O'Connell, 9-tone mode of 25-tone scale
|
|
oconnell_9a.scl
Walter O'Connell, 7+2 major mode analogy for 25-tone scale
|
|
octony_min.scl
Octony on Harmonic Minor, from Palmer on an album of Turkish music              
|
|
octony_rot.scl
Rotated Octony on Harmonic Minor                                                
|
|
octony_trans.scl
Complex 10 of p. 115, an Octony based on Archytas's Enharmonic,                 
|
|
octony_trans2.scl
Complex 6 of p. 115 based on Archytas's Enharmonic, an Octony                   
|
|
octony_trans3.scl
Complex 5 of p. 115 based on Archytas's Enharmonic, an Octony                   
|
|
octony_trans4.scl
Complex 11 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones         
|
|
octony_trans5.scl
Complex 15 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones         
|
|
octony_trans6.scl
Complex 14 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones         
|
|
octony_u.scl
7)8 octony from 1.3.5.7.9.11.13.15, 1.3.5.7.9.11.13 tonic (subharmonics 8-16)
|
|
odd1.scl
ODD-1                                                                           
|
|
odd2.scl
ODD-2                                                                           
|
|
oettingen.scl
von Oettingen's Orthotonophonium tuning                                         
|
|
oettingen2.scl
von Oettingen's Orthotonophonium tuning with central 1/1                        
|
|
ogr10.scl
Optimal Golomb Ruler of 10 segments, length 72                                  
|
|
ogr11.scl
Optimal Golomb Ruler of 11 segments, length 85                                  
|
|
ogr12.scl
Optimal Golomb Ruler of 12 segments, length 106                                 
|
|
ogr2.scl
Optimal Golomb Ruler of 2 segments, length 3                                    
|
|
ogr3.scl
Optimal Golomb Ruler of 3 segments, length 6                                    
|
|
ogr4.scl
Optimal Golomb Ruler of 4 segments, length 11                                   
|
|
ogr5.scl
Optimal Golomb Ruler of 5 segments, length 17                                   
|
|
ogr6.scl
Optimal Golomb Ruler of 6 segments, length 25                                   
|
|
ogr7.scl
Optimal Golomb Ruler of 7 segments, length 34                                   
|
|
ogr8.scl
Optimal Golomb Ruler of 8 segments, length 44                                   
|
|
ogr9.scl
Optimal Golomb Ruler of 9 segments, length 55                                   
|
|
oldani.scl
This scale by Norbert L. Oldani appeared in Interval 5(3), p.10-11              
|
|
oljare.scl
Mats Öljare, scale for "Tampere" (2001)
|
|
oljare17.scl
Mats Öljare, scale for "Fafner" (2001), MOS in 17-tET
|
|
olympos.scl
Scale of ancient Greek flutist Olympos, 6th century BC as reported by Partch
|
|
opelt.scl
Friederich Wilhelm Opelt 19-tone
|
|
org1373a.scl
English organ tuning (1373) with 18:17:16 ficta semitones (Eb-G#)
|
|
org1373b.scl
English organ tuning (1373) with 18:17:16 accidental semitones (Eb-G#)
|
|
pagano_b.scl
Pat Pagano and David Beardsley, 17-limit scale, TL 27-2-2001
|
|
palace.scl
Palace mode+                                                                    
|
|
palace2.scl
Byzantine Palace mode, 17-limit
|
|
panpipe1.scl
Palina panpipe of Solomon Islands. 1/1=f+45c. From Ocora CD Guadalcanal
|
|
panpipe2.scl
Lalave panpipe of Solomon Islands. 1/1=f'+47c.
|
|
panpipe3.scl
Tenaho panpipe of Solomon Islands. 1/1=f'+67c.
|
|
parachrom.scl
Parachromatic, new genus 5 + 5 + 20 parts
|
|
parizek.scl
Petr Parizek, 12-tone Linear Level tuning, 1/1=Ab
|
|
parizek_7lmtd1.scl
7-limit Quasi-Meantone No. 1, 1/1=D
|
|
parizek_epi.scl
In The Epimoric World
|
|
parizek_epi2.scl
In the Epimoric World 2 (version for two 12-tone keyboards)
|
|
parizek_ji1.scl
Petr Parizek, 12-tone septimal tuning, 2002.
|
|
parizek_llt7.scl
7-tone mode of Linear Level Tuning 2000 (= wilson_helix.scl)
|
|
partch-barstow.scl
Guitar scale for Partch's Barstow (1941, 1968)                                  
|
|
partch-greek.scl
Partch Greek scales from "Two Studies on Ancient Greek Scales" on black/white   
|
|
partch-grm.scl
Partch Greek scales from "Two Studies on Ancient Greek Scales" mixed
|
|
partch-indian.scl
Partch's Indian Chromatic, Exposition of Monophony, 1933.                       
|
|
partch-ur.scl
Ur-Partch curved keyboard, published in Interval                                
|
|
partch_29-av.scl
29-tone JI scale from Partch's Adapted Viola 1928-30
|
|
partch_29.scl
Partch/Ptolemy 11-limit Diamond                                                 
|
|
partch_37.scl
From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9(2)
|
|
partch_39.scl
Ur-Partch Keyboard 39 tones, published in Interval                              
|
|
partch_41.scl
13-limit Diamond after Partch, Genesis of a Music, p 454, 2nd edition           
|
|
partch_41a.scl
From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol. 9(2)              
|
|
partch_41comb.scl
41-tone JI combination from Partch's 29-tone and 37-tone scales
|
|
partch_43.scl
Harry Partch's 43-tone pure scale                                               
|
|
partch_43a.scl
From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol. 9(2)              
|
|
pelog.scl
Observed Javanese Pelog scale, from Helmholtz
|
|
pelog1.scl
Gamelan Saih pitu from Ksatria, Den Pasar (South Bali). 1/1=312.5 Hz
|
|
pelog10.scl
Balinese saih 7 scale, Krobokan. 1/1=275 Hz. McPhee, 1966
|
|
pelog11.scl
Balinese saih pitu, gamelan luang, banjar Se`se'h. 1/1=276 Hz. McPhee, 1966
|
|
pelog12.scl
Balinese saih pitu, gamelan Semar Pegulingan, Tampak Gangsai, 1/1=310, McPhee
|
|
pelog13.scl
Balinese saih pitu, gamelan Semar Pegulingan, Klungkung, 1/1=325. McPhee, 1966
|
|
pelog14.scl
Balinese saih pitu, suling gambuh, Tabanan, 1/1=211 Hz, McPhee, 1966
|
|
pelog15.scl
Balinese saih pitu, suling gambuh, Batuan, 1/1=202 Hz. McPhee, 1966
|
|
pelog2.scl
Bamboo gambang from Batu lulan (South Bali). 1/1=315 Hz
|
|
pelog3.scl
Gamelan Gong from Padangtegal, distr. Ubud (South Bali). 1/1=555 Hz             
|
|
pelog4.scl
Hindu-Jav. demung, excavated in Banjarnegara. 1/1=427 Hz                        
|
|
pelog5.scl
Gamelan Kyahi Munggang (Paku Alaman, Jogja). 1/1=199.5 Hz                       
|
|
pelog6.scl
Gamelan Semar pegulingan, Ubud (S. Bali). 1/1=263.5 Hz                          
|
|
pelog7.scl
Gamelan Kantjilbelik (kraton Jogja). Measured by Surjodiningrat, 1972.          
|
|
pelog8.scl
from William Malm: Music Cultures of the Pacific, the Near East and Asia.       
|
|
pelog9.scl
9-tET Pelog                                                                     
|
|
pelogic.scl
Pelogic temperament, g=521.1, 5-limit
|
|
pelog_24.scl
Subset of 24-tET (Sumatra?)                                                     
|
|
pelog_a.scl
Pelog, average class A. Kunst 1949                                              
|
|
pelog_alv.scl
Bill Alves JI Pelog, 1/1 vol. 9 no. 4, 1997. 1/1=293.33
|
|
pelog_av.scl
"Normalised Pelog", Kunst, 1949. Average of 39 Javanese gamelans                
|
|
pelog_b.scl
Pelog, average class B. Kunst 1949                                              
|
|
pelog_c.scl
Pelog, average class C. Kunst 1949                                              
|
|
pelog_jc.scl
John Chalmers' Pelog, on keys C# E F# A B c#, like Olympos' Enharmonic on 4/3
|
|
pelog_laras.scl
Lou Harrison, gamelan "Si Betty"
|
|
pelog_me1.scl
Gamelan Kyahi Kanyut Mesem pelog (Mangku Nagaran). 1/1=295 Hz                   
|
|
pelog_me2.scl
Gamelan Kyahi Bermara (kraton Jogja). 1/1=290 Hz                                
|
|
pelog_me3.scl
Gamelan Kyahi Pangasih (kraton Solo). 1/1=286 Hz                                
|
|
pelog_pa.scl
"Blown fifth" pelog, von Hornbostel, type a.                                    
|
|
pelog_pa2.scl
New mixed gender Pelog                                                          
|
|
pelog_pb.scl
"Primitive" Pelog, step of blown semi-fourths, von Hornbostel, type b.          
|
|
pelog_pb2.scl
"Primitive" Pelog, Kunst: Music in Java, p. 28                                  
|
|
pelog_schmidt.scl
Modern Pelog designed by Dan Schmidt and used by Berkeley Gamelan               
|
|
pelog_selun.scl
Gamelan selunding from Kengetan, South Bali (Pelog), 1/1=141 Hz                 
|
|
pelog_str.scl
JI Pelog with stretched 2/1 and extra tones between 2-3, 6-7. Wolf, XH 11, '87  
|
|
penta1.scl
Pentagonal scale 9/8 3/2 16/15 4/3 5/3                                          
|
|
penta2.scl
Pentagonal scale 7/4 4/3 15/8 32/21 6/5
|
|
pentadekany.scl
2)6 1.3.5.7.11.13 Pentadekany (1.3 tonic)
|
|
pentadekany2.scl
2)6 1.3.5.7.9.11 Pentadekany (1.3 tonic)                                        
|
|
pentadekany3.scl
2)6 1.5.11.17.23.31 Pentadekany (1.5 tonic)                                     
|
|
pentatetra1.scl
Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3         
|
|
pentatetra2.scl
Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3         
|
|
pentatetra3.scl
Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3         
|
|
pentatriad.scl
4:5:6 Pentatriadic scale                                                        
|
|
pentatriad1.scl
3:5:9 Pentatriadic scale                                                        
|
|
penta_opt.scl
Optimally consonant major pentatonic, John deLaubenfels, 2001
|
|
pepper.scl
Keenan Pepper's 17-tone jazz tuning, TL 07-06-2000
|
|
pepper2.scl
Keenan Pepper's "Noble Fifth" with chromatic/diatonic semitone = Phi (12)
|
|
perkis-indian.scl
Indian 22 Perkis                                                                
|
|
perrett-tt.scl
Perrett Tierce-Tone                                                             
|
|
perrett.scl
Perrett / Tartini / Pachymeres Enharmonic                                       
|
|
perrett_14.scl
Perrett's 14-tone system (subscale of tierce-tone)                              
|
|
perrett_chrom.scl
Perrett's Chromatic                                                             
|
|
perry.scl
Robin Perry, Tuning List 22-9-'98                                               
|
|
persian-far.scl
Hormoz Farhat, average of observed Persian tar and sehtar tunings (1966)
|
|
persian-vaz.scl
Vaziri's Persian tuning, using quartertones
|
|
persian.scl
Persian Tar Scale, from Dariush Anooshfar, Internet Tuning List 2/10/94         
|
|
phi1_13.scl
Pythagorean scale with (Phi + 1) / 2 as fifth                                   
|
|
phillips_19.scl
Pauline Phillips, organ manual scale, TL 7-10-2002
|
|
phillips_19a.scl
Adaptation by Gene Ward Smith with more consonant chords, TL 25-10-2002
|
|
phillips_22.scl
All-key 19-limit JI scale (2002), TL 21-10-2002
|
|
phillips_ji.scl
Pauline Phillips, JI 0 #/b "C" scale (2002), TL 8-10-2002
|
|
phi_10.scl
Pythagorean scale with Phi as fifth                                             
|
|
phi_12.scl
Non-Octave Pythagorean scale with Phi as fourth. Jacky Ligon TL 12-04-2001
|
|
phi_13.scl
Pythagorean scale with Phi as fifth                                             
|
|
phi_13a.scl
Non-Octave Pythagorean scale with Phi as fifth, Jacky Ligon TL 12-04-2001
|
|
phi_13b.scl
Non-Octave Pythagorean scale with 12 3/2s, Jacky Ligon, TL 12-04-2001
|
|
phi_17.scl
Phi + 1 equal division by 17, Brouncker (1653) 
|
|
phi_7b.scl
Heinz Bohlen's Pythagorean scale with Phi as fifth (1999)                       
|
|
phi_7be.scl
36-tET approximation of phi_7b                                                  
|
|
phi_8.scl
Non-Octave Pythagorean scale with 4/3s, Jacky Ligon, TL 12-04-2001
|
|
phi_8a.scl
Non-Octave Pythagorean scale with 5/4s, Jacky Ligon, TL 12-04-2001
|
|
phrygian.scl
Old Phrygian ??                                                                 
|
|
phrygian_diat.scl
Phrygian Diatonic Tonos                                                         
|
|
phrygian_enh.scl
Phrygian Enharmonic Tonos                                                       
|
|
phrygian_harm.scl
Phrygian Harmonia-Aliquot 24 (flute tuning)                                     
|
|
phryg_chromcon2.scl
Harmonic Conjunct Chromatic Phrygian                                            
|
|
phryg_chromconi.scl
Inverted Conjunct Chromatic Phrygian
|
|
phryg_chrominv.scl
Inverted Schlesinger's Chromatic Phrygian                                       
|
|
phryg_chromt.scl
Phrygian Chromatic Tonos
|
|
phryg_diat.scl
Schlesinger's Phrygian Harmonia, a subharmonic series through 13 from 24        
|
|
phryg_diatcon.scl
A Phrygian Diatonic with its own trite synemmenon replacing paramese            
|
|
phryg_diatinv.scl
Inverted Conjunct Phrygian Harmonia with 17, the local Trite Synemmenon
|
|
phryg_diatsinv.scl
Inverted Schlesinger's Phrygian Harmonia, a harmonic series from 12 from 24
|
|
phryg_enh.scl
Schlesinger's Phrygian Harmonia in the enharmonic genus                         
|
|
phryg_enhcon.scl
Harmonic Conjunct Enharmonic Phrygian                                           
|
|
phryg_enhinv.scl
Inverted Schlesinger's Enharmonic Phrygian Harmonia                             
|
|
phryg_enhinv2.scl
Inverted  harmonic form of Schlesinger's Enharmonic Phrygian                    
|
|
phryg_penta.scl
Schlesinger's Phrygian Harmonia in the pentachromatic genus                     
|
|
phryg_pis.scl
The Diatonic Perfect Immutable System in the Phrygian Tonos                     
|
|
phryg_tri1.scl
Schlesinger's Phrygian Harmonia in the chromatic genus                          
|
|
phryg_tri1inv.scl
Inverted Schlesinger's Chromatic Phrygian Harmonia
|
|
phryg_tri2.scl
Schlesinger's Phrygian Harmonia in the second trichromatic genus                
|
|
phryg_tri3.scl
Schlesinger's Phrygian Harmonia in the first trichromatic genus                 
|
|
piano.scl
Enhanced Piano Total Gamut, see 1/1 vol. 8/2 January 1994                       
|
|
piano7.scl
Enhanced piano 7-limit                                                          
|
|
pipedum_10.scl
2048/2025 and 34171875/33554432 are homophonic intervals
|
|
pipedum_10a.scl
2048/2025 and 25/24, Manuel Op de Coul, 2001
|
|
pipedum_10b.scl
225/224, 64/63 and 25/24 are homophonic intervals
|
|
pipedum_10c.scl
225/224, 64/63 and 49/48 are homophonic intervals
|
|
pipedum_10d.scl
1029/1024, 2048/2025 and 64/63 are homophonic intervals
|
|
pipedum_10e.scl
2048/2025, 64/63 and 49/48 are homophonic intervals
|
|
pipedum_10f.scl
225/224, 64/63 and 28/27 are homophonic intervals
|
|
pipedum_10g.scl
225/224, 1029/1024 and 2048/2025 are homophonic intervals
|
|
pipedum_10h.scl
225/224, 1029/1024 and 64/63 are homophonic intervals
|
|
pipedum_10i.scl
225/224, 2048/2025 and 49/48 are homophonic intervals
|
|
pipedum_10j.scl
25/24, 28/27 and 49/48, Gene Ward Smith, 2002
|
|
pipedum_11.scl
16/15 and 15625/15552 are homophonic intervals
|
|
pipedum_11a.scl
126/125, 1728/1715 and 10/9, Gene Ward Smith, 2002
|
|
pipedum_12.scl
81/80 and 2048/2025 are homophonic intervals
|
|
pipedum_12a.scl
81/80 and 2048/2025 are homophonic intervals
|
|
pipedum_12b.scl
64/63, 50/49 comma and 36/35 chroma
|
|
pipedum_12c.scl
225/224, 64/63 and 36/35 are homophonic intervals
|
|
pipedum_12d.scl
50/49, 128/125 and 225/224 are homophonic intervals
|
|
pipedum_12e.scl
50/49, 225/224 and 3136/3125 are homophonic intervals
|
|
pipedum_12f.scl
128/125, 3136/3125 and 703125/702464 are homophonic intervals
|
|
pipedum_12g.scl
50/49, 225/224 and 28672/28125 are homophonic intervals
|
|
pipedum_13.scl
33275/32768 and 163840/161051 are homophonic intervals. Op de Coul, 2001
|
|
pipedum_130.scl
2401/2400, 3136/3125 and 19683/19600, Gene Ward Smith, 2002
|
|
pipedum_13a.scl
15/14, 3136/3125, 2401/2400, Gene Ward Smith, 2002
|
|
pipedum_13b.scl
15/14, 3136/3125, 6144/6125, Gene Ward Smith, 2002
|
|
pipedum_13c.scl
15/14, 2401/2400, 6144/6125, Gene Ward Smith, 2002
|
|
pipedum_14.scl
81/80, 49/48 and 2401/2400, Paul Erlich, TL 17-1-2001
|
|
pipedum_14a.scl
81/80, 50/49 and 2401/2400, Paul Erlich, 2001
|
|
pipedum_14b.scl
245/243, 81/80 comma and 25/24 chroma
|
|
pipedum_14c.scl
245/243, 50/49 comma and 25/24 chroma
|
|
pipedum_15.scl
126/125, 128/125 and 875/864, 5-limit, Paul Erlich, 2001
|
|
pipedum_15a.scl
Septimal version of pipedum_15, Manuel Op de Coul, 2001
|
|
pipedum_15b.scl
126/125, 128/125 and 1029/1024, Paul Erlich, 2001
|
|
pipedum_15c.scl
49/48, 126/125 and 1029/1024, Paul Erlich, 2001
|
|
pipedum_15d.scl
64/63, 126/125 and 1029/1024, Paul Erlich, 2001
|
|
pipedum_15e.scl
64/63, 875/864 and 1029/1024, Paul Erlich, 2001
|
|
pipedum_15f.scl
126/125, 64/63 comma and 28/27 chroma
|
|
pipedum_15g.scl
128/125 and 250/243
|
|
pipedum_16.scl
50/49, 126/125 and 1029/1024, Paul Erlich, 2001
|
|
pipedum_17.scl
245/243, 64/63 and 525/512, Paul Erlich, 2001
|
|
pipedum_171.scl
2401/2400, 4375/4374 and 32805/32768, Gene Ward Smith, 2002
|
|
pipedum_17a.scl
245/243, 525/512 and 1728/1715, Paul Erlich, 2001
|
|
pipedum_17b.scl
245/243, 64/63 comma and 25/24 chroma
|
|
pipedum_17c.scl
1605632/1594323 and 177147/175616, Manuel Op de Coul, 2002
|
|
pipedum_17d.scl
243/242, 99/98 and 64/63, Manuel Op de Coul, 2002
|
|
pipedum_18.scl
875/864, 686/675 and 128/125, Paul Erlich, 2001
|
|
pipedum_18a.scl
875/864, 686/675 and 50/49, Paul Erlich, 2001
|
|
pipedum_18b.scl
1728/1715, 875/864 and 686/675, Paul Erlich, 2001
|
|
pipedum_19.scl
81/80 and 15625/15552 are homophonic intervals, inverse of Mandelbaum           
|
|
pipedum_19a.scl
3125/3072 and 15625/15552 are homophonic intervals                              
|
|
pipedum_19b.scl
Periodicity block by Paul Erlich, TL 19-2-2001
|
|
pipedum_19c.scl
Periodicity block by Paul Erlich, 2001
|
|
pipedum_19d.scl
Periodicity block by Paul Erlich, 2001
|
|
pipedum_19e.scl
Periodicity block by Paul Erlich, 2001
|
|
pipedum_19f.scl
Periodicity block by Paul Erlich, 2001
|
|
pipedum_19g.scl
Periodicity block by Paul Erlich, 2001
|
|
pipedum_19h.scl
126/125, 81/80 comma and 49/48 chroma
|
|
pipedum_19i.scl
225/224, 81/80 comma and 49/48 chroma
|
|
pipedum_19j.scl
21/20, 3136/3125 and 2401/2400, Gene Ward Smith, 2002
|
|
pipedum_19k.scl
21/20, 3136/3125 and 6144/6125, Gene Ward Smith, 2002
|
|
pipedum_19l.scl
21/20, 2401/2400 and 6144/6125, Gene Ward Smith, 2002
|
|
pipedum_19m.scl
126/125, 1728/1715 and 16/15, Gene Ward Smith, 2002
|
|
pipedum_19n.scl
126/125, 2401/2400 and 16/15, Gene Ward Smith, 2002
|
|
pipedum_20.scl
225/224, 1029/1024 comma and 25/24 chroma
|
|
pipedum_21.scl
36/35, 225/224 and 2401/2400, P. Erlich, 2001. Just PB version of miracle1.scl
|
|
pipedum_21a.scl
1029/1024, 81/80 comma and 25/24 chroma
|
|
pipedum_21b.scl
36/35, 225/224 and 1029/1024, Gene Ward Smith, 2002
|
|
pipedum_22.scl
3125/3072 and 2109375/2097152 are homophonic intervals                          
|
|
pipedum_22a.scl
2048/2025 and 2109375/2097152 are homophonic intervals                          
|
|
pipedum_22b.scl
2025/2048, 245/243 and 64/63. P. Erlich "7-limit Indian", TL 19-12-2000
|
|
pipedum_22b2.scl
Version of pipedum_22b with other shape, Paul Erlich
|
|
pipedum_22c.scl
1728/1715, 64/63 and 50/49, Paul Erlich, 2001
|
|
pipedum_22d.scl
1728/1715, 875/864 and 64/63, Paul Erlich, 2001
|
|
pipedum_22e.scl
1728/1715, 245/243 and 50/49, Paul Erlich, 2001
|
|
pipedum_22f.scl
1728/1715, 245/243 and 875/864, Paul Erlich, 2001
|
|
pipedum_22g.scl
225/224, 1728/1715 and 64/63, Paul Erlich, 2001
|
|
pipedum_22h.scl
225/224, 1728/1715 and 875/864, Paul Erlich, 2001
|
|
pipedum_22i.scl
1728/1715, 245/243 and 245/243, Paul Erlich, 2001
|
|
pipedum_22j.scl
50/49, 64/63 and 245/243, Gene Ward Smith, 2002
|
|
pipedum_24.scl
121/120, 16384/16335 and 32805/32768. Manuel Op de Coul, 2001
|
|
pipedum_24a.scl
49/48, 81/80 and 128/125, Gene Ward Smith, 2002
|
|
pipedum_26.scl
1029/1024, 1728/1715 and 50/49, Paul Erlich, 2001
|
|
pipedum_26a.scl
50/49, 81/80 and 525/512, Gene Ward Smith, 2002
|
|
pipedum_27.scl
126/125, 1728/1715 and 4000/3969 are homophonic intervals, Paul Erlich          
|
|
pipedum_27a.scl
126/126, 1728/1715 and 64/63, Paul Erlich, 2001
|
|
pipedum_27b.scl
2401/2400, 126/125 and 128/125, Paul Erlich, 2001
|
|
pipedum_27c.scl
2401/2400, 126/125 and 686/675, Paul Erlich, 2001
|
|
pipedum_27d.scl
2401/2400, 126/125 and 64/63, Paul Erlich, 2001
|
|
pipedum_27e.scl
2401/2400, 126/125 and 245/243, Paul Erlich, 2001
|
|
pipedum_27f.scl
2401/2400, 1728/1715 and 128/125, Paul Erlich, 2001
|
|
pipedum_27g.scl
2401/2400, 1728/1715 and 686/675, Paul Erlich, 2001
|
|
pipedum_27h.scl
2401/2400, 1728/1715 and 64/63, Paul Erlich, 2001
|
|
pipedum_27i.scl
2401/2400, 1728/1715 and 245/243, Paul Erlich, 2001
|
|
pipedum_31.scl
81/80, 225/224 and 1029/1024 are homophonic intervals                           
|
|
pipedum_31a.scl
393216/390625 and 2109375/2097152 are homophonic intervals                      
|
|
pipedum_31b.scl
245/243, 1029/1024 comma and 25/24 chroma
|
|
pipedum_31c.scl
126/125, 225/224 and 1029/1024, Op de Coul
|
|
pipedum_31d.scl
1728/1715, 225/224 and 81/80
|
|
pipedum_34.scl
15625/15552 and 393216/390625 are homophonic intervals                          
|
|
pipedum_342.scl
kalisma, ragisma, schisma and Breedsma, Manuel Op de Coul, 2001
|
|
pipedum_34a.scl
15625/15552 and 2048/2025, Manuel Op de Coul, 2001
|
|
pipedum_36.scl
1029/1024, 245/243 comma and 50/49 chroma, Gene Ward Smith, 2001
|
|
pipedum_36a.scl
1125/1024 and 531441/524288, Op de Coul
|
|
pipedum_37.scl
250/243, 3136/3125 and 3125/3087, Gene Ward Smith, 2002
|
|
pipedum_38.scl
81/80 and 1224440064/1220703125, Manuel Op de Coul, 2001
|
|
pipedum_38a.scl
50/49, 81/80 and 3125/3072, Gene Ward Smith, 2002
|
|
pipedum_41.scl
100/99 105/104 196/195 275/273 385/384, Paul Erlich, TL 3-11-2000
|
|
pipedum_41a.scl
pipedum_41 improved shape by Manuel Op de Coul, all intervals superparticular
|
|
pipedum_41b.scl
pipedum_41 more improved shape by M. OdC, all intervals superparticular
|
|
pipedum_41c.scl
225/224, 245/243 and 1029/1024, Gene Ward Smith, 2002
|
|
pipedum_41d.scl
3125/3072 and 32805/32768
|
|
pipedum_43.scl
81/80, 126/125 and 12288/12005, Gene Ward Smith, 2002
|
|
pipedum_45.scl
81/80, 525/512 and 2401/2400, Gene Ward Smith, 2002
|
|
pipedum_46.scl
126/125, 1029/1024 and 5120/5103. Manuel Op de Coul, 2001
|
|
pipedum_46a.scl
126/125, 1029/1024 and 245/243, Gene Ward Smith, 2002
|
|
pipedum_46b.scl
2048/2025 and 78732/78125
|
|
pipedum_50.scl
81/80, 126/125 and 16807/16384, Gene Ward Smith, 2002
|
|
pipedum_53.scl
15625/15552 and 32805/32768, Manuel Op de Coul, 2001
|
|
pipedum_53a.scl
225/224, 1728/1715 and 4375/4374, Manuel Op de Coul, 2001
|
|
pipedum_53b.scl
225/224, 1728/1715 and 3125/3087, Gene Ward Smith, 2002
|
|
pipedum_55.scl
81/80, 686/675 and 6144/6125, Gene Ward Smith, 2002
|
|
pipedum_58.scl
9801/9800, 2401/2400, 5120/5103 and 896/891
|
|
pipedum_65.scl
1216/1215, 32805/32768 and 39858075/39845888. Manuel Op de Coul, 2001
|
|
pipedum_65a.scl
78732/78125 and 32805/32768
|
|
pipedum_67.scl
81/80, 1029/1024 and 9604/9375, Gene Ward Smith, 2002
|
|
pipedum_68.scl
245/243, 2048/2025 and 2401/2400, Gene Ward Smith, 2002
|
|
pipedum_7.scl
81/80, 64/63 and 6144/6125, Manuel Op de Coul
|
|
pipedum_72.scl
225/224, 1029/1024 and 4375/4374, Gene Ward Smith, 2002
|
|
pipedum_72a.scl
4375/4374, 2401/2400 and 15625/15552, Manuel Op de Coul, 2002
|
|
pipedum_74.scl
81/80, 126/125 and 4194304/4117715, Gene Ward Smith, 2002
|
|
pipedum_81.scl
81/80, 126/125 and 17294403/16777216, Gene Ward Smith, 2002
|
|
pipedum_87.scl
67108864/66430125 and 15625/15552, Op de Coul
|
|
pipedum_9.scl
225/224, 49/48 and 36/35 are homophonic intervals
|
|
pipedum_99.scl
2401/2400, 3136/3125 and 4375/4374, Gene Ward Smith, 2002
|
|
pipedum_9a.scl
4375/4374, 2401/2400 and 21/20 are homophonic intervals
|
|
pipedum_9b.scl
128/125 and 2109375/2097152 are homophonic intervals
|
|
pipedum_9c.scl
49/48, 21/20, 99/98 and 121/120, Gene Ward Smith, 2002
|
|
pipedum_9d.scl
128/125, 36/35, 99/98 and 121/120, Gene Ward Smith, 2002
|
|
polansky_ps.scl
Three interlocking harmonic series on 1:5:3 by Larry Polansky in Psaltery       
|
|
poole.scl
Poole's double diatonic or dichordal scale                                      
|
|
portbag1.scl
Portugese bagpipe tuning                                                        
|
|
portbag2.scl
Portugese bagpipe tuning 2                                                      
|
|
prelleur.scl
Peter Prelleur's well temperament (1731)                                        
|
|
preston.scl
Preston's equal beating temperament (1785)                                      
|
|
preston2.scl
Preston's theoretically correct well temperament                                
|
|
prime_10.scl
First 10 prime numbers reduced by 2/1                                           
|
|
prime_5.scl
What Lou Harrison calls "the Prime Pentatonic", a widely used scale             
|
|
prinz.scl
Prinz well-tempermament (1808)                                                  
|
|
prinz2.scl
Prinz equal beating temperament (1808)                                          
|
|
prod13-2.scl
13-limit binary products [1 3 5 7 11 13]                                        
|
|
prod13.scl
13-limit binary products [1 3 5 7 9 11 13]                                      
|
|
prod7d.scl
Double Cubic Corner 7-limit. Chalmers '96                                       
|
|
prod7s.scl
Single Cubic Corner 7-limit                                                     
|
|
prodq13.scl
13-limit Binary products&quotients. Chalmers '96                                
|
|
prog_ennea.scl
Progressive Enneatonic, 50+100+150+200 cents in each half (500 cents)
|
|
prog_ennea1.scl
Progressive Enneatonic, appr. 50+100+150+200 cents in each half (500 cents)     
|
|
prog_ennea2.scl
Progressive Enneatonic, appr. 50+100+200+150 cents in each half (500 cents)     
|
|
prog_ennea3.scl
Progressive Enneatonic, appr. 50+100+150+200 cents in each half (500 cents)     
|
|
prooijen1.scl
Kees van Prooijen, major mode of Bohlen-Pierce
|
|
prooijen2.scl
Kees van Prooijen, minor mode of Bohlen-Pierce
|
|
ps-dorian.scl
Complex 4 of p. 115 based on Archytas's Enharmonic                              
|
|
ps-enh.scl
Dorian mode of an Enharmonic genus found in Ptolemy's Harmonics                 
|
|
ps-hypod.scl
Complex 7 of p. 115 based on Archytas's Enharmonic                              
|
|
ps-hypod2.scl
Complex 8 of p. 115 based on Archytas's Enharmonic                              
|
|
ps-mixol.scl
Complex 3 of p. 115 based on Archytas's Enharmonic                              
|
|
ptolemy.scl
Intense Diatonic Syntonon, also Zarlino's scale
|
|
ptolemy_chrom.scl
Ptolemy Soft Chromatic                                                          
|
|
ptolemy_ddiat.scl
Lyra tuning, Dorian mode, comb. of diatonon toniaion & diatonon ditoniaion      
|
|
ptolemy_diat.scl
Ptolemy's Diatonon Ditoniaion & Archytas' Diatonic, also Lyra tuning            
|
|
ptolemy_diat2.scl
Dorian mode of a permutation of Ptolemy's Tonic Diatonic                        
|
|
ptolemy_diat3.scl
Dorian mode of the remaining permutation of Ptolemy's Intense Diatonic          
|
|
ptolemy_diat4.scl
permuted Ptolemy's diatonic                                                     
|
|
ptolemy_diat5.scl
Sterea lyra, Dorian, comb. of 2 Tonic Diatonic 4chords, also Archytas' diatonic 
|
|
ptolemy_diff.scl
Difference tones of Intense Diatonic reduced by 2/1                             
|
|
ptolemy_enh.scl
Dorian mode of Ptolemy's Enharmonic                                             
|
|
ptolemy_exp.scl
Intense Diatonic expanded: all interval combinations
|
|
ptolemy_hom.scl
Dorian mode of Ptolemy's Equable Diatonic or Diatonon Homalon                   
|
|
ptolemy_iast.scl
Ptolemy's Iastia or Lydia tuning, mixture of Tonic Diatonic & Intense Diatonic  
|
|
ptolemy_iastaiol.scl
Ptolemy's kithara tuning, mixture of Tonic Diatonic and Ditone Diatonic         
|
|
ptolemy_ichrom.scl
Dorian mode of Ptolemy's Intense Chromatic                                      
|
|
ptolemy_idiat.scl
Dorian mode of Ptolemy's Intense Diatonic (Diatonon Syntonon)                   
|
|
ptolemy_malak.scl
Ptolemy's Malaka lyra tuning, a mixture of Intense Chrom. & Tonic Diatonic      
|
|
ptolemy_malak2.scl
Malaka lyra, mixture of his Soft Chromatic and Tonic Diatonic.                  
|
|
ptolemy_mdiat.scl
Ptolemy soft diatonic
|
|
ptolemy_mdiat2.scl
permuted Ptolemy soft diatonic
|
|
ptolemy_mdiat3.scl
permuted Ptolemy soft diatonic
|
|
ptolemy_meta.scl
Metabolika lyra tuning, mixture of Soft Diatonic & Tonic Diatonic               
|
|
ptolemy_mix.scl
All modes of Ptolemy Intense Diatonic mixed                                     
|
|
ptolemy_prod.scl
Product of Intense Diatonic with its intervals                                  
|
|
ptolemy_tree.scl
Intense Diatonic with all their Farey parent fractions                          
|
|
pygmie.scl
Pygmie scale                                                                    
|
|
pyle.scl
Howard Willet Pyle quasi equal temperament                                      
|
|
pyramid.scl
This scale may also be called the "Wedding Cake"                                
|
|
pyramid_down.scl
Upside-Down Wedding Cake (divorce cake)                                         
|
|
pyth_12.scl
12-tone Pythagorean scale                                                       
|
|
pyth_17.scl
17-tone Pythagorean scale                                                       
|
|
pyth_17s.scl
Schismatically altered 17-tone Pythagorean scale
|
|
pyth_22.scl
Pythagorean shrutis                                                             
|
|
pyth_27.scl
27-tone Pythagorean scale                                                       
|
|
pyth_31.scl
31-tone Pythagorean scale                                                       
|
|
pyth_7a.scl
Pythagorean 7-tone with whole tones divided arithmetically                      
|
|
pyth_7h.scl
Pythagorean 7-tone with whole tones divided harmonically                        
|
|
pyth_chrom.scl
Dorian mode of the so-called Pythagorean chromatic, recorded by Gaudentius      
|
|
pyth_sev.scl
26-tone Pythagorean scale based on 7/4                                          
|
|
pyth_sev_16.scl
16-tone Pythagorean scale based on 7/4, "Armodue"
|
|
pyth_third.scl
Cycle of 5/4 thirds                                                             
|
|
quasi_5.scl
Quasi-Equal 5-Tone in 24-tET, 5 5 4 5 5 steps
|
|
quasi_9.scl
Quasi-Equal Enneatonic, Each "tetrachord" has 125 + 125 + 125 + 125 cents
|
|
quint_chrom.scl
Aristides Quintilianus' Chromatic genus                                         
|
|
rameau-flat.scl
Rameau bemols, see Pierre-Yves Asselin in "Musique et temperament"              
|
|
rameau-gall.scl
Rameau's temperament, after Gallimard (1st solution)                            
|
|
rameau-merc.scl
Rameau's temperament, after Mercadier                                           
|
|
rameau-minor.scl
Rameau's systeme diatonique mineur on E. Asc. 4-6-8-9, desc. 9-7-5-4            
|
|
rameau-nouv.scl
Temperament by Rameau in Nouveau Systeme (1726)                                 
|
|
rameau-sharp.scl
Rameau dieses, see Pierre-Yves Asselin in "Musique et temperament"              
|
|
rameau.scl
Rameau's modified meantone temperament (1725)                                   
|
|
ramis.scl
Monochord of Ramos de Pareja (Ramis de Pareia), Musica practica (1482)          
|
|
rapoport_8.scl
Paul Rapoport, cycle of 14/9 close to 8 out of 11-tET, XH 13, 1991              
|
|
rast_moha.scl
Rast + Mohajira (Dudon) 4 + 3 + 3 Rast and 3 + 4 + 3 Mohajira tetrachords
|
|
rat_dorenh.scl
Rationalized Schlesinger's Dorian Harmonia in the enharmonic genus              
|
|
rat_hypodenh.scl
1+1 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian      
|
|
rat_hypodenh2.scl
1+2 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian      
|
|
rat_hypodenh3.scl
1+3 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian      
|
|
rat_hypodhex.scl
1+1 rationalized hexachromatic/hexenharmonic genus derived from K.S.'Bastard'   
|
|
rat_hypodhex2.scl
1+2 rat. hexachromatic/hexenharmonic genus derived from K.S.'s 'Bastard' Hypodo 
|
|
rat_hypodhex3.scl
1+3 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian     
|
|
rat_hypodhex4.scl
1+4 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian     
|
|
rat_hypodhex5.scl
1+5 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian     
|
|
rat_hypodhex6.scl
2+3 rationalized hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' hypod  
|
|
rat_hypodpen.scl
1+1 rationalized pentachromatic/pentenharmonic genus derived from K.S.'s 'Bastar
|
|
rat_hypodpen2.scl
1+2 rationalized pentachromatic/pentenharmonic genus from K.S.'s 'Bastard' hyp  
|
|
rat_hypodpen3.scl
1+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian  
|
|
rat_hypodpen4.scl
1+4 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian  
|
|
rat_hypodpen5.scl
2+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian  
|
|
rat_hypodpen6.scl
2+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian  
|
|
rat_hypodtri.scl
rationalized first (1+1) trichromatic genus derived from K.S.'s 'Bastard' hyp   
|
|
rat_hypodtri2.scl
rationalized second (1+2) trichromatic genus derived from K.S.'s 'Bastard' hyp  
|
|
rat_hypolenh.scl
Rationalized Schlesinger's Hypolydian Harmonia in the enharmonic genus          
|
|
rat_hypopchrom.scl
Rationalized Schlesinger's Hypophrygian Harmonia in the chromatic genus         
|
|
rat_hypopenh.scl
Rationalized Schlesinger's Hypophrygian Harmonia in the enharmonic genus        
|
|
rat_hypoppen.scl
Rationalized Schlesinger's Hypophrygian Harmonia in the pentachromatic genus    
|
|
rat_hypoptri.scl
Rationalized Schlesinger's Hypophrygian Harmonia in first trichromatic genus    
|
|
rat_hypoptri2.scl
Rationalized Schlesinger's Hypophrygian Harmonia in second trichromatic genus   
|
|
rectsp10.scl
Rectangle minimal beats spectrum of order 10                                    
|
|
rectsp10a.scl
Rectangle minimal beats spectrum of order 10 union with inversion               
|
|
rectsp11.scl
Rectangle minimal beats spectrum of order 11                                    
|
|
rectsp12.scl
Rectangle minimal beats spectrum of order 12                                    
|
|
rectsp6.scl
Rectangle minimal beats spectrum of order 6 (=songlines.scl)                    
|
|
rectsp6a.scl
Rectangle minimal beats spectrum of order 6 union with inversion                
|
|
rectsp7.scl
Rectangle minimal beats spectrum of order 7                                     
|
|
rectsp7a.scl
Rectangle minimal beats spectrum of order 7 union with inversion                
|
|
rectsp8.scl
Rectangle minimal beats spectrum of order 8                                     
|
|
rectsp8a.scl
Rectangle minimal beats spectrum of order 8 union with inversion                
|
|
rectsp9.scl
Rectangle minimal beats spectrum of order 9                                     
|
|
rectsp9a.scl
Rectangle minimal beats spectrum of order 9 union with inversion                
|
|
redfield.scl
Redfield New Diatonic                                                           
|
|
reinhard.scl
Reinhard 19-limit superparticular                                               
|
|
reinhard17.scl
Reinhard's Harmonic-17 tuning for "Tresspass", 1998
|
|
renteng1.scl
Gamelan Renteng from Chileunyi (Tg. Sari). 1/1=330 Hz                           
|
|
renteng2.scl
Gamelan Renteng from Chikebo (Tg. Sari). 1/1=360 Hz                             
|
|
renteng3.scl
Gamelan Renteng from Lebakwangi (Pameungpeuk). 1/1=377 Hz                       
|
|
renteng4.scl
Gamelan Renteng Bale` bandung from Kanoman (Cheribon). 1/1=338 Hz               
|
|
robot.scl
Dead Robot (see lattice)                                                        
|
|
robot_live.scl
Live Robot                                                                      
|
|
romieu.scl
Romieu's Monochord, Memoire theorique & pratique (1758)                         
|
|
romieu_inv.scl
Romieu inverted, Pure (just) C minor in Wilkinson: Tuning In                    
|
|
rosati_21.scl
Dante Rosati, JI guitar tuning                                                  
|
|
rousseau.scl
Rousseau's Monochord, Dictionnaire de musique (1768)                            
|
|
rousseauw.scl
Jean-Jacques Rousseau's temperament (1768)                                      
|
|
rsr_12.scl
RSR - 7 limit JI
|
|
rvf1.scl
RVF-1: D-A 695 cents, the increment is 0.25 cents, interval range 49.5 to 75.5 
|
|
rvf2.scl
RVF-2: 695 cents, 0.607 cents, 31-90 cents,  C-A# is 7/4.
|
|
rvf3.scl
RVF-3: 694.737, 0.082, 25-97, the fifth E#-B# is 3/2.
|
|
saba_sup.scl
Superparticular version of maqam Sabâ
|
|
safi_diat.scl
Safi al-Din's Diatonic, also the strong form of Avicenna's 8/7 diatonic         
|
|
safi_diat2.scl
Safi al-Din's 2nd Diatonic, a 3/4 tone diatonic like Ptolemy's Equable Diatonic 
|
|
safi_major.scl
Singular Major (DF #6), from Safi al-Din, strong 32/27 chromatic                
|
|
salinas_19.scl
Salinas' enharmonic tuning for his 19-tone instr. "instrumentum imperfectum"
|
|
salinas_24.scl
Salinas enharmonic system "instrumentum perfectum". Subset of Mersenne
|
|
salinas_enh.scl
Salinas's and Euler's enharmonic                                                
|
|
salunding.scl
Gamelan slunding, Kengetan, South-Bali. 1/1=378 Hz                              
|
|
sankey.scl
John Sankey's Scarlatti tuning, personal evaluation based on d'Alembert's       
|
|
santur1.scl
Persian santur tuning. 1/1=E                                                    
|
|
santur2.scl
Persian santur tuning. 1/1=E                                                    
|
|
sanza.scl
African N'Gundi Sanza (idiophone; set of lamellas, thumb-plucked)               
|
|
sanza2.scl
African Baduma Sanza (idiophone, like mbira)
|
|
sauveur.scl
Sauveur's tempered system of the harpsichord. Traité (1697)
|
|
sauveur2.scl
Sauveur's Syste^me Chromatique des Musiciens (Memoires 1701), 12 out of 55.     
|
|
sauveur_17.scl
Sauveur's oriental system, aft. Kitab al-adwar (Bagdad 1294) by Safi al-Din     
|
|
sauveur_ji.scl
Aplication des sons harmoniques aux jeux d'orgues (1702) (PB 81/80 & 128/125)
|
|
savas_bardiat.scl
Savas's Byzantine Liturgical mode, 8 + 12 + 10 parts
|
|
savas_barenh.scl
Savas's Byzantine Liturgical mode, 8 + 16 + 6 parts
|
|
savas_chrom.scl
Savas's Chromatic, Byzantine Liturgical mode, 8 + 14 + 8 parts
|
|
savas_diat.scl
Savas's Diatonic, Byzantine Liturgical mode, 10 + 8 + 12 parts
|
|
savas_palace.scl
Savas's Byzantine Liturgical mode, 6 + 20 + 4 parts
|
|
scalatron.scl
Scalatron (tm) 19-tone scale, see manual, 1974                                  
|
|
scheengaas.scl
Scheengaas' variation                                                           
|
|
scheffer.scl
H.Th. Scheffer (1748) modified 1/5-comma temperament, Sweden
|
|
schidlof.scl
Schidlof                                                                        
|
|
schillinger.scl
Joseph Schillinger's double equal temperament, p.664 Mathematical Basis...      
|
|
schismic.scl
Scale with major thirds flat by a schisma                                       
|
|
schlick.scl
Reconstructed temp. A. Schlick, Spiegel d. Orgelmacher und Organisten (1511)
|
|
schlick2.scl
Schlick's temperament reconstructed by F.J. Ratte (1991)
|
|
schlick3.scl
Possible well-tempered interpretation of 1555 tuning, Margo Schulter
|
|
scholz.scl
Simple Tune #1 Carter Scholz                                                    
|
|
scholz_epi.scl
Carter Scholz, Epimore
|
|
schulter.scl
Margo Schulter's 5-limit JI virt. ET, "scintilla of Artusi" tempered 22-08-98   
|
|
schulter_17.scl
Neo-Gothic well-temperament (14:11, 9:7 hypermeantone fifths) TL 04-09-2000
|
|
schulter_24.scl
Rational intonation (RI) scale with some "17-ish" features (24 notes)
|
|
schulter_cart34.scl
"Carthesian tuning" with two 17-tET chains 55.106 cents apart
|
|
schulter_diat7.scl
Diatonic scale, symmetrical tetrachords based on 14/11 and 13/11 triads
|
|
schulter_ham.scl
New rational tuning of "Hammond organ type", TL 01-03-2002
|
|
schulter_jot17a.scl
Just octachord tuning -- 4:3-9:8-4:3 division, 17 steps (7 + 3 + 7), Bb-Bb
|
|
schulter_jot17bb.scl
"Just Octachord Tuning" (Bb-Eb, F-Bb) -- 896:891 divided into 1792:1787:1782
|
|
schulter_lin76-34.scl
Two 12-note chains, ~704.160 cents, 34 4ths apart (32 4ths = 7:6), TL 29-11-02
|
|
schulter_pel.scl
Just pelog-style Phrygian pentatonic
|
|
schulter_pepr.scl
Peppermint 24: Wilson/Pepper apotome/limma=Phi, 2 chains spaced for pure 7:6
|
|
schulter_qcm62a.scl
1/4-comma meantone, two 31-notes at 1/4-comma (Vicentino-like system)
|
|
schulter_qcmlji24.scl
24-note adaptive JI (Eb-G#/F'-A#') for Lasso's Prologue to _Prophetiae_
|
|
schulter_qcmqd8_4.scl
F-C# in 1/4-comma meantone, other 5ths ~4.888 cents wide or (2048/2025)^(1/4)
|
|
schulter_sq.scl
"Sesquisexta" tuning, two 12-tone Pyth. manuals a 7/6 apart. TL 16-5-2001
|
|
scotbag.scl
Scottish bagpipe tuning                                                         
|
|
scotbag2.scl
Scottish bagpipe tuning 2                                                       
|
|
scotbag3.scl
Scottish bagpipe tuning 3                                                       
|
|
scotbag4.scl
Scottish Bagpipe Ellis/Land                                                     
|
|
scottd1.scl
Dale Scott's temperament 1, TL 9-6-1999                                         
|
|
scottd2.scl
Dale Scott's temperament 2, TL 9-6-1999                                         
|
|
scottd3.scl
Dale Scott's temperament 3, TL 9-6-1999                                         
|
|
scottd4.scl
Dale Scott's temperament 4, TL 9-6-1999                                         
|
|
scottj.scl
Jeff Scott's "seven and five" tuning, fifth-repeating. TL 20-04-99              
|
|
scottj2.scl
Jeff Scott's "just tritone/13" tuning. TL 17-03-2001
|
|
secor-19p3.scl
George Secor's Microtonal 19+3 well-temperament. TL 28-6-2002. Aux=1,10,19
|
|
secor.scl
George Secor's well temperament with 5 pure 11/7 and 3 near just 11/6           
|
|
secor12_2.scl
George Secor's closed 12-tone well-temperament #2, with 7 just fifths
|
|
secor12_3.scl
George Secor's closed 12-tone temperament #3 with 5 meantone, 3 just, and 2 wide fifths
|
|
segah.scl
Arabic SEGAH (Dudon) Two 4 + 3 + 3 tetrachords                                  
|
|
segah2.scl
Iranian mode Segah from C                                                       
|
|
segah_rat.scl
Rationalized Arabic SEGAH                                                       
|
|
seikilos.scl
Seikilos Tuning                                                                 
|
|
sekati1.scl
Gamelan sekati from Sumenep, East-Madura. 1/1=244 Hz.                           
|
|
sekati2.scl
Gamelan Kyahi Sepuh from kraton Solo. 1/1=216 Hz.                               
|
|
sekati3.scl
Gamelan Kyahi Henem from kraton Solo. 1/1=168.5 Hz.                             
|
|
sekati4.scl
Gamelan Kyahi Guntur madu from kraton Jogya. 1/1=201.5 Hz.                      
|
|
sekati5.scl
Gamelan Kyahi Naga Ilaga from kraton Jogya. 1/1=218.5 Hz.                       
|
|
sekati6.scl
Gamelan Kyahi Munggang from Paku Alaman, Jogya. 1/1=199.5 Hz.                   
|
|
sekati7.scl
Gamelan of Sultan Anom from Cheribon. 1/1=282 Hz.                               
|
|
sekati8.scl
The old Sultans-gamelan Kyahi Suka rame from Banten. 1/1=262.5 Hz.              
|
|
sekati9.scl
Gamelan Sekati from Katjerbonan, Cheribon. 1/1=292 Hz.                          
|
|
selisir.scl
Gamelan semara pagulingan, Bali. Pagan Kelod                                    
|
|
selisir2.scl
Gamelan semara pagulingan, Bali. Kamasan                                        
|
|
selisir3.scl
Gamelan gong, Pliatan, Bali. 1/1=280 Hz, McPhee, 1966
|
|
selisir4.scl
Gamelan gong, Apuan, Bali. 1/1=285 Hz. McPhee, 1966
|
|
selisir5.scl
Gamelan gong, Sayan, Bali. 1/1=275 Hz. McPhee, 1966
|
|
selisir6.scl
Gamelan gong, Gianyar, Bali. 1/1=274 Hz. McPhee, 1966
|
|
semisixths.scl
Semisixths temperament, 13-limit, g=443.0
|
|
serre_enh.scl
Dorian mode of the Serre's Enharmonic                                           
|
|
sev-elev.scl
"Seven-Eleven Blues" of Pitch Palette                                           
|
|
shalfun.scl
d'Erlanger vol.5, p.40. After Alexandre ^Salfun (Chalfoun)                      
|
|
sharm1c-conm.scl
Subharm1C-ConMixolydian                                                         
|
|
sharm1c-conp.scl
Subharm1C-ConPhryg                                                              
|
|
sharm1c-dor.scl
Subharm1C-Dorian                                                                
|
|
sharm1c-lyd.scl
Subharm1C-Lydian                                                                
|
|
sharm1c-mix.scl
Subharm1C-Mixolydian                                                            
|
|
sharm1c-phr.scl
Subharm1C-Phrygian                                                              
|
|
sharm1e-conm.scl
Subharm1E-ConMixolydian                                                         
|
|
sharm1e-conp.scl
Subharm1E-ConPhrygian                                                           
|
|
sharm1e-dor.scl
Subharm1E-Dorian                                                                
|
|
sharm1e-lyd.scl
Subharm1E-Lydian                                                                
|
|
sharm1e-mix.scl
Subharm1E-Mixolydian                                                            
|
|
sharm1e-phr.scl
Subharm1E-Phrygian                                                              
|
|
sharm2c-15.scl
Subharm2C-15-Harmonia                                                           
|
|
sharm2c-hypod.scl
SHarm2C-Hypodorian                                                              
|
|
sharm2c-hypol.scl
SHarm2C-Hypolydian                                                              
|
|
sharm2c-hypop.scl
SHarm2C-Hypophrygian                                                            
|
|
sharm2e-15.scl
Subharm2E-15-Harmonia                                                           
|
|
sharm2e-hypod.scl
SHarm2E-Hypodorian                                                              
|
|
sharm2e-hypol.scl
SHarm2E-Hypolydian                                                              
|
|
sharm2e-hypop.scl
SHarm2E-Hypophrygian                                                            
|
|
sherwood.scl
Sherwood's improved meantone temperament                                        
|
|
shrutar.scl
Paul Erlich's Shrutar tuning (from 9th fret) tempered with Dave Keenan
|
|
shrutart.scl
Paul Erlich's 'Shrutar' tuning tempered by Dave Keenan, TL 29-12-2000
|
|
shrutar_temp.scl
Shrutar temperament, 11-limit, g=52.474, 1/2 oct.
|
|
siamese.scl
Siamese Tuning, after Clem Fortuna's Microtonal Guide                           
|
|
silbermann.scl
Gottfried Silbermann's temperament, 1/6 Pyth. comma meantone
|
|
silver.scl
Equal beating chromatic scale, A.L.Leigh Silver JASA 29/4, 476-481, 1957
|
|
silvermean.scl
First 6 approximants to the Silver Mean, 1+ sqr(2) reduced by 2/1               
|
|
silver_10.scl
Ten-tone MOS from 350.9 cents
|
|
silver_11.scl
Eleven-tone MOS from 1+sqr(2), 1525.864 cents
|
|
silver_11a.scl
Eleven-tone MOS from 317.17 cents
|
|
silver_11b.scl
Eleven-tone MOS from 331.67 cents
|
|
silver_7.scl
Seven-tone MOS from 1+sqr(2), 1525.864 cents
|
|
silver_8.scl
Eight-tone MOS from 273.85 cents
|
|
silver_9.scl
Nine-tone MOS from 280.61 cents
|
|
simonton.scl
Simonton Integral Ratio Scale, JASA 25/6 (1953): A new integral ratio scale
|
|
sims.scl
Ezra Sims' 18-tone mode                                                         
|
|
sims2.scl
Sims II                                                                         
|
|
sims_24.scl
See his article, Reflections on This and That, 1991 p.93-106                    
|
|
sin.scl
1/sin(2pi/n), n=4..25                                                           
|
|
sinemod12.scl
Sine modulated F=12, A=-.08203754                                               
|
|
sinemod8.scl
Sine modulated F=8, A=.11364155. Deviation minimal3/2, 4/3, 5/4, 6/5, 5/3, 8/5  
|
|
singapore.scl
An observed xylophone tuning from Singapore                                     
|
|
singapore2.scl
An observed balafon tuning from Singapore                                       
|
|
sintemp6.scl
Sine modulated fifths, A=1/6 Pyth, one cycle, f0=-90 degrees                    
|
|
sintemp6a.scl
Sine modulated fifths, A=1/12 Pyth, one cycle, f0= D-A                          
|
|
sintemp_19.scl
Sine modulated thirds, A=7.366 cents, one cycle over fifths, f0=90 degrees      
|
|
sintemp_7.scl
Sine modulated fifths, A=8.12 cents, one cycle, f0=90 degrees                   
|
|
slendro.scl
Observed Javanese Slendro scale, from Helmholtz
|
|
slendro10.scl
Low gender from Singaraja (banjar Lod Peken), Bali. 1/1=172 Hz. McPhee, 1966.
|
|
slendro11.scl
Low gender from Sawan, Bali. 1/1=167.5 Hz. McPhee, 1966.
|
|
slendro2.scl
Gamelan slendro from Ranchaiyuh, distr. Tanggerang, Batavia. 1/1=282.5 Hz       
|
|
slendro3.scl
Gamelan kodok ngorek. 1/1=270 Hz                                                
|
|
slendro4.scl
Low gender in saih lima from Kuta, Bali. 1/1=183 Hz. McPhee, 1966
|
|
slendro5_1.scl
A slendro type pentatonic which is based on intervals of 7; from Lou Harrison   
|
|
slendro5_2.scl
A slendro type pentatonic which is based on intervals of 7, no. 2               
|
|
slendro5_4.scl
A slendro type pentatonic which is based on intervals of 7, no. 4               
|
|
slendro6.scl
Low gender from Klandis, Bali. 1/1=180 Hz. McPhee, 1966
|
|
slendro8.scl
Low gender from Tabanan, Bali. 1/1=179 Hz. McPhee, 1966.
|
|
slendro9.scl
Low gender from Singaraja (banjar Panataran), Bali. 1/1=175 Hz. McPhee, 1966.
|
|
slendrob1.scl
Gamelan miring of Musadikrama, desa Katur, Bajanegara. 1/1=434 Hz               
|
|
slendrob2.scl
Gamelan miring from Bajanegara. 1/1=262 Hz                                      
|
|
slendrob3.scl
Gamelan miring from Ngumpak, Bajanegara. 1/1=266 Hz                             
|
|
slendroc1.scl
Kyahi Kanyut mesem slendro (Mangku Nagaran Solo). 1/1=291 Hz                    
|
|
slendroc2.scl
Kyahi Pengawe sari (Paku Alaman, Jogja). 1/1=295 Hz.                            
|
|
slendroc3.scl
Gamelan slendro of R.M. Jayadipura, Jogja. 1/1=231 Hz                           
|
|
slendroc4.scl
Gamelan slendro, Rancha iyuh, Tanggerang, Batavia. 1/1=282.5 Hz                 
|
|
slendroc5.scl
Gender wayang from Pliatan, South Bali. 1/1=611 Hz                              
|
|
slendroc6.scl
from William Malm: Music Cultures of the Pacific, the Near East and Asia.       
|
|
slendrod1.scl
Gender wayang from Ubud (S. Bali). 1/1=347 Hz                                   
|
|
slendro_7_1.scl
Septimal Slendro 1, From HMSL Manual, also Lou Harrison, Jacques Dudon          
|
|
slendro_7_2.scl
Septimal Slendro 2, From Lou Harrison, Jacques Dudon's APTOS                   
|
|
slendro_7_3.scl
Septimal Slendro 3, Harrison, Dudon, called "MILLS" after Mills Gamelan         
|
|
slendro_7_4.scl
Septimal Slendro 4, from Lou Harrison, Jacques Dudon, called "NAT"              
|
|
slendro_7_5.scl
Septimal Slendro 5, from Jacques Dudon                                          
|
|
slendro_7_6.scl
Septimal Slendro 6, from Robert Walker
|
|
slendro_a1.scl
Dudon's Slendro A1, "Seven-Limit Slendro Mutations", 1/1 8:2'94 hexany 1.3.7.21 
|
|
slendro_a2.scl
Dudon's Slendro A2 from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994       
|
|
slendro_alv.scl
Bill Alves, slendro for Gender Barung, 1/1 vol.9 no.4, 1997. 1/1=282.86
|
|
slendro_ang.scl
Gamelan Angklung Sangsit, North Bali. 1/1=294 Hz                                
|
|
slendro_av.scl
Average of 30 measured slendro gamelans, W. Surjodiningrat et al., 1993.        
|
|
slendro_gum.scl
Gumbeng, bamboo idiochord from Banyumas. 1/1=440 Hz                             
|
|
slendro_ky1.scl
Kyahi Kanyut Me`sem slendro, Mangku Nagaran, Solo. 1/1=291 Hz                   
|
|
slendro_ky2.scl
Kyahi Pengawe' sari, Paku Alaman, Jogya. 1/1=295 Hz                             
|
|
slendro_laras.scl
Lou Harrison, gamelan "Si Betty"
|
|
slendro_m.scl
Dudon's Slendro M from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994        
|
|
slendro_madu.scl
Sultan's gamelan Madoe kentir, Jogjakarta, Jaap Kunst                           
|
|
slendro_mat.scl
Dudon's Slendro Matrix from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994   
|
|
slendro_pa.scl
"Blown fifth" primitive slendro, von Hornbostel                                 
|
|
slendro_pas.scl
Gamelan slendro of regent of Pasoeroean, Jaap Kunst                             
|
|
slendro_pb.scl
"Blown fifth" medium slendro, von Hornbostel                                    
|
|
slendro_pc.scl
"Blown fifth" modern slendro, von Hornbostel                                    
|
|
slendro_pliat.scl
Gender wayang from Pliatan, South Bali (Slendro), 1/1=305.5 Hz                  
|
|
slendro_q13.scl
13-tET quasi slendro, Blackwood
|
|
slendro_s1.scl
Dudon's Slendro S1 from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994       
|
|
slendro_s2.scl
Dudon's Slendro S2                                                              
|
|
slendro_udan.scl
Slendro Udan Mas (approx)                                                       
|
|
slendro_wolf.scl
Daniel Wolf's slendro. Tuning List 30 5 1997                                    
|
|
slen_pel.scl
Pelog white, Slendro black                                                      
|
|
slen_pel16.scl
16-tET Slendro and Pelog                                                        
|
|
slen_pel23.scl
23-tET Slendro and Pelog                                                        
|
|
slen_pel_jc.scl
Slendro/JC PELOG S1c,P1c#,S2d,eb,P2e,S3f,P3f#,S4g,ab,P4a,S5bb,P5b               
|
|
slen_pel_schmidt.scl
Dan Schmidt (Pelog white, Slendro black)                                        
|
|
smithgw46.scl
Gene Ward Smith 46-tET subset "Star"
|
|
smithgw46a.scl
46-tET version of "Star", alternative version
|
|
smithgw72a.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72b.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72c.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72d.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72e.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72f.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72g.scl
Gene Ward Smith 72-tET subset, TL 04-01-2002
|
|
smithgw72h.scl
Gene Ward Smith 72-tET subset, TL 09-01-2002
|
|
smithgw72i.scl
Gene Ward Smith 72-tET subset version of Duodene, TL 02-06-2002
|
|
smithgw72j.scl
{225/224, 441/440} tempering of decad, 72-et version (2002)
|
|
smithgw84.scl
Gene Ward Smith 84-tET subset, 11-limit temperament "Orwell", 2002
|
|
smithgw_18.scl
Gene Ward Smith chord analogue to periodicity blocks, TL 12-07-2002
|
|
smithgw_21.scl
Gene Ward Smith symmetrical 7-limit JI version of Blackjack, TL 10-5-2002
|
|
smithgw_45.scl
Gene Ward Smith large limma repeating 5-tone MOS
|
|
smithgw_58.scl
Gene Ward Smith 58-tone epimorphic superset of Partch's 43-tone scale
|
|
smithgw_9.scl
Gene Ward Smith "Miracle-Magic square" tuning, genus chromaticum of ji_12a
|
|
smithgw_ck.scl
Catakleismic temperament, g=316.745, 11-limit
|
|
smithgw_decab.scl
(10/9) <==> (16/15) transform of decaa
|
|
smithgw_decac.scl
inversion of decaa
|
|
smithgw_decad.scl
inversion of decab
|
|
smithgw_gm.scl
Gene Ward Smith "Genesis Minus" periodicity block
|
|
smithgw_octoid.scl
Octoid temperament, g=16.096, oct=1/8, 11-limit
|
|
smithgw_pk.scl
Parakleismic temperament, g=315.263, 5-limit
|
|
smithgw_pris.scl
optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
|
|
smithgw_prisa.scl
optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
|
|
smithgw_qm3a.scl
Qm(3) 10-note quasi-miracle scale, mode A
|
|
smithgw_qm3b.scl
Qm(3) 10-note quasi-miracle scale, mode B
|
|
smithgw_sc19.scl
Fokker block from commas <81/80, 78732/78125>, Gene Ward Smith 2002
|
|
smithgw_sch13.scl
13-limit schismic temperament, g=704.3917, TL 31-10-2002
|
|
smithgw_sch13a.scl
13-limit schismic temperament, g=702.660507, TL 31-10-2002
|
|
smithgw_scj22a.scl
<3125/3072  250/243> Fokker block
|
|
smithgw_scj22b.scl
<2048/2025   250/243> Fokker block
|
|
smithgw_scj22c.scl
<2048/2025   3125/3072> Fokker block
|
|
smithgw_secab.scl
{126/125, 176/175} tempering of decab, 328-et version
|
|
smithgw_secac.scl
{126/125, 176/175} tempering of decac, 328-et version
|
|
smithgw_secad.scl
{126/125, 176/175} tempering of decad, 328-et version
|
|
smithgw_smalldi11.scl
Small diesic 11-note block, <10/9, 126/125, 1728/1715> commas
|
|
smithgw_smalldi19a.scl
Small diesic 19-note block, <16/15, 126/125, 1728/1715> commas
|
|
smithgw_smalldi19b.scl
Small diesic 19-note block, <16/15, 126/125, 2401/2400> commas
|
|
smithgw_smalldi19c.scl
Small diesic 19-note scale containing glumma
|
|
smithgw_smalldiglum19.scl
Small diesic "glumma" variant of 19-note MOS, 31/120 version
|
|
smithgw_smalldimos11.scl
Small diesic 11-note MOS, 31/120 version
|
|
smithgw_smalldimos19.scl
Small diesic 19-note MOS, 31/120 version
|
|
smithgw_star.scl
Gene Ward Smith "Star" scale, untempered version
|
|
smithgw_star2.scl
Gene Ward Smith "Star" scale, alternative untempered version
|
|
smithgw_starra.scl
12 note {126/125, 176/175} scale, 328-et version
|
|
smithgw_starrb.scl
12 note {126/125, 176/175} scale, 328-et version
|
|
smithgw_starrc.scl
12 note {126/125, 176/175} scale, 328-et version
|
|
smithgw_suzz.scl
{385/384, 441/440} suzz in 190-et version
|
|
smithgw_tetra.scl
{225/224, 385/384} tempering of two-tetrachord 12-note scale
|
|
smithgw_wa.scl
Wreckmeister A temperament, TL 2-6-2002
|
|
smithgw_wa120.scl
120-tET version of Wreckmeister A temperament
|
|
smithgw_wb.scl
Wreckmeister B temperament, TL 2-6-2002
|
|
smithrk_19.scl
19 out of 612-tET by Roger K. Smith, 1978                                       
|
|
smithrk_mult.scl
Roger K. Smith, "Multitonic" scale, just version
|
|
smith_eh.scl
Robert Smith's Equal Harmony temperament (1749)
|
|
smith_mq.scl
Robert Smith approximation of quarter comma meantone fifth
|
|
solar.scl
Solar system scale: 0=Pluto, 8=Mercury. 1/1=248.54 years period
|
|
solemn.scl
Solemn 6                                                                        
|
|
songlines.scl
Songlines.DEM, Bill Thibault and Scott Gresham-Lancaster. 1992 ICMC (=rectsp6)  
|
|
sorge.scl
Sorge's Monochord (1756)
|
|
sorge1.scl
Georg Andreas Sorge, 1744 (A)                                                   
|
|
sorge2.scl
Georg Andreas Sorge, 1744 (B)                                                   
|
|
sorge3.scl
Georg Andreas Sorge, well temperament, (1756, 1758)
|
|
spec1_14.scl
Spectrum of 8/7: 1 to 27 reduced by 2/1                                         
|
|
spec1_17.scl
Spectrum of 7/6: 1 to 27 reduced by 2/1                                         
|
|
spec1_25.scl
Spectrum of 5/4: 1 to 25 reduced by 2/1                                         
|
|
spec1_33.scl
Spectrum of 4/3: 1 to 29 reduced by 2/1                                      
|
|
spec1_4.scl
Spectrum of 7/5: 1 to 25 reduced by 2/1                                         
|
|
spec1_5.scl
Spectrum of 1.5: 1 to 27 reduced by 2/1                                    
|
|
specr2.scl
Spectrum of sqrt(2): 1 to 29 reduced by 2/1                                 
|
|
specr3.scl
Spectrum of sqrt(3): 1 to 31 reduced by 2/1                              
|
|
spon_chal1.scl
JC Spondeion, from discussions with George Kahrimanis about tritone of spondeion
|
|
spon_chal2.scl
JC Spondeion II, 10 May 1997. Various tunings for the parhypatai and hence trito
|
|
spon_mont.scl
Montford's Spondeion, a mixed septimal and undecimal pentatonic, 1923           
|
|
spon_terp.scl
Subharm. 6-tone series, guess at Greek poet Terpander's, 6th c. BC & Spondeion, Winnington-Ingram (1928)
|
|
stanhope.scl
Well temperament of Charles, third earl of Stanhope (1806)
|
|
stanhope_f.scl
Stanhope temperament, equal beating version by Farey (1807)
|
|
stanhope_s.scl
Stanhope temperament, alt. version with 1/3 syntonic comma
|
|
starling.scl
Starling temperament, Herman Miller (1999)
|
|
stearns.scl
Dan Stearns, guitar scale                                                       
|
|
stearns2.scl
Dan Stearns, scale for "At A Day Job" based on harmonics 10-20 and 14-28
|
|
stearns3.scl
Dan Stearns, trivalent version of Bohlen's Lambda scale
|
|
stearns4.scl
Dan Stearns, 1/4-septimal comma temperament, tuning-math 2-12-2001
|
|
steldek1.scl
Stellated two out of 1 3 5 7 9 dekany                                           
|
|
steldek1s.scl
Superstellated two out of 1 3 5 7 9 dekany
|
|
steldek2.scl
Stellated two out of 1 3 5 7 11 dekany
|
|
steldek2s.scl
Superstellated two out of 1 3 5 7 11 dekany
|
|
steleik1.scl
Stellated Eikosany 3 out of 1 3 5 7 9 11
|
|
steleik1s.scl
Superstellated Eikosany 3 out of 1 3 5 7 9 11
|
|
steleik2.scl
Stellated Eikosany 3 out of 1 3 5 7 11 13
|
|
steleik2s.scl
Superstellated Eikosany 3 out of 1 3 5 7 11 13
|
|
stelhex1.scl
Stellated two out of 1 3 5 7 hexany, also dekatesserany, mandala, tetradekany   
|
|
stelhex2.scl
Stellated two out of 1 3 5 9 hexany                                             
|
|
stelhex3.scl
Stellated Tetrachordal Hexany based on Archytas's Enharmonic                    
|
|
stelhex4.scl
Stellated Tetrachordal Hexany based on the 1/1 35/36 16/15 4/3 tetrachord       
|
|
stelhex5.scl
Stellated two out of 1 3 7 9 hexany, stellation is degenerate                   
|
|
stelhex6.scl
Stellated two out of 1 3 5 11 hexany, from The Giving, by Stephen J. Taylor     
|
|
stelpd1.scl
Stellated two out of 1 3 5 7 9 11 pentadekany
|
|
stelpd1s.scl
Superstellated two out of 1 3 5 7 9 11 pentadekany
|
|
stelpent1.scl
Stellated one out of 1 3 5 7 9 pentany
|
|
stelpent1s.scl
Superstellated one out of 1 3 5 7 9 pentany
|
|
steltet1.scl
Stellated one out of 1 3 5 7 tetrany
|
|
steltet1s.scl
Superstellated one out of 1 3 5 7 tetrany
|
|
steltet2.scl
Stellated three out of 1 3 5 7 tetrany
|
|
steltet2s.scl
Superstellated three out of 1 3 5 7 tetrany
|
|
steltri1.scl
Stellated one out of 1 3 5 triany
|
|
steltri2.scl
Stellated two out of 1 3 5 triany
|
|
stevin.scl
Simon Stevin, monochord division of 10000 parts for 12-tET (1585)
|
|
stopper.scl
Bernard Stopper, piano tuning with 19th root of 3 (1988)                        
|
|
storbeck.scl
Ulrich Storbeck, 2001
|
|
strahle.scl
Strahle's Geometrical scale
|
|
sub24-12.scl
Subharmonics 24-12                                                              
|
|
sub24.scl
Subharmonics 24-1                                                               
|
|
sub40.scl
sub 40-20                                                                       
|
|
sub48.scl
12 of sub 48 (Leven)                                                            
|
|
sub50.scl
12 of sub 50                                                                    
|
|
sub8.scl
Subharmonic series 1/16 - 1/8                                                   
|
|
sumatra.scl
"Archeological" tuning of Pasirah Rus orch. in Muaralakitan, Sumatra. 1/1=354 Hz
|
|
super_10.scl
Most equal superparticular 10-tone scale                                        
|
|
super_11.scl
Most equal superparticular 11-tone scale                                        
|
|
super_12.scl
Most equal superparticular 12-tone scale                                        
|
|
super_12_1.scl
One but most equal superparticular 12-tone scale                                
|
|
super_12_2.scl
Two but most equal superparticular 12-tone scale                                
|
|
super_13.scl
Most equal superparticular 13-tone scale                                        
|
|
super_14.scl
Most equal superparticular 14-tone scale                                        
|
|
super_15.scl
Most equal superparticular 15-tone scale                                        
|
|
super_17.scl
Superparticular 17-tone scale                                                   
|
|
super_19.scl
Superparticular 19-tone scale                                                   
|
|
super_19_1.scl
Superparticular 19-tone scale                                                   
|
|
super_19_2.scl
Superparticular 19-tone scale                                                   
|
|
super_22.scl
Superparticular 22-tone scale                                                   
|
|
super_22_1.scl
Superparticular 22-tone scale                                                   
|
|
super_24.scl
Superparticular 24-tone scale, inverse of Mans.ur 'Awad                         
|
|
super_6.scl
Most equal superparticular 6-tone scale                                         
|
|
super_7.scl
Most equal superparticular 7-tone scale                                         
|
|
super_8.scl
Most equal superparticular 8 tone scale                                         
|
|
super_9.scl
Most equal superparticular 9-tone scale                                         
|
|
suppig.scl
Friedrich Suppig's 19-tone JI scale. Calculus Musicus, Berlin 1722
|
|
sur_7.scl
7-tone surupan
|
|
sur_9.scl
Theoretical nine-tone surupan gamut                                             
|
|
sur_ajeng.scl
Surupan ajeng                                                                   
|
|
sur_degung.scl
Surupan degung                                                                  
|
|
sur_madenda.scl
Surupan madenda                                                                 
|
|
sur_melog.scl
Surupan melog                                                                   
|
|
sur_miring.scl
Surupan miring                                                                  
|
|
sur_x.scl
Surupan tone-gender X (= unmodified nyorog)                                     
|
|
sur_y.scl
Surupan tone-gender Y (= mode on pamiring)                                      
|
|
sverige.scl
Scale on Swedish 50 crown banknote of some kind of violin.
|
|
syntonolydian.scl
Greek Syntonolydian, also genus duplicatum medium, or ditonum (Al-Farabi)       
|
|
syrian.scl
After ^Sayh.'Ali ad-Darwis^ (Shaykh Darvish) from d'Erlanger vol.5, p.29
|
|
t-side.scl
Tau-on-Side                                                                     
|
|
tamil.scl
Possible Tamil sruti scale. Alternative 11th sruti is 45/32 or 64/45
|
|
tamil_vi.scl
Vilarippalai scale in Tamil music, Vidyasankar Sundaresan
|
|
tamil_vi2.scl
Vilarippalai scale with 1024/729 tritone
|
|
tanaka.scl
26-note choice system of Shohé Tanaka, Studien i.G.d. reinen Stimmung (1890)
|
|
tanbur.scl
Sub-40 tanbur scale                                                             
|
|
tansur.scl
William Tans'ur temperament from A New Musical Grammar (1746) p. 73             
|
|
tartini_7.scl
Tartini (1754) with 2 neochromatic tetrachords, 1/1=d, Minor Gipsy (Slovakia)
|
|
taylor.scl
Gregory Taylor's Dutch train ride scale based on pelog_schmidt                  
|
|
telemann.scl
G.Ph. Telemann (1767). 55-tET interpretation of Klang- und Intervallen-Tafel
|
|
telemann_28.scl
Telemann's tuning as described on Sorge's monochord, 1746, 1748, 1749
|
|
temes-mix.scl
Temes' 5-tone Phi scale mixed with its octave inverse                           
|
|
temes-ur.scl
Temes' Ur 5-tone phi scale                                                      
|
|
temes.scl
Temes' 5-tone Phi scale / 2 cycle                                               
|
|
temes2-mix.scl
Temes' 2 cycle Phi scale mixed with its 4/1 inverse                             
|
|
temp10ebss.scl
Cycle of 10 equal "beating" 15/14's                                             
|
|
temp11ebst.scl
Cycle of 11 equal beating 9/7's                                                 
|
|
temp12ebf.scl
Equal beating temperament tuned by The Best Factory Tuners (1840)               
|
|
temp12ebfo.scl
Equal beating fifths and fifth beats twice octave at C                          
|
|
temp12ebfp.scl
All fifths except G#-Eb beat same as 700 c. C-G                                 
|
|
temp12ebfr.scl
Exact values of equal beating temperament of Best Factory Tuners (1840)         
|
|
temp12ep.scl
Pythagorean comma distributed equally over octave and fifth: 1/19-Pyth comma    
|
|
temp12fo2.scl
Fifth beats twice octave                                                        
|
|
temp12p10.scl
1/10-Pyth. comma well temperament
|
|
temp12p6.scl
Modified 1/6-Pyth. comma temperament                                            
|
|
temp12p8.scl
1/8-Pyth. comma well temperament
|
|
temp12p8a.scl
1/8-Pyth. comma well temperament, consecutive just fifths
|
|
temp12s17.scl
4/17th synt. comma "well"-temperament. OdC 1999
|
|
temp12s3.scl
1/3 synt. comma "well"-temperament. OdC 1999
|
|
temp12w2b.scl
The fifths on white keys beat twice the amount of fifths on black keys          
|
|
temp15ebmt.scl
Cycle of 15 equal beating minor thirds                                          
|
|
temp15ebsi.scl
Cycle of 15 equal beating major sixths                                          
|
|
temp16d3.scl
Cycle of 16 thirds tempered by 1/3 small diesis                                 
|
|
temp16d4.scl
Cycle of 16 thirds tempered by 1/4 small diesis                                 
|
|
temp16ebs.scl
Cycle of 16 equal beating sevenths                                              
|
|
temp16ebt.scl
Cycle of 16 equal beating thirds                                                
|
|
temp16l4.scl
Cycle of 16 fifths tempered by 1/4 major limma                                  
|
|
temp17c10.scl
Cycle of 17 fifths tempered by 1/10 of "17-tET comma"                           
|
|
temp17c11.scl
Cycle of 17 fifths tempered by 1/11 of "17-tET comma"                           
|
|
temp17c12.scl
Cycle of 17 fifths tempered by 1/12 of "17-tET comma"                           
|
|
temp17c13.scl
Cycle of 17 fifths tempered by 1/13 of "17-tET comma"                           
|
|
temp17c14.scl
Cycle of 17 fifths tempered by 1/14 of "17-tET comma"                           
|
|
temp17c15.scl
Cycle of 17 fifths tempered by 1/15 of "17-tET comma"                           
|
|
temp17ebf.scl
Cycle of 17 equal beating fifths                                                
|
|
temp17ebs.scl
Cycle of 17 equal beating sevenths                                              
|
|
temp17fo2.scl
Fifth beats twice octave                                                        
|
|
temp17s.scl
Cycle of 17 fifths tempered by 2 schismas. Schulter, Tuning List 10-9-98        
|
|
temp19d5.scl
Cycle of 19 thirds tempered by 1/5 small diesis. Third = 3\5                    
|
|
temp19ebf.scl
Cycle of 19 equal beating fifths                                                
|
|
temp19ebmt.scl
Cycle of 19 equal beating minor thirds                                          
|
|
temp19ebo.scl
Cycle of 19 equal beating octaves in twelfth                                    
|
|
temp19ebt.scl
Cycle of 19 equal beating thirds                                                
|
|
temp19k10.scl
Chain of 19 minor thirds tempered by 1/10 kleisma                               
|
|
temp19k3.scl
Chain of 19 minor thirds tempered by 1/3 kleisma                                
|
|
temp19k4.scl
Chain of 19 minor thirds tempered by 1/4 kleisma                                
|
|
temp19k5.scl
Chain of 19 minor thirds tempered by 1/5 kleisma                                
|
|
temp19k6.scl
Chain of 19 minor thirds tempered by 1/6 kleisma                                
|
|
temp19k7.scl
Chain of 19 minor thirds tempered by 1/7 kleisma                                
|
|
temp19k8.scl
Chain of 19 minor thirds tempered by 1/8 kleisma                                
|
|
temp19k9.scl
Chain of 19 minor thirds tempered by 1/9 kleisma                                
|
|
temp19lst.scl
Cycle of 19 least squares thirds 5/4^5 = 3/2                                    
|
|
temp19lst2.scl
Cycle of 19 least squares thirds 5/4, 3/2 (5), 6/5 (4)                          
|
|
temp21ebs.scl
Cycle of 21 equal beating sevenths                                              
|
|
temp22ebf.scl
Cycle of 22 equal beating fifths                                                
|
|
temp22ebt.scl
Cycle of 22 equal beating thirds                                                
|
|
temp22fo2.scl
Fifth beats twice opposite rate as octave
|
|
temp23ebs.scl
Cycle of 23 equal beating major sixths                                          
|
|
temp24ebaf.scl
Cycle of 24 equal beating 11/8's                                                
|
|
temp24ebf.scl
24-tone ET with 23 equal beatings fifths. Fifth on 17 slightly smaller.         
|
|
temp25ebt.scl
Cycle of 25 equal beating thirds                                                
|
|
temp26eb3.scl
Cycle of 26 fifths, 5/4 beats three times 3/2                                   
|
|
temp26ebf.scl
Cycle of 26 equal beating fifths                                                
|
|
temp26ebs.scl
Cycle of 26 equal beating sevenths                                              
|
|
temp27c8.scl
Cycle of 27 fifths tempered by 1/8 of difference between augm. 2nd and 5/4      
|
|
temp27eb2.scl
Cycle of 27 fourths, 5/4 beats twice 4/3                                        
|
|
temp28ebt.scl
Cycle of 28 equal beating thirds                                                
|
|
temp29c14.scl
Cycle of 29 fifths 1/14 comma positive                                          
|
|
temp29ebf.scl
Cycle of 29 equal beating fifths                                                
|
|
temp29fo.scl
Fifth beats with opposite equal rate as octave
|
|
temp31c51.scl
Cycle of 31 51/220-comma tempered fifths (twice diff. of 31-tET and 1/4-comma)  
|
|
temp31eb1.scl
Cycle of 31 thirds, 3/2 beats equal 5/4. Third 1/18 synt. comma higher          
|
|
temp31eb1a.scl
Cycle of 31 thirds, 5/4 beats equal 7/4                                         
|
|
temp31eb2.scl
Cycle of 31 thirds, 3/2 beats twice 5/4                                         
|
|
temp31eb2a.scl
Cycle of 31 thirds, 5/4 beats twice 3/2                                         
|
|
temp31eb2b.scl
Cycle of 31 thirds, 5/4 beats twice 7/4 (7/4 beats twice 5/4 gives 31-tET)      
|
|
temp31ebf.scl
Cycle of 31 equal beating fifths                                                
|
|
temp31ebs.scl
Cycle of 31 equal beating sevenths                                              
|
|
temp31ebs1.scl
Cycle of 31 sevenths, 3/2 beats equal 7/4. 17/9 schisma fifth                   
|
|
temp31ebs2.scl
Cycle of 31 sevenths, 3/2 beats twice 7/4. Almost 31-tET                        
|
|
temp31ebsi.scl
Cycle of 31 equal beating major sixths                                          
|
|
temp31ebt.scl
Cycle of 31 equal beating thirds                                                
|
|
temp31g3.scl
Wonder Scale, cycle of 31 sevenths tempered by 1/3 gamelan residue, s.wonder1.scl
|
|
temp31g4.scl
Cycle of 31 sevenths tempered by 1/4 gamelan residue                            
|
|
temp31g5.scl
Cycle of 31 sevenths tempered by 1/5 gamelan residue                            
|
|
temp31g6.scl
Cycle of 31 sevenths tempered by 1/6 gamelan residue                            
|
|
temp31g7.scl
Cycle of 31 sevenths tempered by 1/7 gamelan residue                            
|
|
temp31h10.scl
Cycle of 31 fifths tempered by 1/10 Harrison's comma                            
|
|
temp31h11.scl
Cycle of 31 fifths tempered by 1/11 Harrison's comma                            
|
|
temp31h12.scl
Cycle of 31 fifths tempered by 1/12 Harrison's comma                            
|
|
temp31h8.scl
Cycle of 31 fifths tempered by 1/8 Harrison's comma                             
|
|
temp31h9.scl
Cycle of 31 fifths tempered by 1/9 Harrison's comma                             
|
|
temp31ms.scl
Cycle of 31 5th root of 5/4 chromatic semitones                                 
|
|
temp31mt.scl
Cycle of 31 square root of 5/4 meantones                                        
|
|
temp31to.scl
Third beats with opposite equal rate as octave
|
|
temp31w10.scl
Cycle of 31 thirds tempered by 1/10 Wuerschmidt comma                           
|
|
temp31w11.scl
Cycle of 31 thirds tempered by 1/11 Wuerschmidt comma                           
|
|
temp31w12.scl
Cycle of 31 thirds tempered by 1/12 Wuerschmidt comma                           
|
|
temp31w13.scl
Cycle of 31 thirds tempered by 1/13 Wuerschmidt comma                           
|
|
temp31w14.scl
Cycle of 31 thirds tempered by 1/14 Wuerschmidt comma                           
|
|
temp31w15.scl
Cycle of 31 thirds tempered by 1/15 Wuerschmidt comma, almost 31-tET            
|
|
temp31w8.scl
Cycle of 31 thirds tempered by 1/8 Wuerschmidt comma                            
|
|
temp31w9.scl
Cycle of 31 thirds tempered by 1/9 Wuerschmidt comma                            
|
|
temp32ebf.scl
Cycle of 32 equal beating fifths
|
|
temp33a12.scl
Cycle of 33 fifths tempered by 1/12 "11 fifths" comma                           
|
|
temp34eb2a.scl
Cycle of 34 thirds, 5/4 beats twice 3/2                                         
|
|
temp34ebsi.scl
Cycle of 34 equal beating major sixths                                          
|
|
temp34ebt.scl
Cycle of 34 equal beating thirds                                                
|
|
temp34w10.scl
Cycle of 34 thirds tempered by 1/10 Wuerschmidt comma                           
|
|
temp34w5.scl
Cycle of 34 thirds tempered by 1/5 Wuerschmidt comma                            
|
|
temp34w6.scl
Cycle of 34 thirds tempered by 1/6 Wuerschmidt comma                            
|
|
temp34w7.scl
Cycle of 34 thirds tempered by 1/7 Wuerschmidt comma                            
|
|
temp34w8.scl
Cycle of 34 thirds tempered by 1/8 Wuerschmidt comma                            
|
|
temp34w9.scl
Cycle of 34 thirds tempered by 1/9 Wuerschmidt comma                            
|
|
temp35ebsi.scl
Cycle of 35 equal beating major sixths
|
|
temp37ebs.scl
Cycle of 37 equal beating sevenths
|
|
temp37ebt.scl
Cycle of 37 equal beating thirds                                                
|
|
temp3ebt.scl
Cycle of 3 equal beating thirds                                                 
|
|
temp4ebmt.scl
Cycle of 4 equal beating minor thirds                                           
|
|
temp4ebsi.scl
Cycle of 4 equal beating major sixths                                           
|
|
temp53ebs.scl
Cycle of 53 equal beating harmonic sevenths                                     
|
|
temp53ebsi.scl
Cycle of 53 equal beating major sixths                                          
|
|
temp53ebt.scl
Cycle of 53 equal beating thirds                                                
|
|
temp57ebs.scl
Cycle of 57 equal beating harmonic sevenths                                     
|
|
temp59ebt.scl
Cycle of 59 equal beating thirds                                                
|
|
temp5ebf.scl
Cycle of 5 equal beating fifths                                                 
|
|
temp5ebs.scl
Cycle of 5 equal beating harmonic sevenths                                      
|
|
temp6.scl
Tempered wholetone scale with approximations to 5/4 (4), 7/5 (4) and 7/4 (1)
|
|
temp65ebf.scl
Cycle of 65 equal beating fifths                                                
|
|
temp65ebt.scl
Cycle of 65 equal beating thirds                                                
|
|
temp6eb2.scl
Cycle of 6 equal beating 9/8 seconds                                            
|
|
temp6s.scl
Cycle of 6 tempered harmonic sevenths, 6/5 and 4/3 minimax, Op de Coul, 2002
|
|
temp6teb.scl
Cycle of 6 equal beating 6/5's in a twelfth                                     
|
|
temp7-5ebf.scl
7 equal beating fifths on white, 5 equal beating fifths on black                
|
|
temp7ebf.scl
Cycle of 7 equal beating fifths                                                 
|
|
temp7ebnt.scl
Cycle of 7 equal beating 11/9 neutral thirds                                    
|
|
temp8eb3q.scl
Cycle of 8 equal "beating" 12/11's                                              
|
|
temp9ebmt.scl
Cycle of 9 equal beating 7/6 septimal minor thirds                              
|
|
tenney_11.scl
Scale of James Tenney's "Spectrum II" for wind quintet                          
|
|
tetragam-di.scl
Tetragam Dia2                                                                   
|
|
tetragam-enh.scl
Tetragam Enharm.                                                                
|
|
tetragam-hex.scl
Tetragam/Hexgam                                                                 
|
|
tetragam-py.scl
Tetragam Pyth.                                                                  
|
|
tetragam-slpe.scl
Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B                    
|
|
tetragam-slpe2.scl
Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B                    
|
|
tetragam-sp.scl
Tetragam Septimal                                                               
|
|
tetragam-un.scl
Tetragam Undecimal                                                              
|
|
tetragam13.scl
Tetragam (13-tET)                                                               
|
|
tetragam5.scl
Tetragam (5-tET)                                                                
|
|
tetragam7.scl
Tetragam (7-tET)                                                                
|
|
tetragam8.scl
Tetragam (8-tET)                                                                
|
|
tetragam9a.scl
Tetragam (9-tET) A                                                              
|
|
tetragam9b.scl
Tetragam (9-tET) B                                                              
|
|
tetraphonic_31.scl
31-tone Tetraphonic Cycle, conjunctive form on 5/4, 6/5, 7/6 and 8/7            
|
|
tetratriad.scl
4:5:6 Tetratriadic scale                                                        
|
|
tetratriad1.scl
3:5:9 Tetratriadic scale                                                        
|
|
tetratriad2.scl
3:5:7 Tetratriadic scale
|
|
thailand.scl
Observed ranat tuning from Thailand. Helmholtz (#85, p. 518)                    
|
|
thailand2.scl
Tuning from an out of tune Thai instrument. Helmholtz p. 518, see p. 556        
|
|
thailand3.scl
Observed tak'hay tuning. Helmholtz, p. 518                                      
|
|
thailand4.scl
Observed ranat t'hong tuning. Helmholtz, p. 518                                 
|
|
thailand5.scl
Khong mon (bronze percussion vessels) tuning, Gemeentemuseum Den Haag 1/1=465   
|
|
thomas.scl
Tuning of the Thomas/Philpott organ, Gereformeerde Kerk, St. Jansklooster
|
|
tiby1.scl
Tiby's 1st Byzantine Liturgical genus, 12 + 13 + 3 parts
|
|
tiby2.scl
Tiby's second Byzantine Liturgical genus, 12 + 5 + 11 parts
|
|
tiby3.scl
Tiby's third Byzantine Liturgical genus, 12 + 9 + 7 parts
|
|
tiby4.scl
Tiby's fourth Byzantine Liturgical genus, 9 + 12 + 7 parts
|
|
todi_av.scl
Average of 8 interpretations of raga Todi, in B. Bel, 1988.
|
|
tonos15_pis.scl
Diatonic Perfect Immutable System in the new Tonos-15                           
|
|
tonos17_pis.scl
Diatonic Perfect Immutable System in the new Tonos-17                           
|
|
tonos19_pis.scl
Diatonic Perfect Immutable System in the new Tonos-19                           
|
|
tonos21_pis.scl
Diatonic Perfect Immutable System in the new Tonos-21                           
|
|
tonos23_pis.scl
Diatonic Perfect Immutable System in the new Tonos-23                           
|
|
tonos25_pis.scl
Diatonic Perfect Immutable System in the new Tonos-25                           
|
|
tonos27_pis.scl
Diatonic Perfect Immutable System in the new Tonos-27                           
|
|
tonos29_pis.scl
Diatonic Perfect Immutable System in the new Tonos-29                           
|
|
tonos31_pis.scl
Diatonic Perfect Immutable System in the new Tonos-31                           
|
|
tonos31_pis2.scl
Diatonic Perfect Immutable System in the new Tonos-31B                          
|
|
tonos33_pis.scl
Diatonic Perfect Immutable System in the new Tonos-33                           
|
|
tranh.scl
Bac Dan Tranh scale, Vietnam                                                    
|
|
tranh2.scl
Dan Ca Dan Tranh Scale                                                          
|
|
tranh3.scl
Sa Mac Dan Tranh scale                                                          
|
|
tri12-1.scl
12-tone Tritriadic of 7:9:11                                                    
|
|
tri12-2.scl
12-tone Tritriadic of 6:7:9                                                     
|
|
tri19-1.scl
3:5:7 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-2.scl
3:5:9 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-3.scl
4:5:6 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-4.scl
4:5:9 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-5.scl
5:7:9 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-6.scl
6:7:8 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-7.scl
6:7:9 Tritriadic 19-Tone Matrix                                                 
|
|
tri19-8.scl
7:9:11 Tritriadic 19-Tone Matrix                                                
|
|
tri19-9.scl
4:5:7 Tritriadic 19-Tone Matrix                                                 
|
|
triang11.scl
11-limit triangular diamond lattice with 64/63 intervals removed                
|
|
triaphonic_12.scl
12-tone Triaphonic Cycle, conjunctive form on 4/3, 5/4 and 6/5                 
|
|
triaphonic_17.scl
17-tone Triaphonic Cycle, conjunctive form on 4/3, 7/6 and 9/7                 
|
|
trichord7.scl
Trichordal undecatonic, 7-limit
|
|
tritriad.scl
Tritriadic scale of the 10:12:15 triad, natural minor mode                      
|
|
tritriad10.scl
Tritriadic scale of the 10:14:15 triad                                          
|
|
tritriad11.scl
Tritriadic scale of the 11:13:15 triad                                          
|
|
tritriad13.scl
Tritriadic scale of the 10:13:15 triad                                          
|
|
tritriad14.scl
Tritriadic scale of the 14:18:21 triad                                          
|
|
tritriad18.scl
Tritriadic scale of the 18:22:27 triad                                          
|
|
tritriad22.scl
Tritriadic scale of the 22:27:33 triad                                          
|
|
tritriad26.scl
Tritriadic scale of the 26:30:39 triad                                          
|
|
tritriad3.scl
Tritriadic scale of the 3:5:7 triad. Possibly Mathews's 3.5.7a                  
|
|
tritriad32.scl
Tritriadic scale of the 26:32:39 triad                                          
|
|
tritriad3c.scl
From 1/1 7/6 7/5, a variant of the 3.5.7 triad                                  
|
|
tritriad3d.scl
From 1/1 7/6 5/3, a variant of the 3.5.7 triad                                  
|
|
tritriad5.scl
Tritriadic scale of the 5:7:9 triad,  perhaps Mathews's 5.7.9a.                 
|
|
tritriad68.scl
Tritriadic scale of the 6:7:8 triad                                             
|
|
tritriad68i.scl
Tritriadic scale of the subharmonic 6:7:8 triad                                 
|
|
tritriad69.scl
Tritriadic scale of the 6:7:9 triad, septimal natural minor
|
|
tritriad7.scl
Tritriadic scale of the 7:9:11 triad                                            
|
|
tritriad9.scl
Tritriadic scale of the 9:11:13 triad                                           
|
|
tsjerepnin.scl
Scale from Ivan Tsjerepnin's Santur Opera (1977) & suite from it Santur Live!   
|
|
tuners1.scl
The Tuner's Guide well temperament no. 1 (1840)                                 
|
|
tuners2.scl
The Tuner's Guide well temperament no. 2 (1840)                                 
|
|
tuners3.scl
The Tuner's Guide well temperament no. 3 (1840)                                 
|
|
turkish.scl
Turkish, 5-limit from Palmer on a Turkish music record, harmonic minor inverse  
|
|
turkish_24.scl
Ra'uf Yaqta Bey, 24 of 53 tones, Theoretical Turkish gamut                      
|
|
turkish_24a.scl
Turkish gamut with schismatic simplifications                                   
|
|
turkish_41.scl
Karadeniz's theoretical Turkish gamut                                           
|
|
turkish_41a.scl
Karadeniz's theoretical Turkish gamut, quantized to subset of 53-tET            
|
|
turkish_aeu.scl
Arel-Ezgi-Uzdilek (AEU) 24 tone theoretical system
|
|
turkish_bagl.scl
Ratios of the 17 frets on the neck of "Baglama" ("saz") according to Yalçýn Tura
|
|
two29.scl
Two 29-tET scales 25 cents shifted, many near just intervals
|
|
two29a.scl
Two 29-tET scales 15.826 cents shifted, 13-limit chords, Gene Ward Smith
|
|
urmawi.scl
al-Urmawi, one of twelve maqam rows. First tetrachord is Rast                   
|
|
valentine.scl
Robert Valentine, tuning with primes 3 & 19, TL 7-2-2002
|
|
valentine2.scl
Robert Valentine, two octave 31-tET subset for guitar, TL 10-5-2002
|
|
vallotti.scl
Vallotti & Young scale (Vallotti version)
|
|
vertex_chrom.scl
A vertex tetrachord from Chapter 5, 66.7 + 266.7 + 166.7 cents
|
|
vertex_chrom2.scl
A vertex tetrachord from Chapter 5, 83.3 + 283.3 + 133.3 cents
|
|
vertex_chrom3.scl
A vertex tetrachord from Chapter 5, 87.5 + 287.5 + 125 cents                    
|
|
vertex_chrom4.scl
A vertex tetrachord from Chapter 5, 88.9 + 288.9 + 122.2 cents
|
|
vertex_chrom5.scl
A vertex tetrachord from Chapter 5, 133.3 + 266.7 + 100 cents
|
|
vertex_diat.scl
A vertex tetrachord from Chapter 5, 233.3 + 133.3 + 133.3 cents
|
|
vertex_diat10.scl
A vertex tetrachord from Chapter 5, 212.5 + 162.5 + 125 cents                   
|
|
vertex_diat11.scl
A vertex tetrachord from Chapter 5, 212.5 + 62.5 + 225 cents                    
|
|
vertex_diat12.scl
A vertex tetrachord from Chapter 5, 200 + 125 + 175 cents                       
|
|
vertex_diat2.scl
A vertex tetrachord from Chapter 5, 233.3 + 166.7 + 100 cents
|
|
vertex_diat3.scl
A vertex tetrachord from Chapter 5, 75 + 225 + 200 cents                        
|
|
vertex_diat4.scl
A vertex tetrachord from Chapter 5, 225 + 175 + 100 cents                       
|
|
vertex_diat5.scl
A vertex tetrachord from Chapter 5, 87.5 + 237.5 + 175 cents                    
|
|
vertex_diat7.scl
A vertex tetrachord from Chapter 5, 200 + 75 + 225 cents                        
|
|
vertex_diat8.scl
A vertex tetrachord from Chapter 5, 100 + 175 + 225 cents                       
|
|
vertex_diat9.scl
A vertex tetrachord from Chapter 5, 212.5 + 137.5 + 150 cents                   
|
|
vertex_sdiat.scl
A vertex tetrachord from Chapter 5, 87.5 + 187.5 + 225 cents                    
|
|
vertex_sdiat2.scl
A vertex tetrachord from Chapter 5, 75 + 175 + 250 cents                        
|
|
vertex_sdiat3.scl
A vertex tetrachord from Chapter 5, 25 + 225 + 250 cents                        
|
|
vertex_sdiat4.scl
A vertex tetrachord from Chapter 5, 66.7 + 183.3 + 250 cents                    
|
|
vertex_sdiat5.scl
A vertex tetrachord from Chapter 5, 233.33 + 16.67 + 250 cents                  
|
|
vicentino1.scl
Usual Archicembalo tuning, 31-tET plus D,E,G,A,B a 10th tone higher             
|
|
vicentino2.scl
Alternative Archicembalo tuning, lower 3 rows the same upper 3 rows 3/2 higher  
|
|
vicentino2q217.scl
Vicentino's second tuning, 217-tET version
|
|
victorian.scl
Form of Victorian temperament (1885)                                            
|
|
victor_eb.scl
Equal beating Victorian piano temperament, interpr. by Bill Bremmer (improved)
|
|
vitale1.scl
Rami Vitale's 7-limit just scale
|
|
vitale2.scl
Rami Vitale, inverse mode of vitale1.scl
|
|
vitale3.scl
Superset of several Byzantine scales by Rami Vitale, TL 29-Aug-2001
|
|
vogelh_wt.scl
Harald Vogel's temperament for the Schnitger organ in St. Jakobi, Hamburg
|
|
vogel_21.scl
Martin Vogel's 21-tone Archytas system, see Divisions of the tetrachord
|
|
volans.scl
African scale according to Kevin Volans 1/1=G
|
|
vong.scl
Vong Co Dan Tranh scale, Vietnam                                                
|
|
vries19-72.scl
Leo de Vries 19/72 Through-Transposing-Tonality 18 tone scale
|
|
vries35-72.scl
Leo de Vries 35/72 Through-Transposing-Tonality 17 tone scale
|
|
vries5-72.scl
Leo de Vries 5/72 Through-Transposing-Tonality 18 tone scale
|
|
vries6-31.scl
Leo de Vries 6/31 TTT used in "For 31-tone organ" (1995)
|
|
walkerr_11.scl
Robert Walker, "Seven to Pi" scale, TL 09-07-2002
|
|
walker_21.scl
Douglas Walker, 1977, for "out of the fathomless dark/into the limitless light  
|
|
wauchope.scl
Symmetrical 7-limit JI whole-half step scale, Ken Wauchope                      
|
|
werck1.scl
Werckmeister I (just intonation)                                                
|
|
werck3.scl
Andreas Werckmeister's temperament III (the most famous one, 1681)
|
|
werck3_eb.scl
Werckmeister III equal beating version, 5/4 beats twice 3/2                     
|
|
werck4.scl
Andreas Werckmeister's temperament IV
|
|
werck5.scl
Andreas Werckmeister's temperament V
|
|
werck6.scl
Andreas Werckmeister's "septenarius" tuning VI                                  
|
|
werck6_dup.scl
Andreas Werckmeister's VI in the interpretation by Dupont (1935)
|
|
white.scl
Justin White's 22-tone scale based on Al-Farabi's tetrachord
|
|
wicks.scl
Mark Wicks' equal beating temperament for organs (1887)                         
|
|
wiesse.scl
Von Wiesse's 1/2 Pyth. comma tuning                                             
|
|
wilson1.scl
Wilson 19-tone, 1976
|
|
wilson11.scl
Wilson 11-limit 19-tone scale, 1977                                             
|
|
wilson2.scl
Wilson 19-tone, 1975
|
|
wilson3.scl
Wilson 19-tone
|
|
wilson5.scl
Wilson's 22-tone 5-limit scale                                                  
|
|
wilson7.scl
Wilson's 22-tone 7-limit 'marimba' scale                                        
|
|
wilson7_2.scl
Wilson 7-limit scale                                                            
|
|
wilson7_3.scl
Wilson 7-limit scale                                                            
|
|
wilson7_4.scl
Wilson 7-limit 22-tone scale XH 3, 1975
|
|
wilson_17.scl
Wilson's 17-tone 5-limit scale                                                  
|
|
wilson_31.scl
Wilson 11-limit 31-tone scale XH 3, 1975                                        
|
|
wilson_41.scl
Wilson 11-limit 41-tone scale XH 3, 1975                                        
|
|
wilson_alessandro.scl
D'Alessandro, genus [3 3 3 5 7 11 11] plus 8 pigtails, XH 12, 1989
|
|
wilson_bag.scl
Erv's bagpipe, mar '97, after Theodore Podnos (37-39).                          
|
|
wilson_class.scl
Class Scale, Erv Wilson,  9 july 1967                                           
|
|
wilson_dia1.scl
Wilson Diaphonic cycles, tetrachordal form                                      
|
|
wilson_dia2.scl
Wilson Diaphonic cycle, conjunctive form                                        
|
|
wilson_dia3.scl
Wilson Diaphonic cycle on 3/2                                                   
|
|
wilson_dia4.scl
Wilson Diaphonic cycle on 4/3                                                   
|
|
wilson_duo.scl
Wilson 'duovigene'                                                              
|
|
wilson_enh.scl
Wilson's Enharmonic & 3rd new Enharmonic on Hofmann's list of superp. 4chords   
|
|
wilson_enh2.scl
Wilson's 81/64 Enharmonic, a strong division of the 256/243 pyknon              
|
|
wilson_facet.scl
Wilson study in 'conjunct facets', Hexany based                                 
|
|
wilson_gh1.scl
Golden Horagram nr.1: 1phi+0 / 7phi+1
|
|
wilson_gh11.scl
Golden Horagram nr.11: 1phi+0 / 3phi+1
|
|
wilson_gh2.scl
Golden Horagram nr.2: 1phi+0 / 6phi+1
|
|
wilson_gh50.scl
Golden Horagram nr.50: 7phi+2 / 17phi+5
|
|
wilson_helix.scl
Wilson's Helix Song, see David Rosenthal, Helix Song, XH 7&8, 1979              
|
|
wilson_hypenh.scl
Wilson's Hyperenharmonic, this genus has a CI of 9/7                            
|
|
wilson_l1.scl
Wilson 11-limit scale                                                           
|
|
wilson_l2.scl
Wilson 11-limit scale                                                           
|
|
wilson_l3.scl
Wilson 11-limit scale                                                           
|
|
wilson_l4.scl
Wilson 11-limit scale                                                           
|
|
wilson_l5.scl
Wilson 11-limit scale                                                           
|
|
wilson_l6.scl
Wilson 1 3 7 9 11 15 eikosany plus 9/8 and tritone. Used Stearns: Jewel         
|
|
window.scl
Window lattice                                                                  
|
|
wonder1.scl
Wonder Scale, gen=~233.54 cents, 8/7+1029/1024^7/25, LS 12:14:18:21, M.Schulter
|
|
wonder36.scl
Wonder Scale, 36-tET version
|
|
wronski.scl
Wronski's scale, from Jocelyn Godwin, "Music and the Occult", p. 105.           
|
|
wurschmidt.scl
Wuerschmidt's normalised 12-tone system                                         
|
|
wurschmidt1.scl
Wuerschmidt-1 19-tone scale                                                     
|
|
wurschmidt2.scl
Wuerschmidt-2 19-tone scale                                                     
|
|
wurschmidt_31.scl
Wuerschmidt's 31-tone system                                                    
|
|
wurschmidt_31a.scl
Wuerschmidt's 31-tone system with alternative tritone                           
|
|
wurschmidt_53.scl
Wuerschmidt's 53-tone system                                                    
|
|
wurschmidt_temp.scl
Wuerschmidt temperament, 5-limit, g=387.722
|
|
xenakis_chrom.scl
Xenakis's Byzantine Liturgical mode, 5 + 19 + 6 parts
|
|
xenakis_diat.scl
Xenakis's Byzantine Liturgical mode, 12 + 11 + 7 parts
|
|
xenakis_schrom.scl
Xenakis's Byzantine Liturgical mode, 7 + 16 + 7 parts
|
|
xenoga24.scl
M. Schulter, 3+7 ratios Xeno-Gothic adaptive tuning (keyboards 64:63 apart)
|
|
xylophone.scl
Observed south Pacific pentatonic xylophone tuning
|
|
xylophone2.scl
African Yaswa xylophones (idiophone; calbash resonators with membrane)
|
|
xylophone3.scl
African Banyoro xylophone (idiophone; loose log)
|
|
xylophone4.scl
African Bapare xylophone (idiophone, loose-log)
|
|
yasser_6.scl
Yasser Hexad, 6 of 19 as whole tone scale
|
|
yasser_diat.scl
Yasser's Supra-Diatonic, the flat notes are V,W,X,Y,and Z
|
|
yasser_ji.scl
Yasser's JI Scale, 2 Yasser hexads, a 121/91 apart                              
|
|
young-g.scl
Gayle Young's Harmonium, see PNM 26(2): 204-212 (1988)
|
|
young-lm_guitar.scl
LaMonte Young, Tuning of For Guitar '58. 1/1 March '92, inv.of Mersenne lute 1  
|
|
young-lm_piano.scl
LaMonte Young's Well-Tempered Piano                                             
|
|
young-w10.scl
William Lyman Young 10 out of 24-tET (1961)                                     
|
|
young-w14.scl
William Lyman Young 14 out of 24-tET (1961)                                     
|
|
young-wt.scl
William Lyman Young "exquisite 3/4 tone Hellenic Lyre" dorian                   
|
|
young.scl
Thomas Young well temperament (1807), also Luigi Malerbi nr.2 (1794)
|
|
young2.scl
Thomas Young well temperament no.2, ca. 1800
|
|
yugo_bagpipe.scl
Yugoslavian Bagpipe                                                             
|
|
yves.scl
St Yves's scale II from Jocelyn Godwin, "Music and the Occult", 1995.           
|
|
zalzal.scl
Tuning of popular flute by Al Farabi & Zalzal. First tetrachord is modern Rast  
|
|
zalzal2.scl
Zalzal's Scale, a medieval Islamic with Ditone Diatonic & 10/9 x 13/12 x 72/65  
|
|
zarlino.scl
Ptolemy's Intense Diatonic Systonon, also Zarlino's scale                       
|
|
zarlino2.scl
16-note choice system of Zarlino, Sopplimenti musicali (1588)
|
|
zesster_a.scl
Harmonic six-star, group A, from Fokker                                         
|
|
zesster_b.scl
Harmonic six-star, group B, from Fokker                                         
|
|
zesster_c.scl
Harmonic six-star, group C on Eb, from Fokker                                   
|
|
zesster_mix.scl
Harmonic six-star, groups A, B and C mixed, from Fokker                         
|
|
zir_bouzourk.scl
Zirafkend Bouzourk (IG #3, DF #9), from both Rouanet and Safi al-Din       
|
|
zwolle.scl
Henri Arnaut De Zwolle. Pythagorean on G flat.                                  
|
